William Hope Hodgson

Available for the first time in trade paperback, the final volume in a five-book set collecting the complete fiction of William Hope Hodgson, an influential early twentieth-century author of science fiction, horror, and the fantastic. William Hope Hodgson was, like his contemporaries Algernon Blackwood and Arthur Machen, one of the most important, prolific, and influential fantasists of the early twentieth century. His dark and unsettling short stories and novels were shaped in large part by personal experience (a professional merchant mariner for much of his life, many of Hodgson’s tales are set at sea), and his work evokes a disturbing sense of the amorphous and horrific unknown. While his nautical adventure fiction was very popular during his lifetime, the supernatural and cosmic horror he is most remembered for only became well known after his death, mainly due to the efforts of writers like H. P. Lovecraft and Clark Ashton Smith, who often praised his work and cited it as an influence on their own. By the latter half of the twentieth century, it was only his weird fiction that remained in print, and his vast catalog of non-supernatural stories was extremely hard to find. Night Shade Books’s five-volume series presents all of Hodgson’s unique and timeless fiction. Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction, including a number of works reprinted for the first time since their original publication. The final book of the five-volume set, The Dream of X and Other Fantastic Visions, collects all of Hodgson’s miscellaneous writings, "revisions”, and altered works for US publication, including The Dream of X, a condensed, Hodgson-edited version of The Night Land. The Complete Fiction of William Hope Hodgson is published by Night Shade Books in the following volumes:The Boats of the “Glen Carrig” and Other Nautical AdventuresThe House on the Borderland and Other Mysterious PlacesThe Ghost Pirates and Other Revenants of the SeaThe Night Land and Other RomancesThe Dream of X and Other Fantastic Visions

Available for the first time in trade paperback, the fourth of five volumes collecting the complete fiction of William Hope Hodgson, an influential early twentieth-century author of science fiction, horror, and the fantastic. William Hope Hodgson was, like his contemporaries Algernon Blackwood and Arthur Machen, one of the most important, prolific, and influential fantasists of the early twentieth century. His dark and unsettling short stories and novels were shaped in large part by personal experience (a professional merchant mariner for much of his life, many of Hodgson’s tales are set at sea), and his work evokes a disturbing sense of the amorphous and horrific unknown. While his nautical adventure fiction was very popular during his lifetime, the supernatural and cosmic horror he is most remembered for only became well known after his death, mainly due to the efforts of writers like H. P. Lovecraft and Clark Ashton Smith, who often praised his work and cited it as an influence on their own. By the latter half of the twentieth century, it was only his weird fiction that remained in print, and his vast catalog of non-supernatural stories was extremely hard to find. Night Shade Books’s five-volume series presents all of Hodgson’s unique and timeless fiction. Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction, including a number of works reprinted for the first time since their original publication. The fourth book of the five-volume set, The Night Land and Other Romances, collects all of his romances and women’s fiction, as well as the entirety of his classic 1912 dying-earth novel The Night Land. The Complete Fiction of William Hope Hodgson is published by Night Shade Books in the following volumes:The Boats of the “Glen Carrig” and Other Nautical AdventuresThe House on the Borderland and Other Mysterious PlacesThe Ghost Pirates and Other Revenants of the SeaThe Night Land and Other RomancesThe Dream of X and Other Fantastic Visions

Many are the hours in which I have pondered upon the story that is set forth in the following pages. I trust that my instincts are not awry when they prompt me to leave the account, in simplicity, as it was handed to me. And the MS. itself-You must picture me, when first it was given into my care, turning it over, curiously, and making a swift, jerky examination. A small book it is; but thick, and all, save the last few pages, filled with a quaint but legible handwriting, and writ very close. I have the queer, faint, pit-water smell of it in my nostrils now as I write, and my fingers have subconscious memories of the soft, "cloggy" feel of the long-damp pages.

"The Ghost Pirates . . . is a powerful account of a doomed and haunted ship on its last voyage, and of the terrible sea-devils (of quasi-human aspect, and perhaps the spirits of bygone buccaneers) that besiege it and finally drag it down to an unknown fate. With its command of maritime knowledge, and its clever selection of hints and incidents suggestive of latent horrors in nature, this book at times reaches enviable peaks of power."

A manuscript is found: filled with small, precise writing and smelling of pit-water, it tells the story of an old recluse and his strange home - and its even stranger, jade-green double, seen by the recluse on an otherworldly plain where gigantic gods and monsters roam. Soon his more earthly home is no less terrible than his bizarre vision, as swine-like creatures boil from a cavern beneath the ground and besiege it. But a still greater horror will face the recluse - more inexorable, merciless and awful than any creature that can be fought or killed.

The Night Land was revived in paperback by Ballantine Books, which republished the work in two parts as the 49th and 50th volumes of its Ballantine Adult Fantasy series in July 1972. H. P. Lovecraft's essay "Supernatural Horror in Literature" describes the novel as "one of the most potent pieces of macabre imagination ever written". Clark Ashton Smith wrote of it that "In all literature, there are few works so sheerly remarkable, so purely creative, as The Night Land. Whatever faults this book may possess, however inordinate its length may seem, it impresses the reader as being the ultimate saga of a perishing cosmos, the last epic of a world beleaguered by eternal night and by the unvisageable spawn of darkness. Only a great poet could have conceived and written this story; and it is perhaps not illegitimate to wonder how much of actual prophecy may have been mingled with the poesy."... Plot summary The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land). 2] Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high - the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapes-the Watchers-have waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human. To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love. At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the homecoming of the couple and his inauguration into the ranks of their most honoured heroes.................... William Hope Hodgson (15 November 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction, and science fiction. Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean, including his series of linked tales forming the "Sargasso Sea Stories"..............

Being an account of their Adventures in the Strange places of the Earth, after the foundering of the good ship Glen Carrig through striking upon a hidden rock in the unknown seas to the Southward. As told by John Winterstraw, Gent., to his Son James Winterstraw, in the year 1757, and by him committed very properly and legibly to manuscript. A Wildside Fantasy Classic We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The House on the Borderland is a supernatural horror novel by William Hope Hodgson. He went beyond the existing ghost story and gothic molds, synthesizing a new cosmic horror that made a huge impact on later writers of weird tales, notably H. P. Lovecraft. The two gentlemen Tonnison and Berreggnog head to a village in Ireland for a week's fishing. There they discover the ruins of a strange house and the diary of the house's former occupant, the words on its torn pages hinting at an evil far beyond anything that has existed in this world before.

The House on the Borderland (1908) is a supernatural horror novel by British fantasist William Hope Hodgson. The novel is a hallucinatory account of a recluse's stay at a remote house, and his experiences of supernatural creatures and otherworldly dimensions. Plot summary On the third day of their fishing holiday to the remote Irish village of Kraighten, Tonnison and Berreggnog stumble upon the ruins of a strangely shaped house on a large lake. They discover the mouldering journal of the Recluse, an unidentified man who recorded his last days in the house before its destruction. The Recluse begins his journal with descriptions of how he acquired the house, along with his daily life with his sister and his faithful dog, Pepper. He started the diary to record the strange experiences and horrors occurring in and around the house. The Recluse relates a vision in which he travels to a remote and vast arena, "the Plain of Silence", surrounded by mountains with representations of mythological beast-gods, demons, and other "bestial horrors" on their slopes. In the center of the plain stands a house almost identical to his own, save that the house in the arena is much larger and appears to be made of a green jade-like substance. Along the way, he sees a huge, menacing humanoid with swine-like features. Shortly after his vision of the "arena," the Recluse is attacked by humanoid pig-like creatures that he names "the swine-things", which appear to come from the depths of a great chasm under the house. The struggle with these creatures lasts for several nights of increasing ferocity, but the man kills several of the creatures and drives them off. As he searches for the origin of the swine-things, the man finds a pit beyond the gardens where a river descends into the earth. There he finds a tunnel leading to the great chasm. A rock slide dams the water in the pit. The man is trapped, but Pepper rescues him. The house transports the Recluse to an unknown place called "the Sea of Sleep" where he briefly reunites with his lost love. Tonnison and Berreggnog must stop reading there as the house's collapse has destroyed much of the journal. Except for an enigmatic fragment, the book becomes unreadable between the passage describing "the Sea of Sleep" and a later entry titled "The noise in the night". They realise that the water from the dammed pit has overflowed to create the lake. They suppose that the destroyed section of the journal may have explained other mysteries about the house. As the Recluse's story continues, he notices that the passage of day and night has increased in speed, eventually blurring into a never-ending twilight. As he watches, his surroundings decay and collapse to dust. The dead world slowly grinds to a halt and the sun goes out after several million millennia. Once the world ends, the man floats through space, seeing angelic, human, and demonic forms passing before his eyes. Later, he finds himself back in his own study on Earth, with everything apparently returned to normality, with one exception: Pepper is dead. The malicious swine-beast from his earlier journeys to the "arena" has followed him back to his own dimension. The creature infects the man's new dog with a luminous fungal disease. Although the man shoots the suffering animal, he also contracts the disease. The manuscript ends with the man, by then partly covered by the fungal growth, locked (from the outside only) in his study as the creature comes through a trap door in the basement from the chasm under the house. As he ponders suicide to end his suffering, the creature tries to open the study door and the diary abruptly ends.... William Hope Hodgson (15 November 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction, and science fiction...............

Described by H. P. Lovecraft as being "one of the most potent pieces of macabre imagination ever written", The Night Land is a classic horror fantasy novel by William Hope Hodgson published in 1912. Telling the story of a dying earth, The Night Land starts with a man from the 17th century who, mourning the death of his true love, is given a vision through the eyes his future incarnation. In that distant time Earth is only dimly lit by the remaining glow of the dead Sun. The last millions of the human race cluster together inside the Last Redoubt, a huge metal pyramid, and are set upon by mysterious forces from the dark outside. Leaving the protection of their refuge means certain death, but our narrator makes mind contact with a survivor in a forgotten Lesser Redoubt. He must journey alone through the evil darkness to find her, knowing that she is the reincarnation of his past precious love.

William Hope Hodgson (November 15, 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved some renown as a bodybuilder. He died in World War I at the age of 40. Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of twelve children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children," "The Sea-Horses," and "The Searcher of the End House." Hodgson's father was moved frequently, and served 11 different parishes in 21 years, including one in County Galway, Ireland

William Hope Hodgson (November 15, 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved some renown as a bodybuilder. He died in World War I at the age of 40. Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of twelve children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children", "The Sea-Horses", and "The Searcher of the End House". Hodgson's father was moved frequently, and served 11 different parishes in 21 years, including one in County Galway, Ireland. This setting was later featured in Hodgson's novel The House on the Borderland. Hodgson ran away from his boarding school at the age of thirteen in an effort to become a sailor. He was caught and returned to his family, but eventually received his father's permission to be apprenticed as a cabin boy and began a four-year apprenticeship in 1891. Hodgson's father died shortly thereafter, of throat cancer, leaving the family impoverished; while William was away, the family subsisted largely on charity. After his apprenticeship ended in 1895, Hodgson began two years of study in Liverpool, and was then able to pass the tests and receive his mate's certificate; he then began several more years as a sailor.

William Hope Hodgson (November 15, 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved some renown as a bodybuilder. He died in World War I at the age of 40. Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of twelve children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children," "The Sea-Horses," and "The Searcher of the End House."

William Hope Hodgson (November 15, 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved some renown as a bodybuilder. He died in World War I at the age of 40. Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of twelve children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children", "The Sea-Horses", and "The Searcher of the End House".

William Hope Hodgson (November 15, 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved some renown as a bodybuilder. He died in World War I at the age of 40. Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of twelve children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children", "The Sea-Horses", and "The Searcher of the End House". Hodgson's father was moved frequently, and served 11 different parishes in 21 years, including one in County Galway, Ireland

William Hope Hodgson (November 15, 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved some renown as a bodybuilder. He died in World War I at the age of 40. Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of twelve children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children", "The Sea-Horses", and "The Searcher of the End House".

Available for the first time in trade paperback, the second of five volumes collecting the complete fiction of William Hope Hodgson, an influential early twentieth-century author of science fiction, horror, and the fantastic. William Hope Hodgson was, like his contemporaries Algernon Blackwood and Arthur Machen, one of the most important, prolific, and influential fantasists of the early twentieth century. His dark and unsettling short stories and novels were shaped in large part by personal experience and his work evokes a disturbing sense of the amorphous and horrific unknown. While his adventure fiction was very popular during his lifetime, the supernatural and cosmic horror he is most remembered for only became well known after his death, mainly due to the efforts of writers like H. P. Lovecraft and Clark Ashton Smith, who often praised his work and cited it as an influence on their own. By the latter half of the twentieth century, it was only his weird fiction that remained in print, and his vast catalog of non-supernatural stories was extremely hard to find. Night Shade Books’s five-volume series presents all of Hodgson’s unique and timeless fiction. Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction, including a number of works reprinted for the first time since their original publication. The second of the five-volume set, The House on the Borderland and Other Mysterious Places, collects Hodgson’s mystery and suspense fiction, including those starring the occult detective Thomas Carnacki, and the titular novel The House on the Borderland, a seminal and influential work of early weird fiction. The Complete Fiction of William Hope Hodgson is published by Night Shade Books in the following volumes:The Boats of the “Glen Carrig” and Other Nautical AdventuresThe House on the Borderland and Other Mysterious PlacesThe Ghost Pirates and Other Revenants of the SeaThe Night Land and Other RomancesThe Dream of X and Other Fantastic Visions

The Night Land is a horror novel by William Hope Hodgson, first published in 1912. The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. When the book was written, the nature of the energy source that powers stars was not known, but Hodgson wrote a novel describing a time, millions of years in the future, when the Sun has gone dark and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high - the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapes-the Watchers-have waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul.

The House on the Borderland By William Hope Hodgson