Rachael King

Tervetuloa Pohjoismaiden suurimpaan verkkokirjakauppaan! Adlibris kannattaa sananvapautta, ja haluamme edistää kirjallisuuden ja tiedon saatavuutta.

Tervetuloa Pohjoismaiden suurimpaan verkkokirjakauppaan! Adlibris kannattaa sananvapautta, ja haluamme edistää kirjallisuuden ja tiedon saatavuutta.

On the isolated island of Brack, the people live by an ancient bargain: every year, a sacrifice must be made to the Glimm, the creature that haunts the salt marshes. Once, it demanded children. Eight years ago, it should have taken Lotta. Instead, the monster spared her and claimed her pony, shattering tradition and anointing her both folk hero and object of suspicion. Now sixteen, Lotta tends the Council’s sacrificial horses, keeping her distance from the islanders who whisper about her fate. But something is stirring. The island hums beneath her feet, and a song threads through her dreams. Is the Glimm calling Lotta back? When she crosses paths with Moss—a boy once hidden from sacrifice—a daring bog rescue sparks a chain of events that forces them both to question the Council’s rule and the lore that binds their people. As crops and animals are blighted and uncanny weather plagues the community, Lotta and Moss must decide whether to obey the Council or risk everything to uncover the island’s deepest secrets. Because on Brack, monsters come in many forms.

Traditionally, the most socially and academically selective UK universities expected students to move from the family home to the institution during term time. More recently, there has been a growing trend for students to live at home and commute to university, with the proportion commuting driven in part by the COVID-19 pandemic and the cost-of-living crisis. Examining commuting through a social justice lens rather than focusing solely on the way in which commuters navigate home and university identities, Living and Studying at Home: Degrees of Inequality explores the social characteristics, experiences, and outcomes of commuting students in an old Scottish university, highlighting the social class dimension of commuting. To redress the social inequalities identified, the authors consider what universities can do to meet the needs of commuter students who are currently highly marginalised. Drawing on findings of recent research undertaken by the authors, chapters discuss why commuting is socially structured by a range of factors including social deprivation, caring responsibilities, ethnicity, disability, and being a mature student, and suggest future policy, cultural and pedagogical changes which challenge the systemic inequalities experienced by living at home students.

The same evening Josh Underhill went missing, the black horse appeared on the hill above the house. Ella knows that words are powerful. So she should have known better than to utter a wish and a curse on the same day. Who is Gus, the boy with the impish grin, who seems to appear in answer to her wish? And what does the black horse want? When Ella finds that her grandmother's warnings of creatures that dwell in the lake are more than just stories, she and her pony Magpie are drawn into a dangerous, life-saving mission.

Sophie Edgar barely recognizes her husband, Thomas, an amateur naturalist, when he returns from the Amazon, where he had hoped to find his long-dreamed-of mythical butterfly, Papilio sophia. The optimistic young Edwardian gentleman is gone, replaced by a weak, nearly mute shadow of the man she married. Unable to break through his heartbreaking silence, Sophie must glean what she can from his diaries and boxes of exquisite butterflies in order to discover what happened to Thomas in the lush and perilous jungles of Brazil. In the process, she learns as much about herself and her marriage as she does about the secrets harbored by a haunted soul. A magnificent debut, written in rich and sensuous prose, Rachael King's The Sound of Butterflies is an unforgettable journey from the demure gentility of turn-of-the-twentieth-century England into the heart of darkness.