Toni Morrison

NATIONAL BESTSELLER - In "one of Morrison's most haunting works" (The New York Times), the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter--a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment. One of the New York Times's 100 Best Books of the 21st Century In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in "flesh," he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

NATIONAL BESTSELLER - In "one of Morrison's most haunting works" (The New York Times), the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter--a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment. One of the New York Times's 100 Best Books of the 21st Century In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in "flesh," he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

Eine Party in einem Mietshaus in der Lenox Avenue, Harlem, 1926: Die schwarzen Bewohner lassen sich mitreißen vom Hoffnungsrhythmus der Zeit, des "Jazz Age". Plötzlich ein Schuß - die sahnefarbene achtzehnjährige Schönheit Dorcas liegt tot in ihrem Blut. Der Mörder: Joe Spur, fünfzig, ihr Geliebter. Kein Wort davon zur Polizei - mehr als den Tod fürchtet man das "weiße" Gesetz. Vielmehr entsteht eine sonderbare Freundschaft zwischen Joes Frau Violet und der Adoptivmutter der Toten, eine Ehe lebt auf ... Ein erstaunlicher Roman über den düsteren Glanz der Leidenschaft.

What Moves at the Margin collects three decades of Toni Morrison's writings about her work, her life, literature, and American society. The works included in this volume range from 1971, when Morrison (b. 1931) was a new editor at Random House and a beginning novelist, to 2002 when she was a professor at Princeton University and Nobel Laureate. Even in the early days of her career, in between editing other writers, writing her own novels, and raising two children, she found time to speak out on subjects that mattered to her. From the reviews and essays written for major publications to her moving tributes to other writers to the commanding acceptance speeches for major literary awards, Morrison has consistently engaged as a writer outside the margins of her fiction. These works provide a unique glimpse into Morrison's viewpoint as an observer of the world, the arts, and the changing landscape of American culture. The first section of the book, ""Family and History,"" includes Morrison's writings about her family, Black women, Black history, and her own works. The second section, ""Writers and Writing,"" offers her assessments of writers she admires and books she reviewed, edited at Random House, or gave a special affirmation to with a foreword or an introduction. The final section, ""Politics and Society,"" includes essays and speeches where Morrison addresses issues in American society and the role of language and literature in the national culture. Among other pieces, this collection includes a reflection on 9/11, reviews of such seminal books by Black writers as Albert Murray's South to a Very Old Place and Gayl Jones's Corregidora, an essay on teaching moral values in the university, a eulogy for James Baldwin, and Morrison's Nobel lecture. Taken together, What Moves at the Margin documents the response to our time by one of American literature's most thoughtful and eloquent writers. Toni Morrison is the Robert F. Goheen Professor Emerita at the Center for Creative and Performing Arts at Princeton University and is the author of Sula, Song of Solomon, Beloved, Paradise, and other novels. She has received the National Book Critics Circle Award, the Pulitzer Prize, and the 1993 Nobel Prize in Literature. Carolyn C. Denard is the author of scholarly essays on Toni Morrison and the forthcoming Cambridge Introduction to Toni Morrison. She is Associate Dean of the College at Brown University and founder of the Toni Morrison Society.

Terrible, unspeakable things happened to Sethe at Sweet Home, the farm where she lived as a slave for many years until she escaped to Ohio. Her new life is full of hope but eighteen years later she is still not free. Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

NATIONAL BESTSELLER - A PARADE BEST BOOK OF ALL TIME - From the acclaimed Nobel Prize winner--a powerful examination of our obsession with beauty and conformity that asks questions about race, class, and gender with characteristic subtlety and grace. In Morrison's acclaimed first novel, Pecola Breedlove--an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others--prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment. Here, Morrison's writing is "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry" (The New York Times).

Sethe, an escaped slave living in post-Civil War Ohio with her daughter and mother-in-law, is haunted persistently by the ghost of the dead baby girl whom she sacrificed, in a new edition of the Nobel Laureate's Pulitzer Prize-winning novel. 25,000 first printing.

It is the mid-1800s. At Sweet Home in Kentucky, an era is ending as slavery comes under attack from the abolitionists. The worlds of Halle and Paul D. are to be destroyed in a cataclysm of torment and agony. The world of Sethe, however, is to turn from one of love to one of violence and death - the death of Sethe's baby daughter Beloved, whose name is the single word on the tombstone, who died at her mother's hands, and who will return to claim retribution.

From the acclaimed Nobel Prize winner--a spellbinding symphony of passion and hatred, power and perversity, color and class that spans three generations of Black women in a fading beach town." A marvelous work, which enlarges our conception not only of love but of racial politics." --Los Angeles Times Book ReviewA Kirkus Reviews Best Fiction Book of the Century In life, Bill Cosey enjoyed the affections of many women, who would do almost anything to gain his favor. In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, mistress: As Morrison's protagonists stake their furious claim on Cosey's memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.

A ravishingly beautiful and emotionally incendiary reinvention of the love story by the legendary Nobel Prize winnerJadine Childs is a Black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a Black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between Blacks and whites, masters and servants, and men and women.

Set in Harlem during the 1920s, this novel chronicles a bittersweet triangle involving Joe Trace, a middle-aged door-to-door salesman, his mentally unstable wife Violet, and his eighteen-year-old girlfriend. Reader's Guide available. Reprint. 20,000 first printing.

Macon Dead, Jr., called "Milkman," the son of the wealthiest African American in town, moves from childhood into early manhood, searching, among the disparate, mysterious members of his family, for his life and reality. Winner of the National Book Critics Circle Award. Reader's Guide available. Reprint. 50,000 first printing.

Sethe, an escaped slave living in post-Civil War Ohio with her daughter and mother-in-law, is haunted persistently by the ghost of the dead baby girl whom she sacrificed, in a new edition of the Nobel Laureate's Pulitzer Prize-winning novel. Reader's Guide available. Reprint. 60,000 first printing.

Sula and Nel are born in the Bottom--a small town at the top of a hill. Sula is wild, and daring; she does what she wants, while Nel is well-mannered, a mamma's girl with a questioning heart. Growing up they forge a bond stronger than anything, stronger even than the dark secret they have to bear. Strong enough, it seems, to last a lifetime--until, decades later, as the girls become women, Sula's anarchy leads to a betrayal that may be beyond forgiveness. One of The Atlantic's Great American Novels of the Past 100 Years Masterful, richly textured, bittersweet, and vital, Sula is a modern masterpiece about love and kinship, about living in an America birthed from slavery. Nobel Prize laureate Toni Morrison gives life to characters who struggle with what society tells them to be, and the love they long for and crave as Black women. Most of all, they ask: When can we let go? What must we hold back? And just how much can be shared in a friendship?

A fictional tale based on factual events captures the spirit, sadness, and struggle of the time as children tell what it was like to live during the era of school desegregation, enhanced with period photos.

It is winter, barely three days into 1926, seven years after Armistice; we are in the scintillating City, around Lenox Avenue, "when all the wars are over and there will never be another one. At last, at last, everything's ahead. Here comes the new. Look out. There goes the sad stuff. The bad stuff. The things nobody-could-help stuff." But amid the euphoric decisiveness, a tragedy ensues among people who had train-danced into the City, from points south and west, in search of a promise. Joe Trace, door -to-door salesman, erstwhile devoted husband, shoots to death his lover of three months, the impetuous, eighteen year old Dorcas. At the funeral his determined, hard-working wife Violet tries to disfigure the corpse with a knife. In a dazzling act of jazz-like improvisation, moving seamlessly in and out of past, present and future, a mysterious voice weaves this brilliant fiction, at the same time showing how its blues are informed by the brutal exigencies of slavery. Richly combining history, legend and reminiscence, this voice captures as never before the ineffable mood, the complex humanity of black urban life at a moment in our century we assumed we understood. Jazz is an unprecedented and astonishing invention, a landmark on the American literary landscape - a novel unforgettable and for all time.

'Compassionate, violent and magical' Good Book Guide Four young women are brutally attacked in a convent near an all-black town in America in the mid-1970s. The inevitability of this attack, and the attempts to avert it, lie at the heart of Paradise. Spanning the birth of the Civil Rights movement, Vietnam, the counter culture and the politics of the late 1970s, deftly manipulating past, present and future, this novel of mysterious motives reveals the interior lives of the citizens of the town with astonishing clarity. The drama of its people - from the four young women and their elderly protector, to conservative businessmen, rednecks, a Civil Rights minister and veterans of three wars - richly evokes clashes that have bedevilled American society: between race and racelessness; patriarchy and matriarchy; religion and magic; freedom and belonging; promiscuity and fidelity. Magnificent in its scope, Paradise is a revelation in the intensity of its portrayal of human complexity and in the sheer force of its narrative. 'Deeply serious and unexpectedly beautiful' Harpers and Queen 'It is a tour de force of writing' Independent on Sunday

It is the mid-1800s. At Sweet Home in Kentuckhy, an era is ending as slavery comes under attack from the abolitionists. The worlds of Halleand Paul D. are to be destroyed in a cataclysm of torment and agony. The world of Sethe, however, is to turn from one of love to one of violence and death - the death of Sethe's baby daughter Beloved, whosename is the single word on the tombstone, who died at her mother's hands, and who will return to claim retribution. Published to tie in with the film on major release from Buena Vista 5th March 1999, and starring Oprah Winfrey, Danny Glover and Thandie Newton and directed by Jonathan Demme (Silence of the Lambs).