George Bernard Shaw

George Bernard Shaw was an Irish playwright who co-founded the London School of Economics. Shaw wrote more than 60 plays with his most famous being "Pygmalion," which served as the inspiration for the musical" My Fair Lady."

Book Excerpt: would be an awful lark to bolt," said Gully, with a chuckle. "But," he added, seriously, "if you really mean it, by George, I'll go too Wilson has just given me a thousand lines; and I'll be hanged if I do them.""Gully," said Cashel, his eyes sparkling, "I should like to see one of those chaps we saw on the common pitch into the doctor--get him on the ropes, you know." Gully's mouth watered. "Yes," he said, breathlessly; "particularly the fellow they called the Fibber. Just one round would be enough for the old beggar. Let's come out into the playground; I shall catch it if I am found here." IIThat night there was just sufficient light struggling through the clouds to make Panley Common visible as a black expanse, against the lightest tone of which a piece of ebony would have appeared pale. Not a human being was stirring within a mile of Moncrief House, the chimneys of which, ghostly white on the side next the moon, threw long shadows on the silver-gray slates. The stiRead More

Captain Brassbound's Conversion is a play by G. Bernard Shaw. It was published in Shaw's 1901 collection Three Plays for Puritans.

Packed with the spot-on social commentary that George Bernard Shaw is known for, the five plays that comprise Back to Methuselah are an engaging read for lovers of classic drama and science fiction fans alike. In an effort to shed light on what he regards as a pervasive failure of modern governance, Shaw projects his imagination backwards and forwards in time, dissecting what went wrong and what could have been in a series of five set pieces that span the time period from 4004 BC to 31,920 AD.

Entertaining allegory examines apathy, confusion and lack of purpose as causes of major world problems. One of the distinguished comic dramatist's more somber plays, this entertaining allegory examines apathy, confusion and lack of purpose as causes of major world problems, with larger-than-life characters representing the evils of the modern world. The house could arguably be a metaphorical reference to a ship which must be guided capably, not only by its crew, but also its passengers. Each character in the house represents some facet of British society, Mangan being the nouveau riche capitalist, Hesione the flighty Bohemian, Ellie a struggling member of the lower class and so on. One of Shaw's most important and evident themes is reality versus appearances. By the end of the play, each character is revealed to be nothing like who they appeared to be in the beginning. Mangan, who was reported to be "a Napolean of industry" is revealed in the third act to be virtually penniless and incapable of running his own businesses. It is in fact Mazzini who runs Mangan's businesses although he at first appears mild and incompetent.

Misalliance is a play written in 1909-1910 by George Bernard Shaw. The play takes place entirely on a single Saturday afternoon in the conservatory of a large country house in Hindhead, Surrey in Edwardian era England.

Major Barbara is a three-act English play by George Bernard Shaw, written and premiered in 1905 and first published in 1907. The story concerns an idealistic young woman, Barbara Undershaft, who is engaged in helping the poor as a Major in the Salvation Army in London. For many years, Barbara and her siblings have been estranged from their father, Andrew Undershaft, who now reappears as a rich and successful munitions maker. Undershaft, the father, gives money to the Salvation Army, which offends Major Barbara, who does not want to be connected to his "tainted" wealth. However, the father argues that poverty is a worse problem than munitions, and claims that he is doing more to help society by giving his workers jobs and a steady income than Major Barbara is doing to help them by giving them bread and soup.

Caesar and Cleopatra is a play written in 1898 by George Bernard Shaw that depicts a fictionalized account of the relationship between Julius Caesar and Cleopatra. It was first published with Captain Brassbound's Conversion and The Devil's Disciple in Shaw's 1901 collection Three Plays for Puritans. It was first performed in a single staged reading at Newcastle upon Tyne on 15 March 1899, to secure the copyright. The play was produced in New York in 1906 and in London at the Savoy Theatre in 1907.

Man and Superman is a four-act drama written by George Bernard Shaw in 1903. The series was written in response to calls for Shaw to write a play based on the Don Juan theme. Man and Superman opened at the Royal Court Theatre in London on 23 May 1905, but it omitted the third act. A part of the act, Don Juan in Hell (Act 3, Scene 2), was performed when the drama was staged on 4 June 1907 at the Royal Court. The play was not performed in its entirety until 1915, when the Travelling Repertory Company played it at the Lyceum Theatre, Edinburgh.

You Never Can Tell is an 1897 four-act play by George Bernard Shaw that debuted at the Royalty Theatre. It was published as part of a volume of Shaw's plays entitled Plays Pleasant. In June 2011, the play was revived at the Coliseum Theatre in Aberystwyth, Wales, where it had been performed exactly one century earlier.

Heartbreak House: A Fantasia in the Russian Manner on English Themes is a play written by George Bernard Shaw, first published in 1919 and first played at the Garrick Theatre in November 1920. According to A. C. Ward, the work argues that "cultured, leisured Europe" was drifting toward destruction, and that "Those in a position to guide Europe to safety failed to learn their proper business of political navigation". The "Russian manner" of the subtitle refers to the style of Anton Chekhov, which Shaw adapts.

Arms and the Man is a comedy written by George Bernard Shaw. Arms and the Man questions conventional values and uses war and love as his satirical targets. A young woman named Raina takes great pride in the Bulgarian army's recent victory over the Serbians. She unexpectedly takes in a Serbian soldier who fled the battle with pieces of chocolate in his pockets in place of ammunition. Though she initially despises the Serbian soldier for being a coward, she ends up falling in love with him and gives him a picture of her to take with him. When he leaves, she gives him a coat and a picture of her to take with him. Four months later, the man, Captain Bluntschli, returns the coat as an excuse to see Raina again. Sergius, the Bulgarian commander who won the battle at the beginning of the play, doesn't recognize Bluntschli. Sergius grows jealous of his connection with Raina. Sergius and Bluntschli agree to a duel, but Raina comes in and tells them that she isn't in love with Sergius anymore. Bluntschli proposes to her, and she accepts.