Petr Tchaikovski

The collection includes some works by Tchaikovsky, Taneev, Cui, Feygin, Knipper. They are largely used in educational practice. For pupils of children's music schools and students of music colleges. CONTENTSP. Tchaikovsky. ScherzoS. Taneev. Introduction and Scherzo from String Quartet No. 7?. Cui. Perpetuum mobileL. Feygin. Summons of the Doyra. Op. 34 No. 2L. Knipper. Dance

Petr Ilich Chajkovskij, velikij russkij kompozitor, dirizher i pedagog, vel dnevniki bolshuju chast svoej zhizni. On fiksiroval v nikh vse, chto proiskhodilo s nim i ego okruzheniem, zapisyval intimnye mysli i nabljudenija, suzhdenija o sovremennikakh, svoi i chuzhie tajny. Ne pokazyval ikh nikomu i v kontse kontsov szheg pochti vse zapisi. Ostavshiesja bumagi (11 tetradej) byli sobrany ego bratom Modestom, a vposledstvii izdany v 1923 godu drugim ego bratom, Ippolitom, sovmestno s Nikolaem Timofeevichem Zheginym, pervym direktorom Doma-muzeja P. I. Chajkovskogo. Primechanija v "Dnevnikakh" prinadlezhat ruke Nikolaja Zhegina. V etom izdanii "Dnevniki" Petra Ilicha Chajkovskogo vykhodjat vmeste s polnym tekstom vospominanij o nem, ego blizkogo druga i kollegi, professora Moskovskoj konservatorii. "Vospominanija o P. I. Chajkovskom" Nikolaja Kashkina, napisannye s ogromnoj teplotoj i ljubovju vskore posle smerti kompozitora, javljajutsja pervoj tvorcheskoj biografiej Petra Chajkovskogo i soderzhat krajne tsennye svidetelstva o khudozhestvennom vkuse i osobennostjakh lichnosti Chajkovskogo.

Treatise on Musical Harmony, in Russian

Vnimaniju chitatelej predlagaetsja kniga velikogo russkogo kompozitora, pedagoga i muzykalnogo zhurnalista P. I. Chajkovskogo (1840-1893), v kotoroj sobrany ego muzykalno-kriticheskie raboty, napisannye v period s 1868 po 1876 gg. Predstavlennye v knige stati soderzhat kritiku nekotorykh muzykalnykh proizvedenij, postanovok, a takzhe vazhnejshikh muzykalnykh sobytij 60-70-kh godov XIX veka; analizirujutsja simfonicheskie sobranija i kvartetnye seansy Russkogo muzykalnogo obschestva, moskovskie kontsertnye sezony raznykh let. Privedeny zametki o debjutakh molodykh muzykantov i benefisakh priznannykh ispolnitelej. V knigu takzhe vkljucheno avtobiograficheskoe opisanie puteshestvija Chajkovskogo za granitsu v 1888 godu. Kniga budet interesna iskusstvovedam, kulturologam, muzykalnym kritikam, a takzhe vsem pochitateljam tvorchestva P. I. Chajkovskogo.

Sisällysluettelo1. Suloinen unelma. Op. 39, nro 212. Kehtolaulu. Op. 16, nro 13. Napolilaislaulu. Op. 39, nro 184. Surullinen laulu. Op. 40, nro 25. Tunteellinen valssi. Op. 51, nro 66. Barkarolla. Op. 37 bis, nro 67. Sanaton laulu. Op. 2, nro 38. Nocturne. Op. 19, nro 49. Syksyinen laulu. Op. 37 bis, nro 10

Reprint of original edition, 1899. Attn.! This book is print-on-demand. Please be advised that the quality of print is not like in modern editions.

"Children's Album", which carries the author's subtitle "Twenty-Four Easy Pieces for Piano" and is dedicated to Tchaikovsky's nephew Volodya Davydov, enters the golden fund of world piano literature for children. The piano cycle "The Seasons", consisting of 12 characteristic scenes, also belongs to the most popular works of the great Russian composer. The collection will be interesting for musicians of various performing abilities, from students of music schools and colleges to concert pianists.

This book contains Tchaikovsky's early pieces, composed in the late 1850s and early 1860s. The pieces are published in their original keys. CONTENTSMy Genius, My Angel, My Friend (CW 208). Words by A. Fet Mezza notte (Midnight) (CW 209). Words by anon. Russian translation by M. PavlovaZemfira's Song (CW 210). Words by A. Pushkin

"Spjaschaja krasavitsa" sozdavalas Chajkovskim v 1888-1889 godakh, vskore posle okonchanija "Charodejki" (1887) i Pjatoj simfonii (1888) i nakanune sozdanija "Pikovoj damy" (1890). Povodom dlja vozniknovenija novogo baleta javilsja zakaz direktsii imperatorskikh teatrov. Glava direktsii I. A. Vsevolozhskij ranee drugikh otsenil ogromnye vozmozhnosti Chajkovskogo kak baletnogo kompozitora i esche v 1886 godu sdelal popytku privlech ego k rabote nad bolshoj baletnoj partituroj. V 1888 godu Vsevolozhskij obratilsja k kompozitoru s novym predlozheniem: "Ja zadumal napisat libretto na "La belle au bois dormant" ("Spjaschaja krasavitsa") po skazke Perro. Khochu mise en scene sdelat v stile Louis XVI. Tut mozhet razygratsja muzykalnaja fantazija i sochinjat melodii v dukhe Ljulli, Bakha, Ramo i pr. i pr. Esli mysl Vam po nutru, otchego ne vzjatsja Vam za sochinenie muzyki? V poslednem dejstvii nuzhna kadril vsekh skazok Perro - tut dolzhny byt i Kot v sapogakh, i malchik s palchik, i Zolushka, i Sinjaja boroda i pr.". Neskolko pozdnee v odnoj iz korrespondentsij k N. F. Mekk kompozitor pisal o rabote nad "Spjaschej krasavitsej": "Sjuzhet tak poetichen, tak blagodaren dlja muzyki, chto ja sochineniem ego (baleta. - D. Zh.) byl ochen uvlechen i pisal s toj teplotoj i okhotoj, kotorye vsegda obuslovlivajut dostoinstvo proizvedenija". Postanovka "Spjaschej krasavitsy" gotovilas s bolshoj dobrosovestnostju. Eto projavilos uzhe v rabote glavnogo khudozhestvennogo rukovoditelja postanovki - M. Petipa nad programmoj baleta. Ochen tschatelno, s uchetom stilja i mnogikh detalej skazok Perro gotovilis dekoratsii i kostjumy. Pervye vypolnjalis po eskizam izvestnogo teatralnogo khudozhnika M. I. Bocharova. Eskizy kostjumov risoval sam initsiator postanovki - I. A. Vsevolozhskij, obladavshij nezaurjadnym khudozhestvennym vkusom. Premera "Spjaschej krasavitsy" sostojalas 3 janvarja 1890 goda na peterburgskoj stsene. V "Spjaschej krasavitse" voploschen pochti iskljuchitelno "svetlyj" Chajkovskij - Chajkovskij torzhestvennykh ljubovnykh kantilen, zhizneradostnoj, blestjaschej, liricheski izjaschnoj tantsevalnosti. Eto mir svetloj romantiki, kotoryj zhivet i v operakh, i v simfonijakh Chajkovskogo kak protivopostavlenie fatalno tragicheskomu ili kak zavershajuschaja faza postepennogo rastsveta dushevnykh sil i dushevnoj strasti. D. Zhitomirskij

The well-known romances to words by D. Ratgauz ('We Sat Together', 'Again, as Before, Alone', 'The Sun Has Set') were composed in the last year of Tchaikovsky's life (1893) and dedicated to their performer Nikolay Figner. CONTENTSSix Romances. Op. 73 (CW 305-310). Words by D. Ratgauz1. We Sat Together2. Night3. On This Moonlit Night4. The Sun Has Set5. Amid Sombre Days6. Again, as Before, Alone

One of the most famous piano works ever composed for children. Fingering by Viktor Merzhanov. For pupils of music schoolsCONTENTS1. Morning Prayer2. Winter Morning3. Hobbyhorse4. Mummy5. The Wooden Soldiers' March6. The Doll's Illness7. The Doll's Funeral8. Waltz9. The New Doll10. Mazurka11. Russian Song12. Farmer Playing on the Accordion13. Kamarinskaya14. Polka15. Italian Song16. Old French Song17. German Song18. Neapolitan Song19. Nanny's Tale20. Baba-Yaga21. Sweet Dream22. The Lark's Song23. The Organ-Grinder Sings24. At Church

Laulukokoelma 12: ssa osassa. Osa 6. Seitsemän aulua Op. 47SEVEN ROMANCES Op. 47 (1880) I. IF I WOULD KNOW ... Verses by A. K. Tolstoy II. THE SOUL FLYING SOUL IN THE MOUNTAINS OF HEAVEN ... Verses by A. K. Tolstoy III. DUSK FALL ON THE EARTH ... Verses by N. V. Berg (from Mitskevich) IV. DOSE, SADNESS FRIEND ... Verses by A. K. Tolstoy V. I BLESS YOU, FORESTS ... Verses by A. K. Tolstoy Vi. WHETHER DAY RUN ... Verses by A. N. Apukhtin Vii. WAS I NOT A GRASS IN THE FIELD ... Verses by IZ Surikov

Vnimaniju chitatelja predlagaetsja klassicheskaja rabota velikogo kompozitora P. I. Chajkovskogo, stavshaja odnim iz pervykh nauchno-metodicheskikh trudov v oblasti muzykalnoj teorii, napisannykh russkim kompozitorom-klassikom. Fakticheski dannaja kniga stala pervym russkim uchebnikom po kursu garmonii, srazu zhe voshedshim v praktiku prepodavanija garmonii v Rossii. Avtor primenil nekotorye novye dlja svoego vremeni momenty v metodike prepodavanija etoj distsipliny, v tom chisle razvitie tvorcheskoj initsiativy uchenika pri ego sistematicheskoj rabote nad zadachami po garmonizatsii melodij; etot printsip raboty po izucheniju garmonii primenjaetsja v pedagogicheskoj praktike i v nashi dni. Kniga rekomenduetsja kompozitoram, muzykovedam, prepodavateljam i uchaschimsja muzykalnykh shkol, istorikam iskusstva.

Nastojaschaja kniga, napisannaja velikim russkim kompozitorom P. I. Chajkovskim, predstavljaet soboj uchebnik garmonii, prednaznachennyj dlja chitatelej, uzhe obladajuschikh svedenijami o teorii muzyki. Vo vvedenii kratko izlagaetsja uchenie ob intervalakh, iz kotorykh strojatsja podlezhaschie izucheniju akkordy. Dalee rassmatrivajutsja zakony, po kotorym razlichnye garmonicheskie sochetanija muzykalnykh zvukov soedinjajutsja mezhdu soboj. Po mneniju avtora, kniga javljaetsja vspomogatelnym sredstvom k soznatelnomu, kriticheskomu izucheniju garmonii v suschestvujuschikh obraztsakh, k chteniju i analizu proizvedenij izvestnykh sochinitelej. Pri etom ona predstavljaet bolshoj interes dlja izuchenija metodicheskikh i muzykalno-teoreticheskikh vzgljadov P. I. Chajkovskogo. Kniga rekomenduetsja kompozitoram, muzykovedam, prepodavateljam i uchaschimsja muzykalnykh shkol, istorikam iskusstva.

Tchaikovsky started working on the cycle "Twelve Pieces of Moderate Difficulty" in February 1878 during his stay in Florence. It includes pieces of traditional genres of home music-making (waltz, mazurka, etude, scherzo) and the romantic genre of songs without words. Opus is dedicated to Modest Ilyich, Tchaikovsky's brother, who supported the composer and shared with him all the hardships of this time. The edition is addressed to senior pupils of children's music schools and children's schools of arts, students of music colleges and universities, and a wide circle of piano music lovers.

Laulukokoelma 12: ssa osassa. Osa11. Kuusi laulua Op. 65SIX MELODIES Op. 65 (1888) I. SERENADE (SERENADE). Poesie E. Turquety. Translated by A. Gorchakova II. DECEPTION. Poesie P. Collin. Translated by A. Gorchakova III. SERENADE (SERENADE). Poesie P. Collin. Translated by A. Gorchakova IV. QU'IMPORTE QUE L'HIVER (START WINTER). Poesie P. Collin. Translated by A. Gorchakova V. LES LARMES (TEARS). Poesie A. M. Blanchecotte. Translated by A. Gorchakova Vi. RONDEL (ENCHANT). Poesie P. Collin. Translated by A. Gorchakova

Laulukokoelma 12: ssa osassa. Osa 8. Kuusi laulua Op. 57SIX ROMANCES Op. 57 (1884) I. SAY WHAT IN THE SHADOW OF THE BRANCHES ... Verses by V. A. Sollogub II. ON THE YELLOW FIELDS ... Verses by A. K. Tolstoy III. DO NOT ASK ... Verses by A. Strugovshchikov (from Goethe) IV. USNI! Words by D. S. Merezhkovsky V. DEATH. Words by D. S. Merezhkovsky Vi. ONLY YOU ARE ONE ... Verses by A. Plescheev (from A. Kristen)

The collection includes some well-known works by Tchaikovsky arranged for bassoon and piano: Nocturne, Snowdrop, Humoresque and other pieces. For students of music colleges and conservatoires. CONTENTSNocturne. Op. 19 No. 4 Snowdrop. Op. 37 bis No. 4 Humoresque. Op. 10 No.2 The Harvest. Op. 37 bis No. 8 Autumn Song. Op. 37bis No. 10 Waltz. Op. 40 No. 8 Polka