Mikhail Bulgakov

"Master i Margarita" - bessmertnoe proizvedenie Mikhaila Bulgakova, glavnyj roman ego zhizni, tak do kontsa i ne ponjatyj, zagadochnyj i manjaschij. Opublikovannyj v seredine 1960-kh godov, roman porazil chitatelej neobychnostju zamysla, krasochnostju i fantastichnostju dejstvija, obedinjajuschego geroev raznykh epokh i kultur. Nechistaja sila vo glave s samim Djavolom Volandom odnazhdy vesennim dnem pojavljaetsja v Moskve, chtoby navesti porjadok. Imenno tak nachinaetsja polnaja prikljuchenij i ironii istorija, v kotoroj v kontse kontsov pobezhdajut ljubov i vernost. Unikalnye raboty fotografov i illjustratorov otrazhajut v izdanii atmosferu "bulgakovskoj" Moskvy i demonstrirujut materialy Muzeja M. A. Bulgakova, a takzhe redkie kadry iz lichnoj i tvorcheskoj zhizni avtora.

V etu knigu voshli tri povesti Mikhaila Bulgakova, nastojaschie shedevry ego fantasmagoricheskoj satiry: "Rokovye jajtsa", pritjagivajuschie svoej prichudlivostju i ostroumiem, i okazavshie ogromnoe vlijanie na mnozhestvo pokolenij rossijskikh chitatelej, razdergannoe na tsitaty, blestjasche ekranizirovannoe Vladimirom Bortko "Sobache serdtse", a takzhe povest "Djavoliada", kotoruju literaturovedy schitajut svoeobraznym eskizom, ili nabroskom k bessmertnomu romanu "Master i Margarita".

O neokonchennom "Teatralnom romane" Mikhaila Afanasevicha Bulgakova (1891-1940) tak mnogo i tak jarko skazano, chto stoit ogranichitsja neskolkimi tsitatami. "Ostrota i gotovnost k nasmeshke tak i bjot iz-pod pera... Zhivejshij dialog, mnogo dialoga, i on bryzzhet smekhom" (Aleksandr Solzhenitsyn). "Eto tragicheskaja tema Bulgakova - khudozhnik v ego stolknovenii vse ravno s kem - s Ljudovikom li, s Kabaloj, s Nikolaem ili s rezhisserom" (Elena Bulgakova). "Mir "Teatralnogo romana" so vsemi ego porokami, so vsej ego "zakulisnoj bezzhalostnostju" i "ostrotoj lichnykh interesov" (eto slova Vladimira Nemirovicha-Danchenko) omyvaetsja avtorskoj ljubovju, toj samoj ljubovju tvortsa, kotoraja prinimaet i blagoslovljaet zhizn vo vsekh ee formakh i raznovidnostjakh, ot infuzorii v vide Demjana Kuzmicha do takogo slozhnejshego chelovecheskogo obrazovanija, kakim predstavlen genialnyj akter Ivan Vasilevich" (Anatolij Smeljanskij). V obschem, imeet smysl usomnitsja v pravdivosti slov avtora, kotorye on vynes v predislovie k romanu: "Ni takikh teatrov, ni takikh ljudej, kakie vyvedeny v proizvedenii pokojnogo, nigde net i ne bylo". Byli. I est. Soprovoditelnaja statja Violetty Gudkovoj Violetta Vladimirovna Gudkova (rod. v 1949) - istorik teatra, literaturoved, tekstolog, veduschij nauchnyj sotrudnik otdela teatra Gosudarstvennogo instituta iskusstvoznanija. Kandidat iskusstvoznanija. Avtor knigi "Vremja i teatr Mikhaila Bulgakova". Sostavitel i kommentator "Knigi proschanija" Jurija Oleshi. Kak teatralnyj i literaturnyj kritik sotrudnichaet s zhurnalami "NLO", "Znamja", "Druzhba narodov", "Teatr", "Moskovskij nabljudatel". Redaktor: Mikhajlova E.

Proizvedenija Mikhaila Bulgakova, sobrannye v etoj knige, obedineny obschej temoj i, mozhno skazat, odnim personazhem 20-kh godov XX veka. Eto kollektivnoe bessoznatelnoe, chej golos chutko ulavlival Bulgakov kak feletonist stolichnykh gazet i zhurnalov. Zhurnalistskaja sluzhba pozvolila prozaiku voochiju uvidet i otsenit otpugivajuschie rezultaty sotsialnogo eksperimenta, provodimogo bolshevikami. Povesti, vkhodjaschie v etot sbornik, - "Rokovye jajtsa" i "Djavoliada" - dajut shirokuju politicheskuju, sotsialnuju i bytovuju panoramu 20-kh godov. Krome togo, v knige predstavlen tsikl rasskazov "Putevye zametki".

V knigu voshel odin iz samykh udivitelnykh i zagadochnykh romanov XX veka.

Tsenzurirovannaya versiya byla opublikovana v moskovskom zhurnale v 1966-1967 gg. Posle smerti pisatelya. Rukopis' ne byla opublikovana v vide knigi do 1967 goda v Parizhe. Rasprostranena versiya samizdata, vklyuchayushchaya chasti, vyrezannyye ofitsial'noy tsenzuroy, i oni byli vklyucheny v versiyu 1969 goda, opublikovannuyu vo Frankfurte. S tekh por roman byl opublikovan na neskol'kikh yazykakh i v raznykh izdaniyakh. V otchayanii, ne v silakh opublikovat' Uchitelya i Margaritu, Bulgakov snachala napisal lichnoye pis'mo Iosifu Stalinu (iyul' 1929 goda), a zatem 28 marta 1930 goda pis'mo Sovetskomu pravitel'stvu. On zaprosil razresheniye na emigratsiyu, yesli Sovetskiy Soyuz ne smog nayti yemu primeneniye v kachestve pisatelya.

This edition (Classic Wisdom Reprint) is non-censored, based on a samizdat version and translated in Russia by an unknown translator. Widely held as one of the best novels of the 20th century the book depicts a story in a story, a manuscript of a Biblical story that the Master cannot publish and locked up in the asylum for. The story concerns a visit by the devil to the officially atheistic Soviet Union. The Master and Margarita combine supernatural elements with satirical dark comedy and Christian philosophy, defying a singular genre. Literary critic, assistant professor at the Russian State Institute of Performing Arts Nadezhda Dozhdikova notes that the image of Jesus as a harmless madman presented in ″Master and Margarita″ has its source in the literature of the USSR of the 1920s, which, following the tradition of the demythologization of Jesus in the works Strauss, Renan, Nietzsche, and Binet-Sangl , put forward two main themes - mental illness and deception. The mythological option, namely the denial of the existence of Jesus, only prevailed in the Soviet propaganda at the turn of the 1920s and 1930s.

A literary sensation from its first publication, The Master and Margarita is considered a masterpiece of twentieth-century Russian literature. Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by Diana Burgin and Katherine Tiernan O’Connor, and features an introduction by Orlando Figes. In Mikhail Bulgakov's imaginative extravaganza, Satan, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. This visit has several aims, one of which concerns the fate of the Master, an author who has written a novel about Pontius Pilate and is now in a mental hospital. By turns satiric, fantastic and ironically philosophical, The Master and Margarita constantly surprises and entertains as the action switches back and forth between twentieth-century Moscow and first-century Jerusalem.

"Sobache serdtse", genialnaja povest Mikhaila Bulgakova, napisannaja esche v 1925 godu, edva ne stoivshaja avtoru svobody i do 1987 goda izdavavshajasja lish za rubezhom i khodivshaja po rukam v samizdate, v predstavlenijakh ne nuzhdaetsja. Chut li ne do poslednej bukvy razobrannaja na tsitaty istorija milogo psa Sharika, prevraschennogo, blagodarja eksperimentu professora Preobrazhenskogo, v tipichnogo "krasnogo khama" Poligrafa Sharikova, sredi russkojazychnykh chitatelej vot uzhe neskolkikh pokolenij nosit poistine kultovyj status. Takzhe v sostav sbornika vkhodit "Zhizn gospodina de Molera", – pechalnaja i blestjasche-ostroumnaja romanizirovannaja biografija velikogo frantsuzskogo dramaturga.

With an introduction by the writer and critic Viv Groskop. In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow, along with a talking cat and an expert assassin. This riotous band succeed in fooling an entire population of people who persistently deny the devil’s existence, even as they are confronted with the diabolic results of a magic act gone wrong. The devil’s project soon becomes involved with The Master, a man who has turned his back on his former life and sought sanctuary in a lunatic asylum, and his former lover, Margarita. A literary sensation from its first publication, The Master and Margarita has been translated into more than twentylanguages. Mikhail Bulgakov’s novel is now considered one of the seminal works of twentieth-century Russian literature. By turns acidly satiric, fantastic and ironically philosophical, this story constantly surprises and entertains.

Mästaren och Margarita på georgiska.

BEG - odno iz samykh jarkikh proizvedenij M. A. Bulgakova, kotoroe, kak i mnogie drugie proizvedenija, tak i ne uvidelo svet pri zhizni avtora. Spory o nem uzhe v nachale tridtsatykh godov pereshli v ploskost sugubo politicheskuju. Po mneniju «otvetstvennykh» rabotnikov, BEG idealiziroval emigratsiju i javljalsja «vrednym dlja sovetskogo zritelja». Etoj pesoj Bulgakov proschalsja so staroj Rossiej, i, kak on ponimal, navsegda. Proschajas, on zadavalsja voprosami: chto proizoshlo s Rossiej, pochemu russkie unichtozhali drug druga, vozmozhno li vozvraschenie na rodinu izgnannikov, volno ili nevolno popavshikh v vodovorot tragicheskikh sobytij. Ekranizatsija pesy Bulgakova «Beg» stala odnoj iz vershin sovetskogo kinematografa. Nastojaschee izdanie soprovozhdeno obshirnym kommentariem.

"A roman ja dopishu, i, smeju uverit, eto budet takoj roman, ot kotorogo nebu stanet zharko...". Tak v 1923 godu Mikhail Afanasevich Bulgakov (1891-1940) pishet o "Beloj gvardii" - pervom, a po mneniju nekotorykh literaturnykh spetsialistov, i luchshem svoem romane. "Tolstovskij gen" v "Beloj gvardii" ocheviden. Pravda, balans silno narushen: vojny v romane s izbytkom, a mira silno menshe, chem u Tolstogo - ego s bolshim trudom pytajutsja sokhranit v dome Turbinykh. Eto plokho udaetsja: v Grazhdanskuju vojnu sobrat za odnim stolom semju nichut ne prosche, chem sobratraspavshujusja rodinu i vosstanovit razrushennuju zhizn. Udivitelno pronitsatelen i mudr vzgljad molodogo, v suschnosti, cheloveka na tragediju krushenija russkogo mira. O chem, uzhe emigrirovav iz etogo stavshego dlja nego chuzhim mira, napisal drugoj vydajuschijsja pisatel, Georgij Adamovich: "S vysot, otkuda emu otkryvaetsja vsja panorama chelovecheskoj zhizni, on smotrit na nas s sukhovatoj i dovolno grustnoj usmeshkoj. Nesomnenno, eti vysoty nastolko znachitelny, chto na nikh slivajutsja dlja glaza krasnoe i beloe - vo vsjakom sluchae, eti razlichija terjajut svoe znachenie". Dazhe v segodnjashnej Rossii, vek spustja, takoe ponimanie istorii prizhivaetsja trudno. Soprovoditelnaja statja Igorja Sukhikh Igor Nikolaevich Sukhikh (rod. 1952) - rossijskij literaturoved, kritik, doktor filologicheskikh nauk, professor kafedry isto-rii russkoj literatury SPbGU. Rabotal v kachestve priglashennogo professora v universitetakh Groningena, Khelsinki, Plovdiva, Chonana. Avtor bolee 500 rabot po istorii russkoj literatury i kritiki XIX-XX vv. Sostavitel i kommentator sobranij sochinenij I. Babelja, M. Bulgakova, M. Zoschenko, A. Chekhova, nauchnyj rukovoditel uchebno-metodicheskogo kompleksa po literature dlja 5 -11 klassov. Laureat Gogolevskoj premii (2005) za knigu "Dvadtsat knig XX veka".

Boken är en gripande roman som utspelar sig under Ryska inbördeskriget och utforskar livet för Turbin-familjen i Kiev. Fylld med politisk intriger, personliga strider och historisk turbulens väver Bulgakov en levande berättelse som utforskar lojalitetens, kärlekens och revolutionens påverkan på individer. Romanen fångar mästerligt den kaotiska atmosfären vid den tiden, blandar historiska händelser med djup karaktärsutveckling för att skapa en tidlös utforskning av den mänskliga upplevelsen mitt i samhällsomvälvningen.

V jetot sbornik voshli proizvedenija Bulgakova, nosjashhie avtobiograficheskij harakter, - ostroumnaja, ironichnaja povest' Zapiski na manzhetah, posvjashhennaja skitanijam po poslerevoljucionnomu Kavkazu, slozhnym otnoshenijam s krasnoj vlast'ju i sobrat'jami po peru, mechtam ob jemigracii i pervym opytam v literature, i potrjasajushhie Zapiski junogo vracha - pochti dokumental'nye ocherki Bulgakova o svjatom i strashnom zhrebii sluzhitelja Gippokrata v nishhej, pochti srednevekovoj rossijskoj provincii nachala 1920-h. V knigu vkljuchen i Morfij - pugajushhe otkrovennaja, muchitel'naja ispoved', posluzhivshaja osnovoj dlja odnoimennogo fil'ma Alekseja Balabanova.

Zapiski junogo vracha - cikl rasskazov M. A. Bulgakova, opublikovannyh v 1925-1926 godah v zhurnalah Medicinskij rabotnik i Krasnaja panorama V cikl vhodjat rasskazy Polotence s petuhom, Stal'noe gorlo, Kreshhenie povorotom, V'juga, T'ma egipetskaja, Propavshij glaz i Zvjozdnaja syp' a takzhe dva rasskaza blizkie po tematike - Morfij i Ja ubil.

Zapiski na manzhetah - chastichno avtobiograficheskaja povest', napisannaja Mihailom Bulgakovym v 1922-1923 godah. Pri zhizni pisatelja povest' ni razu ne publikovalas' celikom, v nastojashhee vremja chast' teksta uterjana. Osnovnym motivom Zapisok na manzhetah stala problema otnoshenij pisatelja i vlasti. V avtobiograficheskoj povesti dostatochno podrobno opisana zhizn' Bulgakova na Kavkaze i pervye mesjacy ego prebyvanija v Moskve, vplot' do prakticheski doslovnogo opisanija disputa ob A. S. Pushkine (Vladikavkaz, leto 1920) i namerenija jemigrirovat'.

D'javoliada - povest' Mihaila Bulgakova, opublikovannaja v 1924 godu. Jeto - zamechatel'naja kniga, otrazhajushhaja duh svoego vremeni. Nezasluzhenno obojdjonnaja vnimaniem bol'shinstva chitatelej, kniga demonstriruet poslednie mgnovenija zhizni nekoego srednestatisticheskogo zhitelja Moskvy, izo vseh sil pytavshegosja vyzhivat' v ochen' neprostoe vremja. Kak i vse proizvedenija Bulgakova, neverojatno realistichna i zlobodnevna. S pomoshh'ju metafor i allegorij, strannyh obrazov avtor risuet sovremennuju kartinu okruzhajushhego mira, gde carit bjurokraticheskij proizvol... Rokovye jajca - fantasticheskaja povest' Mihaila Bulgakova, vpervye opublikovannaja v 1925 godu. Takzhe pechatalas' v sokrashhjonnom vide pod nazvaniem Luch zhizni v tom zhe godu. Povest' "Rokovye jajca" - proizvedenie fantasticheskoe i, vmeste s tem, uzhasajushhe realistichnoe. Vy nasladites' atmosferoj i duhom povesti, voploshhennymi v emkom, mnogogrannom "bulgakovskom" jazyke, jarkoj igre allegorij i smysla, gor'kovatom i besposhhadnom jumore.