Kirjailija
Nathaniel Hawthorne
Kirjat ja teokset yhdessä paikassa: 2 037 kirjaa, julkaisuja vuosilta 1842–2026, suosituimpiin kuuluu Kävelyn ylistys ja muita kirjoituksia kävelystä. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
2 037 kirjaa
Kirjojen julkaisuvuodet: 1842–2026.
Against the backdrop of seventeenth-century New England, Hester Prynne is branded with an 'A' to mark her adultery and the strict condemnation of the Puritan community. As Hester's crimes define her public life and the sinister Roger Chillingworth vows revenge, this devastating tale follows the characters as they grapple with shame, remorse and repentance. FLAME TREE 451: From mystery to crime, supernatural to horror and fantasy to science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic. Each book features a brand new biography and glossary of Literary, Gothic and Victorian terms.
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
The House of the Seven Gables: A Romance (Classics of Gothic Literature)
Nathaniel Hawthorne
Lulu.com
2019
nidottu
Nathaniel Hawthorne's classic of gothic literature follows the Pyncheon family in pre- and post-colonial New England, in their ancestral home; the titular House of the Seven Gables. Published in 1851 at the height of the Gothic fiction craze, Hawthorne's book follows two time frames: one involves flashbacks to the late 17th century, while the other is set in the author's present day of the mid-19th century. We witness the events leading up to the Salem witch trials, and the construction of a house which came to epitomise the foreboding gloom of late Gothic architecture. We hear how the very construction of the house was unjust, the land was seized from its rightful owner via cynical accusations of witchcraft. The newly-built mansion is thought to harbor a curse when Colonel Pyncheon dies during its housewarming party. Thereafter this event overshadows the lives of the Pyncheon family members, who begin to feel the house and its grim legacy weigh on their shoulders.
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
Nathaniel Hawthorne is an author who continues to present contradictions to the reader and scholar. He was a meticulous observer and recorder of everyday life, yet his fiction tends deliberately towards the fantastical and grotesque. He always identified himself strongly with the early history of New England, yet spent several years in Britain and Europe, and remained fascinated by modern social and technological innovation. Contemporaries praised his sentiment and moral purity, but it is his psychological penetration, verging at times on surreal allegory, which has attracted modern appreciation. Not least surprisingly, The Scarlet Letter has become a staple of the novelistic canon, while much of the rest of Hawthorne’s oeuvre goes almost unnoticed–a situation which is surely ripe for correction. This edition contains all the works (fiction and essays and sketches) published by Hawthorne which it has proved possible to reproduce. It also includes the unfinished novels, and the selections from Hawthorne’s diaries and letters published by his widow after his death. All of the works have been newly typeset for this edition. Prof. Nick Lawrence (University of Warwick) has written a new critical introduction to Hawthorne’s oeuvre, including a chronology of the author’s life, contexts for reading his work, an overview of contemporary and subsequent reception, and a brief bibliography. This edition contains all the works (fiction and essays and sketches) published by Hawthorne which it has proved possible to trace. It also includes the unfinished novels, and the selections from Hawthorne's diaries and letters published by his widow after his death. The contents of the volumes are:Volume 1 ( pp.): Introduction to the works by Prof. Nick Lawrence; Twice-Told TalesVolume 2 (314 pp.): Mosses from an Old ManseVolume 3 (356 pp.): The House of the Seven Gables; The Snow Image and other Twice-Told TalesVolume 4 (373 pp.): A Wonder-book; Tanglewood Tales; Grandfather's ChairVolume 5 (336 pp.): The Scarlet Letter; The Blithedale RomanceVolume 6 (307 pp.): The Marble FaunVolume 7 (313 pp.): Our Old Home; extracts from English Note-books (first part)Volume 8 (330 pp.): extracts from English Note-books (remainder)Volume 9 (242 pp.): extracts from American Note-booksVolume 10 (302 pp.): extracts from French and Italian Note-booksVolume 11 (293 pp.): The Dolliver Romance; Fanshawe; Septimius Felton; The Ancestral FootstepVolume 12 (262 pp.): tales and sketches not published elsewhere; Biographical Stories; Biographical Sketches; Alice Doane's Appeal; Chiefly about War Matters; Life of Franklin PierceVolume 13 (201 pp.): Dr. Grimshaw's Secret (as edited by Julian Hawthorne)All of the works have been newly typeset for this edition. The basis of the texts is the Riverside edition (12 vols., London: Kegan Paul, Trench & Co., 1883), except for 'The Haunted Quack,' 'A Visit to the Clerk of the Weather,' and 'A Good Man's Miracle,' in vol. 12, which are based on the online Eldritch Press editions (ibiblio.org/eldritch/nh/hawthorne.html), and Dr. Grimshaw's Secret, which is based on Julian Hawthorne's edition (Boston and New York: Houghton, Mifflin, 1882).
Le Livre Des Merveilles, Contes Pour Les Enfants Tirés de la Mythologie. Partie 1
Nathaniel Hawthorne; Léonce Rabillon
Hachette Livre - BNF
2019
pokkari
Le Livre Des Merveilles, Contes Pour Les Enfants Tirés de la Mythologie. Partie 2
Nathaniel Hawthorne; Léonce Rabillon
Hachette Livre - BNF
2019
pokkari
Nathaniel Hawthorne: Der scharlachrote Buchstabe. Roman Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken The Scarlet Letter. Erstdruck: 1850. Erste deutsche bersetzung unter dem Titel Der Scharlachbuchstabe von Wilhelm Eduard Drugulin bei Christian Ernst Kollmann, Leipzig, 1851. Hier in der bersetzung von Franz Blei, Berlin, M. Maschler, 1925. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Tompkins Harrison Matteson, The Scarlet Letter, 1860. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)
Nathaniel Hawthorne: Der scharlachrote Buchstabe. Roman Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken The Scarlet Letter. Erstdruck: 1850. Erste deutsche bersetzung unter dem Titel Der Scharlachbuchstabe von Wilhelm Eduard Drugulin bei Christian Ernst Kollmann, Leipzig, 1851. Hier in der bersetzung von Franz Blei, Berlin, M. Maschler, 1925. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Tompkins Harrison Matteson, The Scarlet Letter, 1860. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
The Works of Nathaniel Hawthorne: Grandfather's Chair
Nathaniel Hawthorne
Creative Media Partners, LLC
2019
pokkari