Kirjojen hintavertailu – 12 903 739 kirjaa ja 27 kauppaa

Kirjailija

Pravu Mazumdar

Kirjat ja teokset yhdessä paikassa: 2 kirjaa, julkaisuja vuosilta 2018–2019, suosituimpiin kuuluu Gisbert Stach. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

2 kirjaa

Kirjojen julkaisuvuodet: 2018–2019.

Gisbert Stach

Gisbert Stach

Pravu Mazumdar; Corinna Rosner; Bernhart Schwenk

Arnoldsche
2018
sidottu
Gisbert Stach's (b. 1963) monograph Jewellery and Experiment presents a multifaceted opus from twenty-five years of gold- and silversmithing. In his oeuvre the primarily conceptual artist combines jewellery with video, photography and performance. One focus of his work deals with processes of transformation and experiment - pieces disappear through chemical dissolution, and form is determined by agencies of growth in nature. Stach works with means of alienation and irritation. Ground amber serves as pigment, which he works into jewellery pieces in the form of fish fingers, sliced bread or schnitzel. A further characteristic of his work is the performative act, for example when brooches are pelted with knives. Gisbert Stach is represented in numerous museums and collections, including Die Neue Sammlung - The Design Museum, Munich (DE); Fondazione Cominelli, Brescia (IT); Museo de Arte Moderno, Tarragona (ES); Museum of Arts & Crafts, Itami (JP); Gallery of Art, Legnica (PL); Museum of Bohemian Paradise, Turnov (CZ); Amber Museum, Gdansk (PL). Published to accompany exhibitions at Arnoldsche Art Publishers, Stuttgart (DE), 9-11 November 2018, and Bayerischer Kunstgewerbeverein (BKV), Munich (DE) 28 February-24 March 2019. Text in English and German.
Gabi Veit

Gabi Veit

Nichka Marobin; Pravu Mazumdar

Arnoldsche
2019
Nidottu
In her monograph Creatura | Geschöpf, the Bozen-born artist Gabi Veit takes an artistic stance on one of the most elementary cultural objects in the world: the spoon. From basic geometric simplicity - the handle as a line and the bowl as a circle - she develops an overwhelming variety of metal objects that both raise and answer questions. Who gives and who receives, what can be taken and be taken from? It is a play on the symbolism of abundance and emptiness. Each metal object is an expression of inexhaustible imagination and a playful engagement with the possibilities of design. The silver spoons have a head and a body, are handle and leg. They are blossom, fruit and leaf. They march to a different tune and speak to one another, as well as to the beholder and the user. Each spoon tells a story. Text in English, German and Italian.