Michael Russell

Nothing thrived here, but something grew... Germany, 1945. Year Zero. The war is at an end. When Ireland's ambassador to the Third Reich finally leaves the war-torn country, Garda detective Stefan Gillespie makes his way home under the watchful eye of British Intelligence, who are searching for some of the Irish citizens Ireland doesn't want back. The usual dirty business. But suddenly Stefan is drawn into a murder inquiry. Unexpectedly arriving in a town he knew in his youth, on visits to his German relatives, Stefan feels compelled to help his cousin Annaliese and her hostile daughter Krista. Maybe it's nostalgia for first love, or for a time of peace, or maybe he just wants to do something that feels clean. But the past is a dangerous place to return to... A darkness still hangs over Germany, and Stefan Gillespie is walking right into it.----------Praise for Michael Russell:'Complex but compelling . . . utterly vivid and convincing' - Independent on Sunday'A superb, atmospheric thriller' - Irish Independent'A thriller to keep you guessing and gasping' - Daily Mail'Atmospheric' - Sunday Times

Tervetuloa Pohjoismaiden suurimpaan verkkokirjakauppaan! Adlibris kannattaa sananvapautta, ja haluamme edistää kirjallisuuden ja tiedon saatavuutta.

"Extraordinary stuff wonderfully executed... another top-class novel, a brilliant addition to this series, an outstanding read." - Amazon reviewer, ?????----------In this dead city, the vultures are circling... Berlin 1944. The beginning of the end for Nazi Germany. And the beginning of a dark journey for Garda detective Stefan Gillespie as he makes his way through war-ravaged Europe to the German capital. He carries secret instructions for the Irish ambassador, who is clinging on in the growing chaos - even though it's time to get out. Bombs fall and bodies fill the streets. People starve. The true horrors of Nazi terror are everywhere now... and the Russians are coming. As Stefan searches for an Irishman trapped in Berlin who has betrayed his country and his friends, who cares if people are murdered along the way? And Stefan has to ask himself if saving one life matters in this devastation. And if it does, is it worth him risking his own?----------Praise for Michael Russell:'In The City of God, Michael Russell again captures wartime Europe's uncertainties through his richly drawn Garda inspector Stefan Gillespie' - Irish Times'Complex but compelling . . . utterly vivid and convincing' - Independent on Sunday'A superb, atmospheric thriller' - Irish Independent'A thriller to keep you guessing and gasping' - Daily Mail'Atmospheric' - Sunday Times

The next thrilling historical crime novel in the Stefan Gillespie series... The Second World War may well be drawing to a close, but there is still espionage work for Stefan to do amid the chaos.

The principles responsible for the creation of America are, and have always been, required in equal measure to sustain America. Only an independent-minded citizenry can preserve a free independent nation. What act, law, movement, person, or force in America since 1776 has slowed for more than a moment the Perpetual Political Pendulum's ever-Leftward drift toward liberty's demise?

Italy, 1943. Irish detective Stefan Gillespie leaves the chaos of Nazi-occupied Rome for neutral Switzerland on a mission his government knows nothing about. Waiting for a late-night connection in Zurich he sees a train that shouldn't be there. The train's SS guards, who shouldn't be there either, beat him to within an inch of his life. But Stefan's perilous journey begins in Rome with the barbaric murder of an idealistic young Irish priest. The Eternal City is a place of vengeance, duplicity and betrayal that has even infected the City of God itself, the Vatican. In a war that is everywhere, not even neutrals, can escape the surrounding darkness. Praise for Michael Russell'In The City of God, Michael Russell again captures wartime Europe's uncertainties through his richly drawn Garda inspector Stefan Gillespie' Irish Times'Complex but compelling . . . utterly vivid and convincing' Independent on Sunday'A superb, atmospheric thriller' Irish Independent'A thriller to keep you guessing and gasping' Daily Mail'Atmospheric' Sunday Times

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Systemic Racism and Educational Measurement provides a theoretical and historical reckoning with racism and oppression produced through educational measurement and research methodology. As scholars and professionals in the testing, measurement, and assessment of human learning and performance work to exorcise race sciences, white supremacy, and other injustices from the field’s research and practice, new insights are needed into their root causes. This book is the first to posit that the theory of the White Racial Frame was and continues to be applied to the foundations, process, dissemination, and use of educational measurement, leading to instruments, findings, and decisions that perpetuate the racialized social structure of our nation. Even among well-meaning stakeholders who aim to improve humanity and address inequities, the White Racial Frame shapes the field’s research questions, the methods utilized, the data valued, the interpretations made, and the language used throughout. Students and scholars of educational measurement, testing, and psychometrics will find invaluable clarifications of terminology, concepts, and theories integral to understanding systemic barriers in the field; explications of educational measurement’s core purposes and its influence by the White Racial Frame; and a series of alternate frames, theories, and epistemologies intended to guide educational measurement toward anti-racism and increased fairness.

Systemic Racism and Educational Measurement provides a theoretical and historical reckoning with racism and oppression produced through educational measurement and research methodology. As scholars and professionals in the testing, measurement, and assessment of human learning and performance work to exorcise race sciences, white supremacy, and other injustices from the field’s research and practice, new insights are needed into their root causes. This book is the first to posit that the theory of the White Racial Frame was and continues to be applied to the foundations, process, dissemination, and use of educational measurement, leading to instruments, findings, and decisions that perpetuate the racialized social structure of our nation. Even among well-meaning stakeholders who aim to improve humanity and address inequities, the White Racial Frame shapes the field’s research questions, the methods utilized, the data valued, the interpretations made, and the language used throughout. Students and scholars of educational measurement, testing, and psychometrics will find invaluable clarifications of terminology, concepts, and theories integral to understanding systemic barriers in the field; explications of educational measurement’s core purposes and its influence by the White Racial Frame; and a series of alternate frames, theories, and epistemologies intended to guide educational measurement toward anti-racism and increased fairness.

Italy, 1943. Irish detective Stefan Gillespie leaves the chaos of Nazi-occupied Rome for neutral Switzerland on a mission his government knows nothing about. Waiting for a late-night connection in Zurich he sees a train that shouldn't be there. The train's SS guards, who shouldn't be there either, beat him to within an inch of his life. But Stefan's perilous journey begins in Rome with the barbaric murder of an idealistic young Irish priest. The Eternal City is a place of vengeance, duplicity and betrayal that has even infected the City of God itself, the Vatican. In a war that is everywhere, not even neutrals, can escape the surrounding darkness. Praise for Michael Russell'Complex but compelling . . . utterly vivid and convincing' Independent on Sunday'A superb, atmospheric thriller' Irish Independent'A thriller to keep you guessing and gasping' Daily Mail'Atmospheric' Sunday Times