Robert J. Dilligan

First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.

First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.

Originally published in 1984, this volume follows others in the series. By looking up a word in the word frequency table, the user can find how often it occurs in the text. The verbal index indicates at what page and line the word occurs so that the user can turn to the field of reference to see the word in each of its contexts. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, The Concordance to Conrad’s Victory is intended to provide access to certain information on the text of the novel in a manner convenient to Conrad scholars. To this end the authors have included an alphabetical list of word frequencies and a type/token ratio table as well as a list of word frequencies in rank order. In the concordance itself, each specific word in the text is listed in alphabetical order along with an identifier number and a context for the word. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1976, this publication falls into three parts: The Verbal Index, The Word Frequency Table, and The Field of Reference. A scholar interested in the full range of connotation for the word heart in Conrad would look first to the word frequency table to see how often the word in question occurs in Lord Jim. If the word is indeed part of the vocabulary of the novel, he then would turn to its alphabetical listing in the verbal index and the line numbers in which it appears. Then turning to the field of reference, he could locate the lines cited and look at each occurrence of the word in context. The authors feel that the data provided by these tables is of basic importance to both the editor and the literary critic.

Originally published in 1984, this volume follows others in the series. By looking up a word in the word frequency table, the user can find how often it occurs in the text. The verbal index indicates at what page and line the word occurs so that the user can turn to the field of reference to see the word in each of its contexts. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1976, this publication falls into three parts: The Verbal Index, The Word Frequency Table, and The Field of Reference. A scholar interested in the full range of connotation for the word heart in Conrad would look first to the word frequency table to see how often the word in question occurs in Lord Jim. If the word is indeed part of the vocabulary of the novel, he then would turn to its alphabetical listing in the verbal index and the line numbers in which it appears. Then turning to the field of reference, he could locate the lines cited and look at each occurrence of the word in context. The authors feel that the data provided by these tables is of basic importance to both the editor and the literary critic.

Originally published in 1979, The Concordance to Conrad’s Victory is intended to provide access to certain information on the text of the novel in a manner convenient to Conrad scholars. To this end the authors have included an alphabetical list of word frequencies and a type/token ratio table as well as a list of word frequencies in rank order. In the concordance itself, each specific word in the text is listed in alphabetical order along with an identifier number and a context for the word. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

This book reflects thirty years of experience in the applications of computer technology to literary research and instruction and in consulting work in office automation and system integration. In that time I have again and again found myself in the position of having to introduce students, both undergraduate and graduate, colleagues and clients to the fundamentals of computer hardware and software. Over the years, as computers became both central and commonplace in professional life, I have been aware of changing attitudes toward this technology. From attitudes that ranged from the disdain of platonic dialecticians for mere technology to intimidation bordering at times almost on terror, people have moved to incorporate this new technology into their frame of reference ( humani nil a me alienum ). The development of the microprocessor and its subsequent use for word processing marked one important watershed. The widespread use of word processors made it more likely than not that people would own their own computers, at least at work, and use them as part of their work-a-day activities. But while word processing provided some increased familiarity with computers, it did not lead most indivi- als much beyond a knowledge of the usual incantations needed to control the MultiMate or Nota Bene or Word Perfect golam and, as a result of unhappy experience, a begrudging acceptance of the need to make back up copies of important files.