Wilkie Collins

Editedand with an Introduction by David Stuart Davies. ‘Have you ever heard of the fascination of terror?’ This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale. The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.

As the inscription on his tombstone reveals, Wilkie Collins wanted to be remembered as the "author of The Woman in White," for it was this novel that secured his reputation during his lifetime. The novel begins with a drawing teacher's eerie late-night encounter with a mysterious woman in white, and then follows his love for Laura Fairlie, a young woman who is falsely incarcerated in an asylum by her husband, Sir Percival Glyde, and his sinister accomplice, Count Fosco. This edition returns to the original text that galvanized England when it was published in serial form in All the Year Round magazine in 1860. Three different prefaces Collins wrote for the novel, as well as two of his essays on the book's composition, are reprinted, along with nine illustrations. The appendices include contemporary reviews, along with essays on lunacy, asylums, mesmerism, and the rights of women.

On the evidence of The Dead Alive, Scott Turow writes in his foreword that Wilkie Collins might well be the first author of a legal thriller. Here is the lawyer out of sorts with his profession; the legal process gone awry; even a touch of romance to soften the rigors of the law. And here, too, recast as fiction, is the United States' first documented wrongful conviction case. Side by side with the novel, this book presents the real-life legal thriller Collins used as his model-the story of two brothers, Jesse and Stephen Boorn, sentenced to death in Vermont in 1819 for the murder of their brother-in-law, and belatedly exonerated when their ""victim"" showed up alive and well in New Jersey in 1820. Rob Warden, one of the nation's most eloquent and effective advocates for the wrongly convicted, reconsiders the facts of the Boorn case for what they can tell us about the systemic flaws that produced this first known miscarriage of justice-flaws that continue to riddle our system of justice today. A tale of false confessions and jailhouse snitches, of evidence overlooked and justice more blinkered than blind, the Boorns' story reminds us of the perennial nature of the errors at the heart of American jurisprudence-and of the need to question and correct a system that regularly condemns the innocent.

Sir Percival Glyde is being hounded for money by his old friend, the sinister Count Fosco, so his marriage to the heiress Laura Fairlie is for one reason only: her fortune. As events unfold, Glyde's efforts to secure the money - and also to remove the threat to his reputation posed by the unfortunate Anne Catherick, who is physically identical to Laura - become more desperate and cruel. Combined with this tale of disturbing intrigue are elements of romance (as Laura turns for support to her drawing tutor, Walter Hartright) and comedy (provided by her hypochondriac uncle): the resulting mix is headily entertaining. The Woman in White has been skilfully adapted by Constance Cox from Wilkie Collins' novel so that only a single set is required. Period 1861-2