William Morris

In his final novel, Morris draws upon Icelandic lore to tell a tale of two lovers, Osberne and Elfhild, separated by a broad river. When Elfhild vanishes from the riverbank, Osberne takes up his magical sword Boardcleaver and begins a desperate search. He soon finds himself battling a tyrannical king in the service of rebel knight Sir Godrick of Longshaw, but Osberne can never forget the quest for his lost love. A captivating blend of chivalric romance and wizardry.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 15 contains the fantasy novel The Roots of the Mountains (1889).

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 14 contains the fantasy novels The House of the Wolfings (1889) and The Story of the Glittering Plain (1891).

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 13 contains Morris' verse translation of Homer's Odyssey, which he first published in 1887.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 11 contains Morris' translation into English of The Aeneids of Vergil (1875).

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 10 contains the translations from Icelandic of Three Northern Love Stories, and Other Tales (1875) in addition to Morris' translation from Old English of The Tale of Beowulf (1895).

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 6 contains the fourth part of The Earthly Paradise (1868–70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 5 contains the third part of The Earthly Paradise (1868–70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 4 contains the second part of The Earthly Paradise (1868–70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 3 contains the first part of The Earthly Paradise (1868–70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 1 contains Morris' early verse, including The Defence of Guenevere (1858), as well as prose contributions to the short-lived Oxford and Cambridge Magazine.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 2 is given over to The Life and Death of Jason (1867), Morris' popular narrative poem about the mythical hero.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 7 contains translations of Icelandic literature, namely the Grettis saga, the Völsunga saga and several songs of the Elder Edda.