William Morris

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 12 contains The Story of Sigurd the Volsung and the Fall of the Niblungs (1876), Morris' epic poem based on the Völsunga saga.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 8 contains Morris' journals of his travels across Iceland in 1871 and 1873.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 18 contains the first part of the novel The Well at the World's End (1896).

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 20 contains the posthumously published novel The Water of the Wondrous Isles (1897).

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 21 contains the posthumously published novel The Sundering Flood (1897) and several unfinished prose romances.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 22 contains a collection of lectures, first published as Hopes and Fears for Art in 1882, and a further fifteen lectures on the topic of art and industry.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 24 contains the uncompleted early poem 'Scenes from the Fall of Troy' as well as many other unfinished or unpublished poems.

A creative titan of the Victorian age, William Morris (1834–96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862–1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 17 contains the fantasy novels The Wood Beyond the World (1894) and Child Christopher and Goldilind the Fair (1895) as well as prose and verse translations of medieval French texts (1893–4).

Science Fiction: Crash landing on the eleventh planet, One man must overcome amnesia, a dying world, and a faction among the natives that is trying to kill him. When his search for purpose leads to a familiar ritual, an ancient temple, and the love of an exotic, alien dancer, he finds he must choose between his past or present. With both choices offering destruction, he must find a way to save the world, the woman, and himself. But can he survive the trip through a black hole it takes to do it?

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Thus was the dwelling of Volsung, the King of the Midworld's Mark, As a rose in the winter season, a candle in the dark; And as in all other matters 'twas all earthly houses' crown, And the least of its wall-hung shields was a battle-world's renown, So therein withal was a marvel and a glorious thing to see, For amidst of its midmost hall-floor sprang up a mighty tree, That reared its blessings roofward, and wreathed the roof-tree dear With the glory of the summer and the garland of the year. I know not how they called it ere Volsung changed his life, But his dawning of fair promise, and his noontide of the strife, His eve of the battle-reaping and the garnering of his fame, Have bred us many a story and named us many a name; And when men tell of Volsung, they call that war-duke's tree, That crown d stem, the Branstock; and so was it told unto me. So there was the throne of Volsung beneath its blossoming bower. But high o'er the roof-crest red it rose 'twixt tower and tower, And therein were the wild hawks dwelling, abiding the dole of their lord; And they wailed high over the wine, and laughed to the waking sword.