Thomas Hardy

"Jude the Obscure," by Thomas Hardy, is part of the "Barnes & Noble Classics"" "series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of "Barnes & Noble Classics" All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. "Barnes & Noble Classics "pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. Virginia Woolf called him "the greatest tragic writer among English novelists," but Thomas Hardy was so distressed by the shocked outrage that greeted "Jude the Obscure" in 1895 that he decided to quit writing novels. For in telling the story of Jude Fawley, whose many attempts to rise above his class are crushed by society or the forces of nature, Hardy had attacked Victorian society's most cherished institutions--marriage, social class, religion, and higher education. A poor villager, Jude Fawley longs to study at the elite University of Christminster, but his ambitions are thwarted by class prejudice--and an earthy country girl who tricks him into marriage by pretending to be pregnant. Entrapped in a loveless marriage, he becomes a stonemason and falls in love with his cousin--the intellectual, free-spirited Sue Bridehead, who is also unhappy in marriage. Sue leaves her husband to live with Jude and eventually bears his children out of wedlock. Their poverty and the weight of society's disapproval begin to take their toll on the couple, forcing them into a shattering downward spiral that ends in one of the most shocking scenes in all of literature. A stunning masterpiece, "Jude the Obscure" is Hardy's bleakest and most personal novel. Amy M. King is an Assistant Professor of Literature at the California Institute of Technology, and the author of "Bloom: The Botanical Vernacular in the English Novel," forthcoming from Oxford University Press. She is also the author of articles on eighteenth- and nineteenth-century British literature and culture, and has taught widely in the English novel at Haverford College and Caltech. King received her doctorate in 1998 from Harvard University in English and American Literature and Language.

The Melancholy Hussar/ A Tragedy of Two Ambitions/ The First Countess of Wessex/ Barbara of the House of Grebe/ For Conscience' Sake/ The Son's Veto/ On the Western Circuit/ An Imaginative Woman/ A Changed Man/ Enter a Dragoon The 11 short storiesin this collection range from those with the Wessex setting familiar from Hardy's novels, to aristocratic historical fantasies set in the 17th and 18th centuries, and tragic or ironic contemporary dramas. Enormously readable in their own right, thestories can also be seen as a rich testing ground for ideas and themes that receive more sustained treatment in Hardy's most innovative and controversial novels.

A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this masterpiece of tragic fiction. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion. Then and now, his sympathetic portrait of a victim of Victorian hypocrisy offers compelling reading.

'Hardy's is a world that can never disappear' Margaret DrabbleSubtitled 'A Story of a Man of Character', Hardy's powerful study of the heroic but deeply flawed Michael Henchard is an intensely dramatic work, tragically played out against the vivid backdrop of a close-knit Dorsetshire town. Its events are set in motion when, in a fit of drunken anger, Henchard sells his wife and baby daughter for five guineas at a country fair. Over the course of the following years, he manages to establish himself as a respected pillar of the community of Casterbridge, but behind his success lurks the shameful secret of his past. Edited with an Introduction and Notes by Keith Wilson

'The first of Hardy's great novels, and the first to sound the tragic note for which his best fiction is remembered' Margaret DrabbleThomas Hardy's novel of swift passion and slow courtship is imbued with evocative descriptions of rural life, and with unflinching honesty about sexual relationships. Its heroine, Bathsheba Everdene, takes up her position as a farmer on a large estate, where her confident presence draws three very different suitors: the gentleman-farmer Boldwood, the soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and when tragedy ensues, the stability of the whole community is threatened. Edited with an Introduction and notes by ROSEMARIE MORGAN with SHANNON RUSSELL

'The greatest tragic writer among the English novelists' Virginia WoolfWith its depiction of the wronged 'pure woman' Tess and its powerful criticism of Victorian hypocrisy, Tess of the D'Urbervilles is one of the most moving and poetic of Hardy's novels. When its heroine, Tess Durbeyfield, is driven by family poverty to claim kinship with the wealthy D'Urbervilles, meeting her 'cousin' Alec proves to be her downfall. A very different man, Angel Clare, seems to offer her love and salvation, but Tess must choose whether to reveal her past or remain silent in the hope of a peaceful future. Edited with notes by TIM DOLIN and an Introduction by MARGARET R. HIGONNET

The Mayor of Casterbridge opens with an act of such heartlessness and cruelty that it still shocks today. Michael Henchard, an out-of-work hay-trusser, gets drunk at a fair and for five guineas sells his wife and child to a sailor. When the horror of his act finally sets in, Henchard swears he will not touch alcohol for twenty-one years. Through hard work and acumen, he becomes rich, respected, and eventually the mayor of Casterbridge. But eighteen years after his fateful oath, his wife and daughter, Elizabeth-Jane, return to Casterbridge, and his fortunes steadily decline.

Far from the Madding Crowd, Hardy's passionate tale of the beautiful, headstrong farmer Bathsheba Everdene and her three suitors, firmly established the thirty-four-year-old writer as a popular novelist. According to Virginia Woolf, "The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which . . . must hold its place among the great English novels." Introducing the fictional name of "Wessex" to describe Hardy's legendary countryside, this early masterpiece draws a vivid picture of rural life in southwest England. This Modern Library Paperback Classic is set from the 1912 Wessex edition and features Hardy's map of Wessex.

Upon its first appearance in 1895, Thomas Hardy’s Jude the Obscure shocked Victorian critics and readers with a frank depiction of sexuality and an unbridled indictment of the institutions of marriage, education, and religion, reportedly causing one Angli-can bishop to order the book publicly burned. The experience so exhausted Hardy that he never wrote a work of fiction again. Rich in symbolism, Jude the Obscure is the story of Jude Fawley and his struggle to rise from his station as a poor Wessex stonemason to that of a scholar at Christminster. It is also the story of Jude’s ill-fated relationship with his cousin Sue Bridehead, and the ultimate tragedy that causes Jude’s undoing and Sue’s transformation. Jude the Obscure explores man’s essential loneliness and remains one of Hardy’s most widely read novels.

The story of a simple country girl whose family's pretentions lead to her destruction.

One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life. As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man." "This is the quality Hardy shares with the great writers...this setting behind the small action the terrific action of unfathomed nature."--D. H. Lawrence

Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's 'bestseller,' and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men—Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband—Tess escapes from her vise of passion through a horrible, desperate act. 'Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination,' said Irving Howe. 'In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting.' Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.

It has been collated with the Mellstock Edition of 1920, for which Hardy submitted final corrections. "Backgrounds and Contexts" provides new and invaluable source material on Victorian Dorset and, in particular, Dorchester, Hardy’s native home and the town upon which Casterbridge is based. Included are six of Hardy’s nonfiction writings, notably excerpts from his essay "The Dorsetshire Laboure" (1883), in which he frankly comments on the social changes he has witnessed in the county. Hardy’s Wessex is further examined in an essay by Michael Millgate, by maps of Casterbridge and Wessex, and by a key to local place names. Christine Winfield discusses the novel’s manuscript and its complicated history. "Criticism" collects seventeen wide-ranging assessments of the novel--six new to the Second Edition--from both contemporary and modern critics, including Virginia Woolf, Albert J. Guerard, Julian Moynahan, John Paterson, Michael Millgate, Irving Howe, J. Hillis Miller, Ian Gregor, Elaine Showalter, George Levine, William Greenslade, H. M. Daleski, and Suzanne Keen. A Chronology and Selected Bibliography are also included.