Percy Bysshe Shelley

"The Witch of Atlas is a major poetic work of the English romantic poet Percy Bysshe Shelley written in 1820 and published posthumously in 1824 in the Posthumous Poems collection. The poem was written in 78 ottava rima stanzas during the period when Prometheus Unbound and The Cloud were written and reflects similar themes. The theme of the poem is a quest for the perfect union. British composer Sir Granville Bantock wrote a tone poem for orchestra based on the Shelley poem in 1902, The Witch of Atlas: Tone Poem for Orchestra No.5 after Shelley, which was first performed on 10 September 1902."

St. Irvyne; or, The Rosicrucian: A Romance is a Gothic horror novel written by Percy Bysshe Shelley in 1810 and published by John Joseph Stockdale in December of that year, dated 1811, in London anonymously as "by a Gentleman of the University of Oxford" while the author was an undergraduate. The main character is Wolfstein, a solitary wanderer, who encounters Ginotti, an alchemist of the Rosicrucian or Rose Cross Order who seeks to impart the secret of immortality. The book was reprinted in 1822 by Stockdale and in 1840 in The Romancist and the Novelist's Library: The Best Works of the Best Authors, Vol. III, edited by William Hazlitt. The novella was a follow-up to Shelley's first prose work, Zastrozzi, published earlier in 1810. St. Irvyne was republished in 1986 by Oxford University Press as part of the World's Classics series along with Zastrozzi and in 2002 by Broadview Press.

Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P B S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi 1] and touches upon his earliest thoughts on irresponsible self-indulgence and violent revenge. An 1810 reviewer wrote that the main character "Zastrozzi is one of the most savage and improbable demons that ever issued from a diseased brain".

"A Defence of Poetry" is an essay by the English poet Percy Bysshe Shelley, written in 1821. It contains Shelley's famous claim that "poets are the unacknowledged legislators of the world". The essay was written in response to his friend Thomas Love Peacock's article "The Four Ages of Poetry", which had been published in 1820. A Defence of Poetry was eventually published, with some edits by John Hunt, posthumously by Shelley's wife Mary Shelley in 1840 in Essays, Letters from Abroad, Translations and Fragments by Edward Moxon in London.

Immerse yourself in the timeless verse of one of England's most celebrated Romantic poets with "The Poetical Works Of Percy Bysshe Shelley, Volume 3: From The Original Editions." This carefully curated collection showcases Shelley's profound lyrical genius and his revolutionary spirit, drawn directly from the original editions to ensure authenticity and accuracy. Within these pages, readers will discover a rich tapestry of emotions, philosophical reflections, and vivid imagery that define Shelley's enduring legacy. From odes to nature to impassioned calls for social justice, this volume captures the breadth and depth of Shelley's poetic vision, offering both seasoned scholars and new admirers a captivating journey through the mind of a literary titan. Experience the power and beauty of Shelley's poetry in its purest form, and rediscover the magic that has made him a beloved figure for generations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Discover the complete poetic works of one of England's most celebrated Romantic poets in "The Poetical Works Of Percy Bysshe Shelley." This definitive edition, edited by Mrs. Shelley, offers a comprehensive collection of Shelley's enduring verse, accompanied by an insightful memoir providing context to his life and work. Explore Shelley's lyrical brilliance, revolutionary ideals, and profound reflections on nature, love, and liberty. From the soaring heights of "Ozymandias" and "Prometheus Unbound" to the intimate verses of his personal life, this collection showcases the breadth and depth of Shelley's poetic genius. This edition is an essential addition to any literary collection and a must-read for scholars, students, and admirers of English Romanticism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.