Kirjailija
Stendhal
Kirjat ja teokset yhdessä paikassa: 464 kirjaa, julkaisuja vuosilta 1950–2026, suosituimpiin kuuluu The Red and the Black Stendhal. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
Nimi esiintyy myös muodoissa: - Stendhal
464 kirjaa
Kirjojen julkaisuvuodet: 1950–2026.
Oeuvres Complètes. Histoire de la Peinture En Italie. Tome 2
Stendhal; Paul Arbelet
Hachette Livre - BNF
2019
pokkari
Oeuvres Complètes. Histoire de la Peinture En Italie. Tome 1
Stendhal; Paul Arbelet
Hachette Livre - BNF
2019
pokkari
Oeuvres Complètes. Le Rouge Et Le Noir. Tome 1
Stendhal; Jules Marsan; Paul Bourget
Hachette Livre - BNF
2019
pokkari
Oeuvres Complètes. Le Rouge Et Le Noir. Tome 2
Stendhal; Jules Marsan; Paul Bourget
Hachette Livre - BNF
2019
pokkari
Stendhal: Rot und Schwarz. Le Rouge et le Noir Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Entstanden 1828-1830. Erstdruck: Paris 1830. Hier in der bers. v. Arthur Schurig (1870-1929). Originaltitel: Le rouge et le noir. Textgrundlage ist die Ausgabe: Stendhal: Rot und Schwarz. Zeitbild von 1830, bers. v. Arthur Schurig, Leipzig: Insel Verlag, 1947. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Jean-L on G r me, Die Verschw rer im Salon, 1892. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)
Stendhal: Rot und Schwarz. Le Rouge et le Noir Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Entstanden 1828-1830. Erstdruck: Paris 1830. Hier in der bers. v. Arthur Schurig (1870-1929). Originaltitel: Le rouge et le noir. Textgrundlage ist die Ausgabe: Stendhal: Rot und Schwarz. Zeitbild von 1830, bers. v. Arthur Schurig, Leipzig: Insel Verlag, 1947. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Jean-L on G r me, Die Verschw rer im Salon, 1892. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)
Au rouge des armes, Julien Sorel pr f rera le noir des ordres. Au cours de son ascension sociale, deux femmes se singularisent, comme pour figurer les deux penchants de son caract re: Madame de R nal - le r ve, l'aspiration un bonheur pur et simple - et Mathilde de La Mole - l' nergie, l'action brillante et f brile. A ces composantes stendhaliennes (conception de la vie qui d passe la strat gie narrative pour s' tendre l'existence de l'auteur) correspondent deux facettes stylistiques: la sobri t et la restriction du champ de vision.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.