George Bernard Shaw

Dive into the drama and action of the American Revolution in The Devil's Disciple, George Bernard Shaw's only play set entirely on U. S. soil. The protagonist, Richard Dudgeon, is a misfit and self-proclaimed "devil's disciple," but when the chips are down, he displays a level of courage and virtue that few others possess.

Revolutionist's Handbook and Pocket Companion

Great Catherine: Whom Glory Still Adores is a 1913 one-act play by Irish dramatist George Bernard Shaw. It was written between two of his other 1913 plays, Pygmalion and The Music Cure. It tells the story of a prim British visitor to the court of the sexually uninhibited Catherine the Great of Russia.

How He Lied to Her Husband is a one-act comedy play by George Bernard Shaw, who wrote it, at the request of actor Arnold Daly, over a period of four days while he was vacationing in Scotland in 1904.

Getting Married is a play by George Bernard Shaw. First performed in 1908, it features a cast of family members who gather together for a marriage. The play analyses and satirises the status of marriage in Shaw's day, with a particular focus on the necessity of liberalising divorce laws.

Fanny's First Play, being but a potboiler, needs no preface. But its lesson is not, I am sorry to say, unneeded. Mere morality, or the substitution of custom for conscience was once accounted a shameful and cynical thing: people talked of right and wrong, of honor and dishonor, of sin and grace, of salvation and damnation, not of morality and immorality. The word morality, if we met it in the Bible, would surprise us as much as the word telephone or motor car.

Augustus Does His Bit, A True to Life Farce is a comic one-act play by George Bernard Shaw about a dim-witted aristocrat who is outwitted by a female spy during World War I.

George Bernard Shaw was an Irish playwright, socialist, and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama. Over the course of his life he wrote more than 60 plays. Nearly all his plays address prevailing social problems, but each also includes a vein of comedy that makes their stark themes more palatable. In these works Shaw examined education, marriage, religion, government, health care, and class privilege. An ardent socialist, Shaw was angered by what he perceived to be the exploitation of the working class. He wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council. In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St. Lawrence in a house now called Shaw's Corner. He is the only person to have been awarded both a Nobel Prize for Literature (1925) and an Oscar (1938). The former for his contributions to literature and the latter for his work on the film "Pygmalion" (adaptation of his play of the same name). Shaw wanted to refuse his Nobel Prize outright, as he had no desire for public honours, but he accepted it at his wife's behest. She considered it a tribute to Ireland. He did reject the monetary award, requesting it be used to finance translation of Swedish books to English. Shaw died at Shaw's Corner, aged 94, from chronic health problems exacerbated by injuries incurred by falling.

Excerpt from The Shewing Up of Blanco Posnet: A Sermon in Crude Melodrama Babsy a bumptious young slattern, with some good looks] I say that a man that would steal a horse would do anything. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Though remembered primarily as a playwright and novelist, Irish writer George Bernard Shaw was an insatiably curious intellect whose interests encompassed a broad array of topics. This exegesis on Wagner's Ring cycle relates the opera series to ideas like capitalism and mythological archetypes.

The Man of Destiny is an 1897 play by George Bernard Shaw, set in Italy during the early career of Napoleon. It was published as a part of Plays Pleasant, which also included Arms and the Man, Candida and You Never Can Tell.

The Dark Lady of the Sonnets is a one-act play by the Irish playwright George Bernard Shaw which centers around the character of the "Dark Lady" described in William Shakespeare's sonnets. In the preface to the play, Shaw introduces his own audience to the different theories about the actual person to whom the sonnets were devoted, but also if Shakespeare is the actual writer of his works. Shakespeare and Queen Elizabeth themselves are characters in Shaw's rather witty, comic play.

Press Cuttings, subtitled "A Topical Sketch Compiled from the Editorial and Correspondence Columns of the Daily Papers" is a play by George Bernard Shaw. It is a farcical comedy about the suffragettes' campaign for votes for women in Britain.

All this will become clear if we read the gospels without prejudice. When I was young it was impossible to read them without fantastic confusion of thought. The confusion was so utterly confounded that it was called the proper spirit to read the Bible in. Jesus was a baby; and he was older than creation. He was a man who could be persecuted, stoned, scourged, and killed; and he was a god, immortal and all-powerful, able to raise the dead and call millions of angels to his aid.