William Butler Yeats

Irish Fairy Tales is a classic Irish fairy tale collection by William Butler Yeats. I am often doubted when I say that the Irish peasantry still believe in fairies tales. People think I am merely trying to bring back a little of the old dead beautiful world of romance into this century of great engines and spinning-jinnies. Surely the hum of wheels and clatter of printing presses, to let alone the lecturers with their black coats and tumblers of water, have driven away the goblin kingdom and made silent the feet of the little dancers.

In the Seven Woods: Being Poems Chiefly of the Irish Heroic Age is a volume of Irish poems by W. B. Yeats, published in 1903 by Elizabeth Yeats's Dun Emer Press, the first edited by this publishing house. Dun Emer published two editions of the book in 1903. The more expensive collection was published on Dutch and Irish paper and is bound with a vellum cover with Irish linen ties (see image). This is the first book of Yeats's "middle period," in which he eschewed his previous Romantic ideals and preference for pre-Raphaelite imagery, in favor of a more spare style and an anti-romantic poetic stance similar to that of Walter Savage Landor. The poem "Adam's Curse", however, continues to reflect the old ideals. This is also the most popular and frequently anthologized of the poems from this volume. In The Seven Woods: I have heard the pigeons of the Seven Woods Make their faint thunder, and the garden bees Hum in the lime tree flowers; and put away The unavailing outcries and the old bitterness That empty the heart. I have forgot awhile Tara uprooted, and new commonness Upon the throne and crying about the streets And hanging its paper flowers from post to post, Because it is alone of all things happy. Contents: "In the Seven Woods""The Old Age of Queen Maeve""Baile and Ailinn""The Arrow""The Folly of Being Comforted""The Withering of the Boughs""Adam's Curse""The Song of Red Hanrahan""The Old Men Admiring Themselves in the Water""Under the Moon""The Players Ask for a Blessing in the Psalteries and Themselves""The Rider From the North"Comment by Yeats"On Baile's Strand: A Play"Advertisements (in the cheaper version)

The Trembling of the Veil is a classic autobiography by the Irish poet William Butler Yeats. I have found in an old diary a quotation from Stephane Mallarm? saying that his epoch was troubled by the trembling of the veil of the Temple. As those words were still true, during the years of my life described in this book, I have chosen The Trembling of the Veil for its title.

The Unicorn from the Stars is a classic Irish drama collection by William Butler Yeats. This Yeats drama collection contains the following classic titles: The Unicorn From The Stars, Cathleen Ni Houlihan, and The Hour-Glass

The Land of Heart's Desire is a play by Irish poet, dramatist, and 1923 Nobel laureate William Butler Yeats. First performed in the spring of 1894, at the Avenue Theatre in London, where it ran for a little over six weeks, it was the first professional performance of one of Yeats' plays. In this theatrical lament on age and thwarted aspirations, a faery child encounters the newlyweds Shawn and Mary Bruin at their home, shared with Maurteen Bruin and Bridget Bruin, Shawn's parents. The child, who at first is thought of by the Bruins as of gentle birth, denounces God and shocks Father Hart. She expounds on the ephemeral nature of life, in a bid to entice the newly-wed Maire to leave with her to the world of faery: You shall go with me, newly-married bride, And gaze upon a merrier multitude. White-armed Nuala, Aengus of the Birds, Feacra of the hurtling foam, and him Who is the ruler of the Western Host, Finvarra, and their Land of Heart's Desire, Where beauty has no ebb, decay no flood, But joy is wisdom, Time an endless song. I kiss you and the world begins to fade.

The Collected Works of W. B. Yeats, Volume IX: Early Articles and Reviews is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This first complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes. Coedited by John P. Frayne and Madeleine Marchaterre, Early Articles and Reviews assembles the earliest examples of Yeats's critical prose, from 1886 to the end of the century -- articles and reviews that were not collected into book form by the poet himself. Gathered together now, they show the earliest development of Yeats's ideas on poetry, the role of literature, Irish literature, the formation of an Irish national theater, and the occult, as well as Yeats's interaction with his contemporary writers. As seen here, Yeats's vigorous activity as magazine critic and propagandist for the Irish literary cause belies the popular picture created by his poetry of the "Celtic Twilight" period, that of an idealistic dreamer in flight from the harsh realities of the practical world. This new volume adds four years' worth of Yeats's writings not included in a previous (1970) edition of his early articles and reviews. It also greatly expands the background notes and textual notes, bringing this compilation up to date with the busy world of Yeats scholarship over the last three decades. Early Articles and Reviews is an essential sourcebook illuminating Yeat's reading, his influences, and his literary opinions about other poets and writers.

A new annotated edition of Yeats's indispensable, lifelong work of philosophy--a meditation on the connections between the imagination, history, and the metaphysical--this volume reveals the poet's greatest thoughts on the occult. First published in 1925, and then substantially revised by the author in 1937, A Vision is a unique work of literary modernism, and revelatory guide to Yeats's own poetry and thinking. Indispensable to an understanding of the poet's late work, and entrancing on its own merit, the book presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife, George, received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the original book that he wrote in 1925, and the 1937 version is the definitive version of what Yeats wanted to say. Now, presented in a scholarly edition for the first time by Yeats scholars Margaret Mills Harper and Catherine E. Paul, the 1937 version of A Vision is an important, essential literary resource and a must-have for all serious readers of Yeats.