David Roberts

On January 17, 1913, alone and near starvation, Douglas Mawson, leader of the Australasian Antarctic Expedition, was hauling a sledge to get back to base camp. The dogs were gone. Now Mawson himself plunged through a snow bridge, dangling over an abyss by the sledge harness. A line of poetry gave him the will to haul himself back to the surface. Mawson was sometimes reduced to crawling, and one night he discovered that the soles of his feet had completely detached from the flesh beneath. On February 8, when he staggered back to base, his features unrecognizably skeletal, the first teammate to reach him blurted out, "Which one are you?" This thrilling and almost unbelievable account establishes Mawson in his rightful place as one of the greatest polar explorers and expedition leaders. It is illustrated by a trove of Frank Hurley's famous Antarctic photographs, many never before published in the United States.

In a startling look at the classic Annapurna--the most famous book about mountaineering--David Roberts discloses what really happened on the legendary expedition to the Himalayan peak. In June 1950, a team of mountaineers was the first to conquer an 8,000-meter peak. Maurice ​Herzog, the leader of the expedition, became a national hero in France, and Annapurna, his account of the historic ascent, has long been regarded as the ultimate tale of courage and cooperation under the harshest of conditions. In True Summit, David Roberts presents a fascinating revision of this classic tale. Using newly available documents and information gleaned from a rare interview with Herzog (the only climber on the team still living), Roberts shows that the expedition was torn by dissent. As he re-creates the actual events, Roberts lays bare Herzog's self-serving determination and bestows long-delayed credit to the most accomplished and unsung heroes. These new revelations will inspire young adventurers and change forever the way we think about this victory in the mountains and the climbers who achieved it.

Developed to meet the demand for a low-cost, high-quality history book, this text is an economically priced version of WESTERN CIVILIZATION: BEYOND BOUNDARIES, 7e. The Advantage Edition offers the high level of scholarship and engaging narrative of the full text, while limiting the number of features, images, and maps. Each volume is packaged in a paperback, two-color format that appeals to those seeking a comprehensive, trade-sized history text. Like its full-length counterpart, the Advantage Edition of WESTERN CIVILIZATION encompasses the full social and political story of Western Civilization within a wider definition of Europe that includes Eastern Europe, Scandinavia, and European frontiers. The text emphasizes Europe's interaction with the world and encourages readers to question why and how history unfolded as it did.

Europe's place in the world throughout the narrative and in the primary source feature, "The Global Record." The seventh edition has been carefully revised and edited for greater accessibility, and features a streamlined design that incorporates pedagogical features such as focus questions, key terms, and section summaries to better support students of western civilization. The reconceived narrative and restructured organization, featuring smaller, more cohesive learning units, lend to greater ease of use for both students and instructors. History CourseMate, a set of media-rich study tools with interactive eBook that gives students access to quizzes, flashcards, primary sources, videos and more, are available for this new edition. (CourseMate may be bundled with the text or purchased separately.) Available in the following split options: WESTERN CIVILIZATION: BEYOND BOUNDARIES, Seventh Edition Complete, Volume I: To 1715, Volume II: Since 1560, Volume A: To 1500, Volume B: 1300-1815, and Volume C: Since 1789. Available with InfoTrac® Student Collections http://gocengage.com/infotrac.

As a high school student, Ed Viesturs read and was captivated by the French climber Maurice Herzog's famous and grisly account of the first ascent of Annapurna in 1950. When he began his own campaign to climb the world's 14 highest peaks in the late 1980s, Viesturs looked forward with trepidation to undertaking Annapurna himself. Two failures to summit in 2000 and 2002 made Annapurna his nemesis. His successful 2005 ascent was the triumphant capstone of his climbing quest. In "The Will to Climb" Viesturs and co-author David Roberts bring the extraordinary challenges of Annapurna to vivid life through edge-of-your-seat accounts of the greatest climbs in the mountain's history, and of his own failed attempts and eventual success. In the process Viesturs ponders what Annapurna reveals about some of our most fundamental moral and spiritual questions--questions, he believes, that we need to answer to lead our lives well.

In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.

Title: From the Nile to the Jordan. Monuments of the Exodus of the Israelites. Illustrated by ... views after D. Roberts. Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The HISTORY OF TRAVEL collection includes books from the British Library digitised by Microsoft. This collection contains personal narratives, travel guides and documentary accounts by Victorian travelers, male and female. Also included are pamphlets, travel guides, and personal narratives of trips to and around the Americas, the Indies, Europe, Africa and the Middle East. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Roberts, David; 1873. 4 . 10076.ee.21.

This book examines the limits to cosmopolitan liberal peacebuilding caused by its preoccupation with the values and assumptions of neoliberal global governance. The peace people experience is determined by the processes privileged in peacebuilding. This book is about four things that shape the processes involved. First, it is a critique of orthodox postconflict peacebuilding. It takes the position that the present approach, although seemingly hegemonic, is routinely ignored or manipulated by elites and society and converted into a miasma that to some degree wastes the energies and opportunities involved. Second, it is about alternatives which invoke the kind of peace people might seek in postconflict places if they had more control over the process of peacebuilding, a notion referred to here as ‘popular peace’. It is thus not the kind of critical work that some describe as ‘reflexive anti-liberalism’. Rather, it seeks alternatives that are grounded in the lives of people in postconflict spaces and which also reflect some of the essential values of Liberalism. Third, it is about the role of both informal and formal actors, institutions and practices in the creation of such a peace. For instance, it is concerned with the legitimacy of informal practices that lie beyond Liberal tolerance and which are vital in the pursuit of everyday peace. Fourth, it is about a ‘transversal’ (rather than vertical or hierarchical) relationship of global and local governance in securing a peace that reflects the needs and values of both. In short, this work is a response to the substantial inconsistencies that appear between peacebuilding rhetoric and everyday outcomes in postconflict places. This book will be of much interest to students of peacebuilding, post-conflict statebuilding, conflict studies, global governance and International Relations in general.

Restoration London's leading actor and theatre manager Thomas Betterton has not been the subject of a biography since 1891. He worked with all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's responses to politics, and became a friend of leading literary men such as Pope and Steele. His innovations in scenery and company management, and his association with the dramatic inheritance of Shakespeare, helped to change the culture of English theatre. David Roberts's entertaining study unearths new documents and draws fresh conclusions about this major but shadowy figure. It contextualizes key performances and examines Betterton's relationship to patrons, colleagues and family, as well as to significant historical moments and artefacts. The most substantial study available of any seventeenth-century actor, Thomas Betterton gives one of England's greatest performing artists his due on the tercentenary of his death.

"Stunning and stirring."--Boston Globe In The Last of His Kind, renowned adventure writer David Roberts gives readers a spellbinding history of mountain climbing in the twentieth century as told through the biography of Brad Washburn, legendary mountaineering pioneer and photographer. Jon Krakauer, author of Into Thin Air, has praised David Roberts, saying, "Nobody alive writes better about mountaineering"--and nowhere is that truth more evident than in this breathtaking account of the life and exploits of America's greatest mountain climber.

This seminal work is the first fully to engage human security with power in the international system. It presents global governance not as impartial institutionalism, but as the calculated mismanagement of life, directing biopolitical neoliberal ideology through global networks, undermining the human security of millions. The book responds to recent critiques of the human security concept as incoherent by identifying and prioritizing transnational human populations facing life-ending contingencies en mass. Furthermore, it proposes a realignment of World Bank practices towards mobilizing indigenous provision of water and sanitation in areas with the highest rates of avoidable child mortality. Roberts demonstrates that mainstream IR's nihilistic domination of security thinking is directly responsible for blocking the realization of greater human security for countless people worldwide, whilst its assumptions and attendant policies perpetuate the dystopia its proponents claim is inevitable. Yet this book presents a viable means of achieving a form of human security so far denied to the most vulnerable people in the world.

This seminal work is the first fully to engage human security with power in the international system. It presents global governance not as impartial institutionalism, but as the calculated mismanagement of life, directing biopolitical neoliberal ideology through global networks, undermining the human security of millions. The book responds to recent critiques of the human security concept as incoherent by identifying and prioritizing transnational human populations facing life-ending contingencies en mass. Furthermore, it proposes a realignment of World Bank practices towards mobilizing indigenous provision of water and sanitation in areas with the highest rates of avoidable child mortality. Roberts demonstrates that mainstream IR's nihilistic domination of security thinking is directly responsible for blocking the realization of greater human security for countless people worldwide, whilst its assumptions and attendant policies perpetuate the dystopia its proponents claim is inevitable. Yet this book presents a viable means of achieving a form of human security so far denied to the most vulnerable people in the world.

Relates to one of Wales' most important institutions of higher education, covering its history from its creation in 1884 as the University College of North Wales, its incarnation as the University of Wales, Bangor and to its 125th anniversary in 2009. This book traces the institution's origins as an 18th century coaching inn with just 58 students.