Sylvia Townsend Warner

This, arguably Sylvia Townsend Warner's most luminous collection of stories, was first published in 1966 and includes 'A Love Match', hailed by the Los Angeles Times as 'a supreme example of her technique.' It is the tale of Celia and Justin Tizard, sister and war-scarred brother, whose uncommon closeness becomes the talk of a small English village.'Sylvia Townsend Warner was one of the most talented and well-respected British authors of the twentieth century. Today she is shamefully under-read. Her short stories have been particularly neglected - and yet, intelligent, lyrical, beautifully crafted, they constitute some of the very best of her work. It is wonderful to see so many of them being made available again by Faber Finds.' Sarah Waters

In the course of her brilliant career Sylvia Townsend Warner wrote superbly in many and diverse forms but never penned a memoir, properly speaking. However, from the 1930s to the 1970s she did contribute a series of short reminiscences to the New Yorker. Scenes of Childhood collects and orders those reminiscences, thus forming a volume that reads as a joyous, wry and moving testament to the experience of being alive. The collection evokes a recognisably English world of nannies, butlers, pet podles, public schools, 'good works' and country churches, but the resonances of these stories are universal - funny and touching by turns.

The original U. S. blurb says it well, '. . . But some readers consider her short stories the best vehicle for her impeccable craftsmanship, her peerless ability to sketch in a few deft lines a man or woman in a brief moment of destiny - tragic, comic, absurd or moving. These fourteen new stories are once again evidence of her wit and irony, her grace and poise.'A Spirit Rises comprises fourteen stories: Youth and the Lady; The Locum Tenens; The Fifth of November; A Question of Disposal; Barnby Robinson; In a Shaken House; The Old Nun; Randolph; On Living for Others; A Dressmaker; A Spirit Rises; The Snow Guest; During a Winter Night; A Work of Art. Many of the stories first appeared in The New Yorker which makes the dedication to William Maxwell all the more appropriate. A Spirit Rises is one of four collections of Sylvia Townsend Warner's short stories that Faber Finds are reissuing: Winter in the Air; A Spirit Rises; A Stranger with a Bag; Scenes of Childhood.'Miss Townsend Warner, as always, comes up to scratch with the sheer caress of her style. The stories in A Spirit Rises, private, utterly leisured, are like charades played by angels - albeit rather sardonic ones, and in a slightly unreal hothouse. The choice and rhythm of her words are not to be wolfed; be patient, keep the mind free to wander on a quickening phrase or a squint of humour.' David Hughes, Sunday Times

Sophia Willoughby, a young Englishwoman from an aristocratic family and a person of strong opinions and even stronger will, has packed her cheating husband off to Paris. He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion. Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband's sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, "magnanimous and unscrupulous, fickle, ardent, and interfering," leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades. Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.

The first Collected Poems of Sylvia Townsend Warner (1893-1978) was published by Carcanet in 1982. Since then, more of her work has come to light, including some of the most moving and personal poems she ever wrote. Claire Harman, the original editor and author of the prize-winning biography of the poet, has substantially revised the earlier edition, including over ninety previously uncollected and unpublished poems, with expanded notes, a chronology and an authoritative new introduction. When Harman's Life was published, it restored Warner, one critic said, to her real place as 'second only to Virginia Woolf among the women writers of our century'. With this collection, the extent of Warner's achievement as a poet can be appreciated.

"Reading these wonderful, almost-lost stories is like finding a buried treasure of fine gold and silver. "--Alison Lurie. Of the previous century's many great storytellers, Sylvia Townsend Warner was the supreme enchantress. The Music at Long Verney collects twenty of her best short stories, most of them from the great years at The New Yorker . They span a full half-century, from 1929 to 1977, and are crowded with irrepressible, living characters and even more animated objects and incidents. There are stories of romantic love and the mysteries of marriage; of artists who speak the truth even as they distort reality; of gardens and houses and very fine things and of those who fancy themselves their owners. The centerpiece of the collection is a series of five linked stories about an eccentric establishment, the Abbey Antiques Gallery, and its singular proprietor, the urbane Mr. Edom. Some of these stories are hilarious, others hauntingly lyrical, but all are incomparably witty and original-in short, they're vintage Warner. "On every page," writes John Updike, "there is something to be seen or smelled or felt... Beneath her refined witchery lies a strange freshness one can only call, in praise, primitive."

In "Lolly Willowes," Sylvia Townsend Warner tells of an aging spinster's struggle to break way from her controlling family--a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of twentieth-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson.

A brother and sister, shattered by the horrors of war, find solace in a tender, incestuous 'marriage'. A wife, bored and rancorous, stitches a widow's quilt. An old level-crossing keeper watches over his speechless, disfigured niece. In this magnificent selection of her stories, ranging from 1932 to 1977, Sylvia Townsend Warner casts a compassionate but piercing eye on the oddities of love. There's the joyously farcical story of the mouse and the four-poster bed, the strange fugue of a sad woman and her doppelganger cat, the composer unexpectedly spending an afternoon 'living for others'. And finally, there's the skein of stories reporting on the events of Elfland, precise, witty and strange. Readers who know this author's work will be delighted, while newcomers will find the perfect introduction to a writer of incomparable style and substance.

The Reverend Timothy Fortune, ex-clerk of the Hornsey Branch of Lloyds Bank, has spent ten years as a South Seas Island missionary when a 'maggot' impels him to embark on what he describes as a 'sort of pious escapade' - an assignment to the even more remote island of Fanua, where a white man is a rarity. Mr Fortune is a good man, humble, earnest - he wishes to bring the joys of Christianity to the innocent heathen. But in his three years on Fanua he makes only one convert - the boy Lueli, who loves him. This love, and the sensuous freedom of the islanders produces in Mr Fortune a change of heart which is shattering... Beautifully imagined, the paradise island and its people are as vivid as a Gauguin painting. Told with the driest of wise humour, touching and droll by turns, its theme - that we can never love anything without messing it about - is only one of the delights of this enchanting book.