V.B. Price

Anasazi Architecture and American Design is a journey through Chaco Canyon and Mesa Verde with leading southwestern archaeologists, historians, architects, landscape architects, artists, and urban planners as guides. In sixteen chapters, the volume's twenty-two essayists identify Anasazi building and cultural features related to design and site planning, cosmography, mythology, and ecology, then expertly balance their observations of past architectural and cultural achievements with suggestions and recommendations for design practices in the present. Among the contributors are Santa Clara Pueblo architectural theorist Rina Swentzell; architects Tony Anella and Stephen Schreiber; historian Richard Ellis; art historian J. J. Brody; archaeologists Stephen Lekson, David Stuart, Michael Marshall, John Stein, and Dabney Ford; urban planners Theodore Jojola, Judith Suiter, Stephen Dent, Barbara Coleman, and Paul Lusk; and artist Anna Sofaer, founder of the Solstice Project.

Why did Lucretius begin his poem on physics and the philosophy of materialism with an invocation of the Goddess Venus? Is love a mere attraction, a kind of helpless gravity, or is there a holy logic to it, a divine sense to be made both in and beyond cosmic matter, a logic to not only feeling it, but to sustaining it, and meaning it? These questions are what V. B. Price sets out to explore in his response to the Roman poet Lucretius's classic On the Nature of Things. The result is timeless while reaching across time, a philosophical and heartfelt call for pleasure in a world too often reluctant to embrace it.

This delightful and powerful collection of V. B. Price's selected poems presents a majority of new work, including excerpts from the ambitious Homeric America and Museum Poems, alongside some of his best published poems from 2008-2020.

In 1969, V. B. Price wrote a small poem that he gave to his friends and loved ones for Christmas. He has continued that tradition each year ever since. This book collects 43 of those intimate, inquisitive, and inspired poems, published together for the first time.

Imagine a City That Remembers grew out of a series of articles and photographs published in the Albuquerque Tribune in 1998 and 1999. This expanded and updated collection revisits Albuquerque nearly twenty years after the original articles were written. It juxtaposes historic and contemporary photographs of Albuquerque to show diverse moments in the city's history and development. The authors, ardent defenders of the vitality of Albuquerque's past, contend that the city is still small enough to be in touch with its history and argue that what makes Albuquerque a great place is the continued presence of its strong traditions. They further believe that preserving Albuquerque's natural and cultural heritage is critical to the city's future. Throughout, both express a deep understanding for this complicated, beautiful, and often misunderstood place.

Although most people prefer not to think about them, hazardous wastes, munitions testing, radioactive emissions, and a variety of other issues affect the quality of land, water, and air in the Land of Enchantment, as they do all over the world. In this book, veteran New Mexico journalist V. B. Price assembles a vast amount of information on more than fifty years of deterioration of the state's environment, most of it hitherto available only in scattered newspaper articles and government reports. Viewing New Mexico as a microcosm of global ecological degradation, Price's is the first book to give the general public a realistic perspective on the problems surrounding New Mexico's environmental health and resources.

The poetry of Lawrence Welsh crosses many borders, from South Central Los Angeles, where he was raised, to El Paso, where he has lived for almost twenty years. A newspaper man turned poet, a punk rock songwriter who became an English teacher, an Irishman at home in Texas, Welsh gives voice to the famous, the infamous, and the forgotten.

How Shadows are Bundled is an extraordinarily rich collection of poems, many of which explore what C. G. Jung referred to as the 'shadow,' that dark, usually hidden part of each of us individually, and perhaps the troubled vortex of most group identities as well. W. H. Auden, as a poet of conscience aware of the shadow, once said that he reads a poem in two ways, first as a verbal object to be understood, and second as an expression of the kind of person the poet is. In ""How Shadows are Bundled"" the verbal objects have a thrilling clarity to them, carrying the reader along into rich, unexplored, and expansive realms and feelings.

For one month each year, the National Hispanic Cultural Center in Albuquerque brings together New Mexico teens for a creative writing program. These students unite their varied experiences, backgrounds, and beliefs to form a supportive community of respect through conversation and writing. ""de Veras? (really?)"" features a collection of poems, essays, and stories written in the Voces program between 2002 and 2006. These writings reflect the authors' courage to examine their lives, their neighborhoods, their families, and their cultures.

A Bigger Boat chronicles the Albuquerque Slam Poetry scene's growth and success at the 2005 National Poetry Slam competition, which it hosted and won. This collection of poems and personal memories explores Slam from the voices of the poets who began developing the Albuquerque scene in 1990 to poets who witnessed and celebrated the 2005 hometown victory. Despite Slam's big city origins and arguments that smaller urban areas could not garner enough community interest to host national events, the Albuquerque event proved skeptics wrong. The swell of excitement so exceeded expectations that Danny Solis urged fellow organizers, ""We need a bigger boat!""The editors of ""A Bigger Boat"" gathered the works of well-known local and national poets to provide a window into the world of competitive poetry, where verse meets performance.

Broken And Reset: Selected Poems 1966-2006 mirrors poet V. B. Price's self-education. Written while he was earning a living as a reporter, columnist, editor, and teacher, the poems explore the great learning experiences of his life, his attraction to New Mexico and Chaco Canyon, and his struggle to make sense of the modern world. The title ""Broken and Reset"" reflects this journey, illustrating the healing process that Price embraced in New Mexico and the great learning experiences of his life.

This impassioned book, both a loving description and a critique, defines urban values in a milieu that is rarely recognised as a city. Updated over ten years after its initial publication, it is more relevant than ever to Albuquerque's future. A new chapter describes Albuquerque's recent development, placing it in the context of urban growth in the West.