Thomas Hardy

The Return of the Native is Thomas Hardy's sixth published novel. It first appeared in the magazine Belgravia, a publication known for its sensationalism, and was presented in twelve monthly installments from January to December 1878. Because of the novel's controversial themes, Hardy had some difficulty finding a publisher; reviews, however, though somewhat mixed, were generally positive. In the twentieth century, The Return of the Native became one of Hardy's most popular and highly regarded novels. With its deeply flawed heroine and its (for the time) open acknowledgement of illicit sexual relationships, The Return of the Native raised some eyebrows when it first appeared as a serial in Victorian Britain. Although he intended to structure the novel into five books, thus mirroring the classical tragic format, Hardy submitted to the tastes of the serial-reading public sufficiently to tack on a happy ending for Diggory Venn and Thomasin in a sixth book, Aftercourses. In Hardy's original conception, Venn retains his weird reddleman's character, while Thomasin lives out her days as a widow. Hardy's choice of themes-sexual politics, thwarted desire, and the conflicting demands of nature and society-makes this a truly modern novel. Underlying these modern themes, however, is a classical sense of tragedy: Hardy scrupulously observes the three unities of time, place, and action and suggests that the struggles of those trying to escape their destinies will only hasten their destruction. To emphasise this main part he uses as setting an ancient heath steeped in pre-Christian history and supplies a Chorus consisting of Grandfer Cantle, Timothy Fairway, and the rest of the heathfolk. Eustacia, who manipulates fate in hopes of leaving Egdon Heath for a larger existence in Paris, instead becomes an eternal resident when she drowns in Shadwater Weir; Wildeve shares not only Eustacia's dream of escape, but also her fate; and Clym, the would-be educational reformer, survives the Weir but lives on as a lonely, remorseful man. Some critics-notably D. H. Lawrence-see the novel as a study of the way communities control their misfits. In Egdon Heath, most people (particularly the women) look askance at the proud, unconventional Eustacia. Mrs. Yeobright considers her too odd and unreliable to be a suitable bride for her son, and Susan Nunsuch, who frankly believes her to be a witch, tries to protect her children from Eustacia's supposedly baleful influence by stabbing her with a stocking pin and later burning her in effigy. Clym at first laughs at such superstitions, but later embraces the majority opinion when he rejects his wife as a murderer and adulteress. In this view, Eustacia dies because she has internalised the community's values to the extent that, unable to escape Egdon without confirming her status as a fallen woman, she chooses suicide. She thereby ends her sorrows while at the same time-by drowning in the weir like any woman instead of floating, witchlike-she proves her essential innocence to the community. (wikipedia.org)

Thomas Hardy OM (2 June 1840 - 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read. (wikipedia.org)

Thomas Hardy OM (2 June 1840 - 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read. (wikipedia.org)

Far from the Madding Crowd (1874) is Thomas Hardy's fourth novel and his first major literary success. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. The novel is set in Thomas Hardy's Wessex in rural southwest England, as had been his earlier Under the Greenwood Tree. It deals in themes of love, honour and betrayal, against a backdrop of the seemingly idyllic, but often harsh, realities of a farming community in Victorian England. It describes the life and relationships of Bathsheba Everdene with her lonely neighbour William Boldwood, the faithful shepherd Gabriel Oak, and the thriftless soldier Sergeant Troy. On publication, critical notices were plentiful and mostly positive. Hardy revised the text extensively for the 1895 edition and made further changes for the 1901 edition. The novel has an enduring legacy. In 2003, the novel was listed at number 48 on the BBC's survey The Big Read, while in 2007, it was ranked 10th on The Guardian's list of greatest love stories of all time. The novel has also been dramatised several times, notably in the Oscar-nominated 1967 film directed by John Schlesinger. (wikipedia.org)

Late Lyrics and Earlier with Many Other Verses is a collection of poems by English poet Thomas Hardy, and was published in 1922. While covering a typical (for Hardy) range of subjects - such as mismatchings, grotesqueries, and ironic memories - the poems generally take a musical shape, often remembering the past in ballad format. Hardy prefaced the collection with a self-styled Apology, beginning prosaically by reporting some half of the poems included as recent, the remainder as old, but continuing with a broader defence of his poetic principles. Against charges of systematic pessimism, he maintained that his poetry was instead "really a series of fugitive impressions which I have never tried to co-ordinate". As if to protest further the charge of pessimism, Hardy opened the collection with the cheerfully lyrical 'Weathers', though he closed it with the self-searching meditation 'Surview'. Other notable poems paid tribute to the friend of his youth, Horace Moule, and to his second wife, Florence Dugdale; while others recalled once again Hardy's first wife Emma, perhaps representing a final coming-to-terms with the memory of their marriage. Many of the poems have been subsequently set to music, by a variety of different composers. (wikipedia.org)

A Laodicean; or, The Castle of the De Stancys. A Story of To-Day is a novel by Thomas Hardy, first published in 1880-81 in Harper's New Monthly Magazine. The plot exhibits devices uncommon in Hardy's other fiction, such as falsified telegrams and faked photographs. Paula Power inherits a medieval castle from her industrialist father who had purchased it from the aristocratic De Stancy family. She employs two architects, one local and one, George Somerset, newly qualified from London. Somerset represents modernity in the novel. In the village there is an amateur photographer, William Dare, the illegitimate son of Captain De Stancy, an impoverished scion of that family. Captain De Stancy represents to Paula the notion of medieval nobility. She is attracted to each man for his respectively different virtues. William Dare, bastard and unrecognised son of Captain de Stancy, and a thorough wastrel, decides to intervene to promote his father in her affections (solely so that he, Wade, can continue to gamble and live off Paula's income). He fakes a telegram and a photograph to make it appear that Somerset is leading a dissolute lifestyle as a drunken gambler. His subterfuge is discovered by Captain De Stancy's sister Charlotte who has befriended Paula. She decides to tell Paula the truth and Paula pursues Somerset to the continent where he has gone mistakenly believing Paula and the Captain to have been married. She finds him and they are reunited and marry. In revenge, Wade burns down the castle using his family's portraits and furniture as kindling; Somerset proposes to build a modern house in its place. The last line has Paula summing up her dichotomy of mind between modernity and romantic medievalism, and thus the two men, also emphasising the title "a Laodicean" (someone indifferent or half-hearted) - "I wish my castle wasn't burnt; and I wish you were a De Stancy " The usage of "Laodicean" to mean someone lacking commitment comes from a reference in the New Testament: To the angel of the church in Laodicaea write: - "These are the words of the Unchanging One, 'the witness faithful and true, the beginning of the Creation of God': -I know your life; I know that you are neither cold nor hot. If only you were either cold or hot But now, because you are lukewarm, neither hot nor cold, I am about to spit you out of my mouth."- Revelation 3:14-16 OEB (wikipedia.org)