Robert W. Chambers

A collection of short stories that all seem to have different topics and characters but that seem to revolve around one concept, a mysterious play, The King in Yellow. Like the Cthulhu Mythos, that Chambers is considered to be part of, the stories herein are all connected by a central motif, not only of the play itself but on the human condition and in the inevitable coming of dark powers from beyond.

Can Such Things Still Be? Complete Literary Guide to the King in Yellow This book contains the source works that began with Ambrose Bierce's creation of Hastur and Carcosa, were turned into works of madness-inducing terror by Robert W. Chambers which also introduced the King in Yellow and the Yellow Sign, then all those elements were incorporated into the Cthulhu Mythos by H. P. Lovecraft. It also includes the work from another author that Chamber's monstrous royal derived his darker deviation from that of Bierce's more humble beginnings - who could it be? It does NOT include: **any of the Derleth disasters **modern works slipped in to try and trick you into reading new Cthulhu Mythos authors **Call of Cthulhu roleplaying additions **altered mythologies from the True Detectives show Presented by the First United Church of Cthulhu, the only real and legally recognized religion based on the works of our Mad Prophet H. P. Lovecraft and the madness and chaos of the Cthulhu Mythos. Check out the church online at FUCC. IT

Tressa Norne is an American girl living in China. After her life was spared during a revolution in the area, Tressa finds herself taken as a slave and forced to serve Erlik, a demon-god, and his cult. Tressa finally escapes to America knowing that a worldwide organization of murderous black magicians, made up of Yezidees and Hassani, are plotting to take over and enslave the world. A secret agent, Victor Cleves, protects and loves Tressa, and with his support, Tressa battles the black magicians who are trying to kill her. Will White Magic triumph over Black?

Los relatos de El Rey de Amarillo han sido muy importantes en el desarrollo hist rico de la literatura fant stica norteamericana. Todos los principales escritores del periodo de surgimiento del pulp parecen haberlo conocido. Su influencia se extiende casi mundialmente, aun cuando durante muchos a os el libro estuviera agotado. De l se extraen temas, se imitan y reciclan relatos, y- lo m s importante de todo- los nuevos conceptos de horror metaf sico son retomados por una hueste de escritores cansados de los fantasmas y fen menos ocultistas, y disconformes con el misticismo o la investigaci n psicol gica. En verdad, se puede se alar a El Rey de Amarillo como uno de los m s importantes libros de ficci n sobrenatural norteamericana entre Poe y los modernos.

The King in Yellow is a book of short stories by American writer Robert W. Chambers. The first half of the book features highly esteemed weird stories, and the book has been described by critics such as E. F. Bleiler, S. T. Joshi and T. E. D. Klein as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces despair or madness in those who read it.

"Do we part here?" I asked, sorry to quit my chance acquaintance of the Johnstown highway. He nodded, yawned again, and removed his round cap of silver-fox fur to scratch his curly head. "We certainly do part at these cross-roads, if you are bound for Varicks'," he said. I waited a moment, then thanked him for the pleasant entertainment his company had afforded me, and wished him a safe journey. "A safe journey?" he repeated, carelessly. "Oh yes, of course; safe journeys are rare enough in these parts. I'm obliged to you for the thought. You are very civil, sir. Good-bye." Robert William Chambers (May 26, 1865 - December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, published in 1895. He was born in Brooklyn, New York, to William P. Chambers (1827-1911), a notable corporate and bankruptcy lawyer, and Caroline Smith Boughton (1842-1913). His parents met when Caroline was twelve years old and William P. was interning with her father, Joseph Boughton, a prominent corporate lawyer. Eventually the two formed the law firm of Chambers and Boughton which continued to prosper even after Joseph's death in 1861. Robert's great-grandfather, William Chambers (birth unknown), a lieutenant in the British Royal Navy, was married to Amelia Saunders, (1765-1822), the great grand daughter of Tobias Saunders, of Westerly, Rhode Island. The couple moved from Westerly, to Greenfield, Massachusetts and then to Galway, New York, where their son, also William Chambers, (1798-1874) was born. The second William graduated from Union College at the age of 18, and then went to a college in Boston, where he studied to be a doctor. Upon graduating he and his wife, Eliza P. Allen, (1793-1880) a direct descendant of Roger Williams the founder of Providence, Rhode Island were among the first settlers of Broadalbin, New York. His brother was architect Walter Boughton Chambers

This scarce antiquarian book is a facsimile reprint of the original. This is a pre-1923 historical reproduction. Robert William Chambers (May 26, 1865 - December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, published in 1895. He was born in Brooklyn, New York, to William P. Chambers (1827-1911), a notable corporate and bankruptcy lawyer, and Caroline Smith Boughton (1842-1913). His parents met when Caroline was twelve years old and William P. was interning with her father, Joseph Boughton, a prominent corporate lawyer. Eventually the two formed the law firm of Chambers and Boughton which continued to prosper even after Joseph's death in 1861. Robert's great-grandfather, William Chambers (birth unknown), a lieutenant in the British Royal Navy, was married to Amelia Saunders, (1765-1822), the great grand daughter of Tobias Saunders, of Westerly, Rhode Island. The couple moved from Westerly, to Greenfield, Massachusetts and then to Galway, New York, where their son, also William Chambers, (1798-1874) was born. The second William graduated from Union College at the age of 18, and then went to a college in Boston, where he studied to be a doctor. Upon graduating he and his wife, Eliza P. Allen, (1793-1880) a direct descendant of Roger Williams, 1] the founder of Providence, Rhode Island were among the first settlers of Broadalbin, New York. His brother was architect Walter Boughton Chambers. Robert was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the cole des Beaux-Arts, and at Acad mie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich). His most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane. E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction. 3] It was also strongly admired by H. P. Lovecraft and his circle. On July 12, 1898, he married Elsa Vaughn Moller (1882-1939). They had a son, Robert Edward Stuart Chambers (who sometimes used the name Robert Husted Chambers). Robert W. Chambers died on December 16, 1933, after having undergone intestinal surgery three days earlier.

The Maker of Moons is an 1896 short story collection by Robert W. Chambers which followed the publication of Chambers' most famous work, The King in Yellow (1895). It contained eight new stories, including the title story "The Maker of Moons", one of his finest weird tales, and several romantic Art Nouveau stories, concluding with two less distinguished weird tales. The latter were subsequently incorporated into the episodic novel In Search of the Unknown. The first three stories are linked by the theme of a dream wife who is named Ysonde, and they form a triptych. The weird nature of the first story has interesting echoes in the other two, which feature picturesque animal figures, such as a Red Ibis and a disagreeable porcupine. The story "In The Name of the Most High" is a war story set in the American Civil War. The next two stories are humorous romantic tales with a fishing theme and setting. Chambers' love of natural scenery illuminates most of the stories. The quality throughout is rather fine. Published by Putnam's, New York and London, in 1896. The first edition featured a frontispiece with a black and white illustration by Lancelot Speed.