Francesco Petrarca

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Sonety i kantsony velikogo italjanskogo poeta Franchesko Petrarki (1304-1374) - odna iz nedosjagaemykh vershin mirovoj poezii. Sobrannye avtorom v edinyj svod, nazvannyj potomkami "Kantsonere" ("Kniga pesen"), oni po sej den vyzyvajut voskhischenie v raznykh stranakh, pokorjaja glubinoj obrazov, tonkoj peredachej liricheskogo chuvstva i virtuoznostju stikha. Istorija russkikh perevodov Petrarki, nachavshajasja s G. R. Derzhavina, prodolzhaetsja i v XXI veke. V nastojaschem izdanii predstavleny novye, neizvestnye russkomu chitatelju perevody sta pjatidesjati stikhotvorenij Petrarki, vypolnennye Aleksandrom Triandafilidi. Sem iz nikh vpervye popolnjat russkij "Kantsonere". Perevody predstavleny vmeste s originalnymi tekstami i snabzheny kommentarijami. Iz predislovija sostavitelja A. Triandafilidi:"Utrom shestogo aprelja 1327 goda v avinonskoj tserkvi Sv. Klary proizoshlo znamenatelnoe dlja vsej mirovoj kultury sobytie - Petrarka uvidel Lauru. Ljubov k nej zarodilas s pervogo vzgljada v Strastnoj ponedelnik. Pozzhe poet nazval etot den Strastnoj pjatnitsej, upodobljaja svoi ljubovnye stradanija Strastjam Khristovym. Ko dnju Svjatoj pjatnitsy on priurochil i dva drugikh glavnykh sobytija svoej zhizni: rozhdenie zamysla latinskoj poemy "Afrika" (1338) i pribytie v Rim dlja venchanija lavrom po drevnerimskomu obychaju (1341). Takoe sovpadenie, ne edinstvennoe v zhizni ottsa gumanizma, ne bylo, razumeetsja, sluchajnym. Kem zhe byla Laura, predmet takoj vozvyshennoj i bezotvetnoj ljubvi Petrarki? Gospozhu ego serdtsa issledovateli uzhe dostatochno davno identifitsirovali kak Lauru Noves, zhenu rytsarja Gugo de Sada, rodivshuju muzhu odinnadtsat detej. Ee tikhaja zhizn protekala v Avinone v semejnom krugu i oborvalas v god Chernoj smerti (tak nazyvali strashnuju epidemiju chumy 1348 goda), po ironii sudby tozhe shestogo aprelja, kak raz v dvadtsat pervuju godovschinu ee vstrechi s Petrarkoj. Snova udivitelnoe sovpadenie. Cherez tri mesjatsa posle Laury, tozhe ot chumy, v Rime umiraet i drugoj blizkij Petrarke chelovek - ego pokrovitel i drug kardinal Dzhovanni Kolonna. Etim svedenija ob istoricheskoj Laure ischerpyvajutsja. Vse ostalnoe - v stikhakh velikogo poeta..." Perevodchik: Triandafilidi Aleksandr

Francesco Petrarca: Canzoniere Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Erstdruck: Venedig 1470. Textgrundlage sind die Ausgaben: Petrarca, Francesco: Italienische Gedichte. 3 B nde in einem, bers. v. Carl F rster, Wien: Chr. Fr. Schade, 1827. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

Francesco Petrarca: Canzoniere Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Erstdruck: Venedig 1470. Textgrundlage sind die Ausgaben: Petrarca, Francesco: Italienische Gedichte. 3 B nde in einem, bers. v. Carl F rster, Wien: Chr. Fr. Schade, 1827. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)N020218A reissue of the 1791 edition with a new titlepage. With a half-title, an index, and a final advertisement leaf. London: printed for the Associated Booksellers, Vernor and Hood; J. Cuthell; J. Walker; Ogilvy and Son; Lackington, Allen, and Co. and J. Nunn, 1797. 359, 11]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT013264Parallel Italian and English texts. With a half-title. London: printed for T. Davies, 1777. xxiii, 1],105, 7]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT144902Translated by Susanna Dobson. With a half-title, an index, and a final advertisement leaf. London: printed for John Stockdale, 1791. 359, 11]p.; 8

Roomalaiset ovat taistelleet Pohjois-Afrikasta Italiaan tunkeutunutta Hannibalia vastaan yli kymmenen vuotta, ja sotaa käydään eri puolilla valtakuntaa. Väsymys, pelko ja epätoivo ovat jo saaneet vallan, kun hispanialaisten joukkojen johtoon nousee nuori Publius Cornelius Scipio. Lyhyessä ajassa hän valtaa Iberian niemimaan takaisin roomalaisille ja valmistautuu torjumaan Karthagon uhkan lopullisesti. Petrarcan runoeepos rakentuu karismaattisen Scipio Africanuksen ympärille. Nuori sotapäällikkösaa henkisen valmennuksensa suureen tehtäväänsä unimaailmassa, jossa häntä opastavat hänen sankareina kaatuneet isänsä ja setänsä. Ratkaiseva taistelu käydään Pohjois-Afrikassa Zaman lähellä. Eepos nousee uusiin myyttisiin ulottuvuuksiin, kun Rooman ja Karthagon taivaalliset henkilöitymät vetoavat korkeimpaan jumaluuteen. Kohtalottaret ratkaisevat vaikean taistelun oikeamielisen ja hyveellisen Scipion eduksi. Eeposhuipentuu Scipion voitonjuhlaan Rooman Capitoliumilla. Petrarca esittää sen sankariuden ja runouden kaksoistriumfina, sillä vierellään vaunuissa Scipiolla on hänen rakas runoilijaystävänsä Ennius. Renessanssin humanismin isäksi kutsuttu FRANCESCO PETRARCA (1304-1374) kirjoitti sekä italiaksi että latinaksi. Elämäntyöllään, yhdeksänkirjaa käsittävällä, latinankieliseen heksametrimittaan laaditulla runoelmallaan ”Africa” hän lähti kulkemaan antiikin suurten eeppisten runoilijoiden Homeroksen ja Vergiliuksen viitoittamaa tietä.

The Sonnets, Triumphs - And other Poems is an unchanged, high-quality reprint of the original edition of 1879. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Sonnets, Triumphs, and other Poems is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Francesco Petrarca (1304–1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive the cultural and moral excellence of ancient Greece and Rome. This two-volume set contains an ample, representative sample from his enormous and fascinating correspondence with all the leading figures of his day, from popes, emperors, and kings to younger contemporaries such as Cola di Rienzi and Giovanni Boccaccio. The letters illustrate the remarkable story of Petrarca’s life in a Europe beset by war, plague, clerical corruption, and political disintegration. The ninety-seven letters in this selection, all freshly translated, cover the full range of Petrarca’s interests, including the rediscovery of lost classical texts, the reform of the Church, the ideal prince, education in the classics, and the revival of ancient moral philosophy. They include Petrarca’s imaginary correspondence with the ancient authors he loved so well, and his autobiographical Letter to Posterity.

Francesco Petrarca (1304–1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive the cultural and moral excellence of ancient Greece and Rome. This two-volume set contains an ample, representative sample from his enormous and fascinating correspondence with all the leading figures of his day, from popes, emperors, and kings to younger contemporaries such as Cola di Rienzi and Giovanni Boccaccio. The letters illustrate the remarkable story of Petrarca’s life in a Europe beset by war, plague, clerical corruption, and political disintegration. The ninety-seven letters in this selection, all freshly translated, cover the full range of Petrarca’s interests, including the rediscovery of lost classical texts, the reform of the Church, the ideal prince, education in the classics, and the revival of ancient moral philosophy. They include Petrarca’s imaginary correspondence with the ancient authors he loved so well, and his autobiographical Letter to Posterity.