Safia Elhillo

An unflinching, honest novel in verse about a teenager's journey into the slam poetry scene and the dangerous new relationship that could threaten all her dreams. From the award-winning poet and author of HOME IS NOT A COUNTRY. Bad girl. No matter how hard Samira tries, she can't shake her reputation. She's never gotten the benefit of the doubt--not from her mother or the aunties who watch her like a hawk. Samira is determined to have a perfect summer filled with fun parties, exploring DC, and growing as a poet--until a scandalous rumor has her grounded and unable to leave her house. When Samira turns to a poetry forum for solace, she catches the eye of an older, charismatic poet named Horus. For the first time, Samira feels wanted. But soon she's keeping a bigger secret than ever before--one that that could prove her reputation and jeopardize her place in her community. In this gripping coming-of-age novel from the critically acclaimed author Safia Elhillo, a young woman searches to find the balance between honoring her family, her artistry, and her authentic self.

'Incredibly moving ... Every single poem is stellar' Roxane Gay, author of Difficult Women and Hunger____________________________________________In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die][what will govern me then]____________________________________________'Elhillo's is a voice that walks into the future' Ilya Kaminsky'Brilliant. And fierce' Aracelis Girmay'An astonishment' Tracy K. Smith

An unflinching, honest novel in verse about a teenager's journey into the slam poetry scene and the dangerous new relationship that could threaten all her dreams. From the award-winning poet and author of HOME IS NOT A COUNTRY. A MICHAEL L. PRINTZ HONOR BOOK - A CALIBA GOLDEN POPPY AWARD FINALIST - A PUBLISHERS WEEKLY, SCHOOL LIBRARY JOURNAL, BOOKLIST AND KIRKUS REVIEWS BEST BOOK OF THE YEAR Bad girl. No matter how hard Samira tries, she can't shake her reputation. She's never gotten the benefit of the doubt--not from her mother or the aunties who watch her like a hawk. Samira is determined to have a perfect summer filled with fun parties, exploring DC, and growing as a poet--until a scandalous rumor has her grounded and unable to leave her house. When Samira turns to a poetry forum for solace, she catches the eye of an older, charismatic poet named Horus. For the first time, Samira feels wanted. But soon she's keeping a bigger secret than ever before--one that that could prove her reputation and jeopardize her place in her community. In this gripping coming-of-age novel from the critically acclaimed author Safia Elhillo, a young woman searches to find the balance between honoring her family, her artistry, and her authentic self.

An unflinching, honest novel in verse about a teenager's journey into the slam poetry scene and the dangerous new relationship that could threaten all her dreams. From the award-winning poet and author of HOME IS NOT A COUNTRY. A MICHAEL L. PRINTZ HONOR BOOK - A CALIBA GOLDEN POPPY AWARD FINALIST - A PUBLISHERS WEEKLY, SCHOOL LIBRARY JOURNAL, BOOKLIST AND KIRKUS REVIEWS BEST BOOK OF THE YEAR Bad girl. No matter how hard Samira tries, she can't shake her reputation. She's never gotten the benefit of the doubt--not from her mother or the aunties who watch her like a hawk. Samira is determined to have a perfect summer filled with fun parties, exploring DC, and growing as a poet--until a scandalous rumor has her grounded and unable to leave her house. When Samira turns to a poetry forum for solace, she catches the eye of an older, charismatic poet named Horus. For the first time, Samira feels wanted. But soon she's keeping a bigger secret than ever before--one that that could prove her reputation and jeopardize her place in her community. In this gripping coming-of-age novel from the critically acclaimed author Safia Elhillo, a young woman searches to find the balance between honoring her family, her artistry, and her authentic self.

Intimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children "Endlessly compelling . . . a book that gives us courage, despite all the despairing records of history."--Ilya Kaminsky, author of Dancing in Odessa and Deaf Republic In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: what if i will not die] what will govern me then]

LONGLISTED FOR THE NATIONAL BOOK AWARD - A CORETTA SCOTT KING HONOR BOOK - A KIRKUS REVIEWS BEST YOUNG ADULT BOOK OF THE CENTURY "Nothing short of magic." --Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa's "30 Under 30" list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flowerits sweetness garlands made for pretty girlsi imagine her yasmeen bright & alive& i ache to have been born her instead Nima wishes she were someone else. She doesn't feel understood by her mother, who grew up in a different land. She doesn't feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen--the name her parents meant to give her at birth--Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

LONGLISTED FOR THE NATIONAL BOOK AWARD - A CORETTA SCOTT KING HONOR BOOK - A KIRKUS REVIEWS BEST YOUNG ADULT BOOK OF THE CENTURY "Nothing short of magic." --Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa's "30 Under 30" list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flowerits sweetness garlands made for pretty girlsi imagine her yasmeen bright & alive& i ache to have been born her instead Nima wishes she were someone else. She doesn't feel understood by her mother, who grew up in a different land. She doesn't feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen--the name her parents meant to give her at birth--Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

Sillerman First Book Prize for African Poets 2018 Arab American Book Award Winner, Poetry "A taut debut collection of heartfelt poems."-Publishers WeeklyIn her dedication Safia Elhillo writes, “The January Children are the generation born in Sudan under British occupation, where children were assigned birth years by height, all given the birth date January 1.” What follows is a deeply personal collection of poems that describe the experience of navigating the postcolonial world as a stranger in one’s own land. The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan’s history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani-an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds. No longer content to accept manmade borders, Elhillo navigates a new and reimagined world. Maintaining a sense of wonder in multiple landscapes and mindscapes of perpetually shifting values, she leads the reader through a postcolonial narrative that is equally terrifying and tender, melancholy and defiant.