D. H. Lawrence

First encountered in Lawrence’s novel The Rainbow, sisters Ursula and Gudrun Brangwen are now grown-up women living in the English Midlands at the time of the First World War. Each becomes involved in a love affair: Ursula with the misanthropic intellectual Rupert Birkin, and Gudrun with Gerald Crich, a successful industrialist. The contrast between the two relationships – the former happy and fulfilling, the latter tempestuous and violent – facilitates an examination of both the regenerative and destructive aspects of human passion, while the novel’s Alpine climax is revelatory of the intensity of close male friendship. Heavily revised by the author in an attempt to avoid a repeat of the controversy surrounding the publication of The Rainbow, which had been suppressed on grounds of obscenity, Women in Love appeared first in the US in 1920, with a British edition following the next year. Straddling the boundary between nineteenth-century realism and modernism, it was regarded by Lawrence as his most accomplished work, and is considered by many to be the author’s masterpiece.

"D. H. Lawrence's 'England, My England'" invites readers into a collection of poignant short stories that provide an intimate exploration of the complexities and contradictions of English society during the early 20th century. The plot has so many twists and turns that can engage a reader. With an eye-catching new cover, and professionally typeset manuscript, this edition of "England, My England" is both modern and readable. Readers are compelled to continue reading to find out what happens next since the title character is so indulgent. Through his masterful prose, Lawrence examines the multifaceted facets of human relationships, societal changes, and the clash between traditional and modern values. The anthology captures a sense of disconnection and alienation prevalent in the wake of industrialization and the First World War. Lawrence delves into the lives of various characters, delving into their struggles, desires, and aspirations. The stories touch on themes such as class divisions, sexuality, cultural conflict, and the yearning for a harmonious connection with the land. Lawrence's writing exhibits a keen sensitivity to the emotional landscapes of his characters, enabling readers to empathize with their experiences.

Women in Love is D. H Lawrence’s sequel to The Rainbow, and is widely considered by critics to be Lawrence’s best novel. It tells the story of the young Brangwen sisters and their struggles with relationships and power during the time leading up to the first world war. Though controversial for its depictions of sexuality and the destructive power of some relationships, Women in Love is considered one of the best examples of twentieth century English literature ever written.

After the release of D. H Lawrence’s compelling novel, Sons and Lovers, which details a complicated and borderline abusive relationship between a mother and son, many critics sought issues with the content, accusing Lawrence of writing a shameful and incestuous novel. Amid this criticism, Lawrence was inspired to write Fantasia of the Unconscious, explaining the themes and topics that often find their way into his work while defending himself against the raging criticism of Sons and Lovers. Though Lawrence admits his bias, as well as acknowledging that he is not a scientist nor a scholar, he supports his psychoanalytic claims and raises concerns that had previously been unvoiced. First, Lawrence debunks popular Freudian psychology and Oedipus theories, mainly to defend his novel, Sons and Lovers, which was semi-autobiographical, from the claims that the mother and son depicted in the novel had a sexual relationship. Lawrence continues to analyze social practices and expectations of marriage, raising children, education, and political action. He challenged the very idea of self, which is a cornerstone of Western culture. Furthermore, Lawrence articulates the mental struggles that exists between emotional and intellectual identities, discussing the polarity of each and the cases in which they intersect, causing a turmoil of contradiction. Though he is not trained in the science, D. H Lawrence spent a lifetime writing about human observations that others found too grotesque or taboo to acknowledge, allowing Lawrence to have a certain expertise on such issues. With psychoanalytic theory, Lawrence supports his views, theories, and philosophies that often invited controversy in the literary and social realm. With poem-like prose and abstract ideas, D. H Lawrence proposes theories that surprises and compels readers. Described as being ahead of its time, Fantasia of the Unconscious introduces ideas that can be examined in practice in modern society. With insight on topics of education, marriage, and social norms, Fantasia of the Unconscious is an illuminating guide to D. H Lawrence’s other works. This edition of Fantasia of the Unconscious is now presented in an easy-to-read font and features a new, eye-catching cover design to cater to contemporary readers.

Alvina Houghton is bored by her little town, and feels trapped after her plans to elope with her lover falls through. Though she had previously dreamed of training as a nurse, Alvina is unsure what to do with her life. Alvina comes of age as her father, James, faces the failure of his business. She has a difficult relationship with her father. He is a man who never fully indulged in his passions, but has made eccentric financial decisions. In attempt to secure his daughter’s upbringing and save his fortune, James buys a theater. There, he employs many traveling artists, as well as a handsome and sensual Italian man named Ciccio. After meeting the man, Alvina feels drawn to him, especially since he is well-traveled. The two share a slow-burn courtship, and after a lifetime of being raised around stifled passion, Alvina feels alive. Seduced by Ciccio and desperate for adventure, Alvina decides to run away with Ciccio, fleeing to Naples. As she leaves behind her life of security, comfort, and predictability, Alvina starts to explore desire, spontaneity, and her sexual freedom. Free to do as she wishes with Ciccio, Alvina explores Naples and her own sexual awakening, feeling independent and unfettered. However, even as she finds herself, Alvina also faces the reality of such fleeting freedom. D. H Lawrence’s The Lost Girl is an emotionally compelling narrative featuring strong characters, wit, and prose that is both beautiful and bitter. With themes of feminism, class divisions, and family, The Lost Girl is a relatable story that leaves readers considering fate and the future. Through meticulous detail, readers are given valuable insight on the class distinctions and societal expectations of the 1920s in Europe. D. H Lawrence’s The Lost Girl was awarded the James Tait Black Memorial Prize in 1920 to congratulate its gripping narrative and compelling characters. Now presented in an easy-to-read font and with a striking new cover design, this edition of The Lost Girl by D. H Lawrence restores the novel to modern standards while respecting its original mastery. With these accommodations, contemporary audiences are treated to a reading experience that is both accessible and luxurious.

When Gertrude Coppard, a refined young woman, meets Walter Morel, a rough coalminer, at a Christmas party dance, they feel immediately drawn to each other. After a short romance defined by physical attraction, the couple decide to marry. However, Gertrude soon realizes the financial difficulties of trying to survive off of Walter’s measly salary. These troubles quickly cause the two to fight and grow apart. Walter begins to drink the little money they have away, retreating to a bar every night. Once he becomes abusive, Gertrude becomes dedicated to ensuring that her children do not turn out like their father, and decides to reinvest her love into her two sons, William and Paul. Her oldest, William, is her favorite, and her love is reciprocated; William is only willing to be separated from her when he begins a new job in London, rising from his poor social class. When Paul, Gertrude’s youngest, suffers from pneumonia, she realizes how much she cares for him as well. Unlike William, Paul feels smothered by his mother’s attention, growing complex emotions about her. Both drawn to and disgusted by Gertrude, Paul decides to venture out and find love. When Paul meets Miriam, a smart and kind farmer’s daughter, he feels that they are a great match. Gertrude, however, does not approve. Haunted by this and feeling unsatisfied, Paul leaves Miriam for Clara, a feminist divorcée. Still, Paul is worried about his mother. He realizes that he is the sole cause of her happiness; without his attention, Gertrude has nothing. Conflicted, Paul becomes torn between chasing his own happiness or appeasing his mother. Sons and Lovers by D. H Lawrence is a sensational portrayal of a generational clash and the differing types of abusive relationships. In 1999, the Modern Library ranked Sons and Lovers as ninth on a list of the top one-hundred best novels from the 20th century. Since then, the narrative has also inspired several film adaptations. With strong, sentimental, and scandalous prose, D. H Lawrence creates a narrative that is not soon to be forgotten. This edition of Sons and Lovers by D. H Lawrence features an eye-catching cover design and is printed in a font that is both modern and readable, crafting a reading experience for contemporary audiences that is filled with enjoyment and ease.

After the release of D. H Lawrence’s compelling novel, Sons and Lovers, which details a complicated and borderline abusive relationship between a mother and son, many critics sought issues with the content, accusing Lawrence of writing a shameful and incestuous novel. Amid this criticism, Lawrence was inspired to write Fantasia of the Unconscious, explaining the themes and topics that often find their way into his work while defending himself against the raging criticism of Sons and Lovers. Though Lawrence admits his bias, as well as acknowledging that he is not a scientist nor a scholar, he supports his psychoanalytic claims and raises concerns that had previously been unvoiced. First, Lawrence debunks popular Freudian psychology and Oedipus theories, mainly to defend his novel, Sons and Lovers, which was semi-autobiographical, from the claims that the mother and son depicted in the novel had a sexual relationship. Lawrence continues to analyze social practices and expectations of marriage, raising children, education, and political action. He challenged the very idea of self, which is a cornerstone of Western culture. Furthermore, Lawrence articulates the mental struggles that exists between emotional and intellectual identities, discussing the polarity of each and the cases in which they intersect, causing a turmoil of contradiction. Though he is not trained in the science, D. H Lawrence spent a lifetime writing about human observations that others found too grotesque or taboo to acknowledge, allowing Lawrence to have a certain expertise on such issues. With psychoanalytic theory, Lawrence supports his views, theories, and philosophies that often invited controversy in the literary and social realm. With poem-like prose and abstract ideas, D. H Lawrence proposes theories that surprises and compels readers. Described as being ahead of its time, Fantasia of the Unconscious introduces ideas that can be examined in practice in modern society. With insight on topics of education, marriage, and social norms, Fantasia of the Unconscious is an illuminating guide to D. H Lawrence’s other works. This edition of Fantasia of the Unconscious is now presented in an easy-to-read font and features a new, eye-catching cover design to cater to contemporary readers.

'Everyone who met him commented on the arresting power of Lawrence's bright and sharp blue eyes, and the beard he later grew would be as red as a fox's brush, but it was not his appearance that Ford was describing. It was his menace' Frances Wilson, from her Introduction to The Man Who Loves Islands------------------------------------------------The Man Who Loved Islands presents Lawrence's skilled, intimate and lively portraits of humanity. In the title story a man buys a ninety-nine year lease on an island and finds himself cast off in its timeless world; in 'The Last Laugh' a couple are confronted with uncanny spectral visions, and an eerie faceless laugh; in 'The Fox' two women maintaining a farm feel the dark shadows of war, and a cunning creature threatens to destroy their livelihood. The stories in this collection are about what the characters know and do not know - about themselves, one another, and the circumambient universe.

Ett fartyg färdas nerför Hudsonfloden. Ombord finns Juliet och hennes lilla son på väg mot Sicilien. Det är läkaren hemma i Amerika som ordinerat vila i solen och trots att Juliet inte tror på dess helande kraft, låter hon sig övertalas. Resan för henne bort från den såriga relationen till maken Maurice och det gråa hemlandet. Här finns fullt av citronlundar och sakta omfamnar hon värmen och med den livslusten. Men kan solen lysa på henne för all framtid eller finns det ett slut? Och hon brukade gnida in huden med lite olivolja, ströva en stund i citronernas mörka, underjordiska värld, balansera en citronblomma i naveln och skratta för sig själv. Det fanns en liten risk att någon bonde skulle få syn på henne. Men gjorde han det så skulle han vara mer rädd för henne än hon var för honom. Hon kände till den vita kärnan av rädsla i mäns påklädda kroppar.. Sol är ett poetiskt porträtt av en kvinna som sakta förändras och hittar tillbaka till sina känslor, sig själv och slutligen till fullständig frigörelse. D. H. Lawrence suggestiva skildring av en människas inre publicerades första gången 1926. Två år senare skapade författarens mest berömda roman, Lady Chatterleys älskare, stor skandal med sitt erotiska innehåll och skildringarna av kvinnlig sexualitet. Novellen återfinns här i nyöversättning av Erik MacQueen. Sol är Novellix nr 81. Novellix ger ut noveller i fickformat; nyskrivet och klassiker, en novell per bok. Läs mer på novellix.se

"THE BOTTOMS" succeeded to "Hell Row". Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II, the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coal-miners, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood.