Robert Ewing

Fundamentals decide everything, yet culturally there is little explorative drive even to examine the fundamental consequences of cultural media news priorities. Described by radio host Rick Bell as "a very powerful message", the subject of this book is indeed significant, relevant and unique: confusion, and reads remarkably prophetically of the consequences of both media and political indifference to the principle that every human-being is entitled to understanding; the pandemic was the result of the business-as-usual disregard for what the public has to say, meant as healthy preoccupation with stability and prosperity yet fueling the demise of community fundamentals: independent initiative and responsibility. Replying to the Village political and cultural magazine almost four years prior to the lock-down, Robert Ewing immediately warned of a "rather more serious" virus; and he also wrote prophetically to Village of the murder of MP Joe Cox and of the Vegas concert shootings.

Churchill had one ear for history and the other for politics, and certainly listened to Chamberlain, who said long before he said it: we will never surrender (March 1939). Long before Munich he Chamberlain] had shocked substantial sections of opinion by his frank and completely realist assessment of the strength and weakness of the League of Nations. When it was clear that members of the League, for good reasons or bad, were not prepared to involve themselves in war over questions in which they themselves had no direct interest, it was obviously idle to pretend that there was any such thing as collective security on which nations could confidently rely for their own protection. There was at this date no League of Nations, and if ever there was a phrase without meaning it was collective security as opposed to national security under the conditions of the later thirties. With numerous historical facts and insights in current affairs, Irish author, artist, and historian, Robert Ewing explores Anglo-Irish affairs and Irish life, and thereby challenges a number of international myths and State cultures as involving media posture between State and People control of one another. He particularly focuses on the actions of Neville Chamberlain, Winston Churchill, and others leading up to and during World War II, identifying the generally somewhat confused repercussions of their fame. Weaving in autobiography, quotation and even poetry, this historical and political reality-check was written to be read several times and, like art, to generally inspire objective and intelligent thought and awareness. Life is a passing entity for each of us, and inspiration is our means to understand it. Colour edition available

Churchill had one ear for history and the other for politics, and certainly listened to Chamberlain, who said long before he said it: we will never surrender (March 1939). Long before Munich he Chamberlain] had shocked substantial sections of opinion by his frank and completely realist assessment of the strength and weakness of the League of Nations. When it was clear that members of the League, for good reasons or bad, were not prepared to involve themselves in war over questions in which they themselves had no direct interest, it was obviously idle to pretend that there was any such thing as collective security on which nations could confidently rely for their own protection. There was at this date no League of Nations, and if ever there was a phrase without meaning it was collective security as opposed to national security under the conditions of the later thirties. With numerous historical facts and insights in current affairs, Irish author, artist, and historian, Robert Ewing explores Anglo-Irish affairs and Irish life, and thereby challenges a number of international myths and State cultures as involving media posture between State and People control of one another. He particularly focuses on the actions of Neville Chamberlain, Winston Churchill, and others leading up to and during World War II, identifying the generally somewhat confused repercussions of their fame. Weaving in autobiography, quotation and even poetry, this historical and political reality-check was written to be read several times and, like art, to generally inspire objective and intelligent thought and awareness. Life is a passing entity for each of us, and inspiration is our means to understand it. Colour edition available

This monograph presents, for the first time, a unified and comprehensive introduction to some of the basic transport properties of porous media, such as electrical and hydraulic conductivity, air permeability and diffusion. The approach is based on critical path analysis and the scaling of transport properties, which are individually described as functions of saturation. At the same time, the book supplies a tutorial on percolation theory for hydrologists, providing them with the tools for solving actual problems. In turn, a separate chapter serves to introduce physicists to some of the language and complications of groundwater hydrology necessary for successful modeling. The end-of-chapter problems often indicate open questions, which young researchers entering the field can readily start working on. This significantly revised and expanded third edition includes in particular two new chapters: one on advanced fractal-based models, and one devoted to the discussion of various open issues such as the role of diffusion vs. advection, preferential flow vs. critical path, universal vs. non-universal exponents for conduction, and last but not least, the overall influence of the experimental apparatus in data collection and theory validation. "The book is suitable for advanced graduate courses, with selected problems and questions appearing at the end of each chapter. [...] I think the book is an important work that will guide soil scientists, hydrologists, and physicists to gain a better qualitative and quantitative understanding of multitransport properties of soils." (Marcel G. Schaap, Soil Science Society of America Journal, May-June, 2006)

Abstract art has a stunning presence in New Mexico. As a premier international art hub, the state is renowned for its artistic diversity, creative excitement, and cosmopolitan ambiance. The most sophisticated art lovers and collectors come from all over the world to experience the galleries and museums that exhibit abstract art. Today's creativity is built on centuries of Pueblo Indian design and Territorial Spanish elegance. More than a hundred years ago, prominent artists from the East Coast discovered the area and brought their energies to the task of founding the storied art colonies of Taos and Santa Fe. The light and the striking landscape proved fertile ground for innovative ideas and bold experimentation, then and now. Abstract Art presents a thoughtful sampling of the range and sheer variety of abstract art being produced in New Mexico today. Over 200 full color images reflect the vigor and originality of artists whose work compares favorably with that being produced in major metropolitan art centers. Stuart Ashman's essay covers the development of modern art in the state. He also selected the artists to appear, such as Eugene Newmann, Janet Lippincott, Kevin Tolman, Sally Anderson, Richard Hogan, Alan Paine Radebaugh, and Pascal. These artists are presented individually in profiles by Suzanne Deats.