Naguib Mahfouz

Naguib Mahfouz’s magnificent epic trilogy of colonial Egypt appears here in one volume for the first time. The Nobel Prize-winning writer’s masterwork is the engrossing story of a Muslim family in Cairo during Britain’s occupation of Egypt in the early decades of the twentieth century. The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons – the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad’s rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz’s vivid tapestry of an evolving Egypt to a dramatic climax as the ageing patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician. Throughout the trilogy, the family’s trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humour and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller.

Anchor proudly presents a new omnibus volume of three novels--previously published separately by Anchor--by Naguib Mahfouz, winner of the Nobel Prize in Literature. Assembled here is a collection of Mahfouz's artful meditations on the vicissitudes of post-Revolution Egypt. Diverse in style and narrative technique, together they render a rich, nuanced, and universally resonant vision of modern life in the Middle East. The Beggar is a complex tale of alienation and despair. In the aftermath of Nasser's revolution, a man sacrifices his work and family to a series of illicit love affairs. Released from jail in post-Revolutionary times, the hero ofThe Thief and the Dogs blames an unjust society for his ill fortune, eventually bringing himself to destruction. Autumn Quail is a tale of moral responsibility, isolation, and political downfall about a corrupt bureaucrat who is one of the early victims of the purge after the 1952 revolution in Egypt. "The incredible variety of Mahfouz's writing continues to dazzle our eyes."--The Washington Post"[Naguib Mahfouz] is not only a Hugo and a Dickens, but also a Galsworthy, a Mann, a Zola, and a Jules Romains."--Edward Said, The London Review of Books

Åratal efter kungens död kommer en ung man, lidelsefullt upptagen med att få veta sanningen, och frågar ut faraos samtida -- inklusive hans närmaste vänner, hans bittraste fiender och hans gåtfulla hustru, Nefertiti. Han försöker få fram vad som verkligen hände under denna sällsamma, mörka tid vid Echnatons hov. Medan de var och en ger sin version av händelserna, låter Mahfouz sina läsare själva försöka finna sanningen om Echnaton. Och om den sanningen också innehåller sanningar om våra dagars Egypten...

From the Nobel Prize laureate and author of the acclaimed Cairo Trilogy, a beguiling and artfully compact novel set in Sadat's Egypt. The time is 1981, Anwar al-Sadat is president, and Egypt is lurching into the modern world. Set against this backdrop, The Day the Leader Was Killed relates the tale of a middle-class Cairene family. Rich with irony and infused with political undertones, the story is narrated alternately by the pious and mischievous family patriarch Muhtashimi Zayed, his hapless grandson Elwan, and Elwan's headstrong and beautiful fiancee Randa. The novel reaches its climax with the assassination of Sadat on October 6, 1981, an event around which the fictional plot is skillfully woven. The Day the Leader Was Killed brings us the essence of Mahfouz's genius and is further proof that he has, in the words of the Nobel citation, "formed an Arabic narrative art that applies to all mankind."

From the Foreword by Nadine Gordimer: "These pieces are meditations which echo that which was, has been, and is the writer Mahfouz. They are--in the words of the title of one of the prose pieces--'The Dialogue of the Late Afternoon' of his life. I don't believe any autobiography, with its inevitable implication of self-presentation, could have matched what we have here." With more than 500,000 copies of his books in print, Naguib Mahfouz has established a following of readers for whom Echoes of an Autobiography provides a unique opportunity to catch an intimate glimpse into the life and mind of this magnificent storyteller. Here, in his first work of nonfiction ever to be published in the United States, Mahfouz considers the myriad perplexities of existence, including preoccupations with old age, death, and life's transitory nature. A surprising and delightful departure from his bestselling and much-loved fiction, this unusual and thoughtful book is breathtaking evidence of the fact that Naguib Mahfouz is not only a "storyteller of the first order" (Vanity Fair), but also a profound thinker of the first order. "A haunting commonplace book of tranquil wisdom."--Kirkus Reviews"This mosaic of autobiographical vignettes, reflections, allegories, childhood memories, dream visions, and Sufi-like spiritual maxims and paradoxes is a deep pool of wisdom that confirms his stature as a writer of universal appeal."--Publishers Weekly

The tumultuous alley of this rich and intricate novel (first published in Arabic in 1959) is inhabited by a delightful Egyptian family, but is also the setting for a second, hidden, and more daring narrative: the spiritual history of humankind. The men and women of a modern Cairo neighborood unwittingly reenact the lives of their holy ancestors: from the feudal lord who disowns one son for diabolical pride and puts another to the test, to the savior of a succeeding generation who frees his people from bondage. This powerful novel confirms again the richness and variety of Mahfouz's storytelling and his status as "the single most important writer in modern Arabic literature" (Newsweek).

Follows the Al Jawad family into the awakening world of the 1920's and the sometimes violent clash between Islamic ideals, personal dreams and modern realities. Having given up his vices after his son's death, ageing patriarch Al-Sayyid Ahmad pursues an arousing lute-player - only to find she has married his eldest son.

Ahmad, a middle-class shopkeeper runs his household strictly according to the Qur'an while at night he explores the pleasures of Cairo. A tyrant at home, Ahmad forces his gentle, oppressed wife and two daughters to live cloistered lives behind the house's latticed windows, while his three very different sons live in fear of his harsh will.

As Cairo shrugs off the final vestiges of colonialism, Ahmad Al Jawad has lost his power and surveys the world from a latticed balcony. Unable to control his family's destiny, he watches helplessly as his dynasty and the traditions he holds dear disintegrate before his eyes. But through Ahamd's three grandsons we see modern how Egypt takes shape.

No longer the grand hostelry of past years, the pensione Miramar nonetheless caters to the whims of its five men, attented to by Mariana the Greek, an aging grande dame, and a country girl named, Zohra. Reissue. NYT.

Widely acclaimed as Naguib Mahfouz's best novel, Midaq Alley brings to life one of the hustling, teeming back alleys of Cairo in the 1940s. From Zaita the cripple-maker to Kirsha the hedonistic cafe owner, from Abbas the barber who mistakes greed for love to Hamida who sells her soul to escape the alley, from waiters and widows to politicians, pimps, and poets, the inhabitants of Midaq Alley vividly evoke Egypt's largest city as it teeters on the brink of change. Never has Nobel Prize-winner Mahfouz's talent for rich and luxurious storytelling been more evident than here, in his portrait of one small street as a microcosm of the world on the threshold of modernity.

Naguib Mahfouz's haunting novella of post-revolutionary Egypt combines a vivid pychological portrait of an anguished man with the suspense and rapid pace of a detective story. After four years in prison, the skilled young thief Said Mahran emerges bent on revenge. He finds a world that has changed in more ways than one. Egypt has undergone a revolution and, on a more personal level, his beloved wife and his trusted henchman, who conspired to betray him to the police, are now married to each other and are keeping his six-year-old daughter from him. But in the most bitter betrayal, his mentor, Rauf Ilwan, once a firebrand revolutionary who convinced Said that stealing from the rich in a unjust society is an act of justice, is now himself a rich man, a respected newspaper editor who wants nothing to do with the disgraced Said. As Said's wild attempts to achieve his idea of justice badly misfire, he becomes a hunted man so driven by hatred that he can only recognize too late his last chance at redemption.

Jag inser det orimliga i att föreslå att denna djupt mänskliga, finstämda och ironiska roman görs till obligatorisk läsning på våra statliga verk. Men nog gjorde mången byrådirektör klokt i att ge bort ? Respektable herrn? i julklapp till strebrar i hierarkin. Gabi Gleichmann, Expressen

Tre av pensionatsgästerna tillhör en yngre generation. En av dem är en Dostojevskijgestalt, en annan opererar på svarta börsen. Berättaren, en äldre journalist, som avsagt sig världen och söker ro på pensionatet, får ett ? bara alltför schematiskt ? exempel på tidens förbistring och tycker sig se världen som i en spegel. Alldeles uppbygglig är bilden inte. Den visar förräderi, opportunism, lyxbegär och cynism. Men mitt i denna depraverade halvvärld rör sig den renhjärtade Zahra, bondflickan som på samma gång inkarnerar det genuina Egypten och är omgiven av ett nästan överjordiskt ljus. Kanske har hon rentav något av Indras dotter och man erinrar sig Mahfouz uttalande: ? Skrivandet är min unga fästmö?. Miramar är en klassiker från 60-talets Egypten.