George Bernard Shaw

A tireless champion of her father William, and a gifted designer and craftswoman in her own right, Mary (May) Morris (1862–1938) had a unique insight into his extraordinary career and creativity. It was she who undertook the exacting task of editing the twenty-four volumes of her father's collected works (also reissued in the Cambridge Library Collection). In 1936, towards the end of her life, she published this supplementary two-volume work, which includes further writings and sympathetic commentary, revealing 'the development of a mind which was singularly of one piece, however many-sided'. Volume 2 addresses William Morris' political aims and ideals. Opening with the essay 'Morris as I Knew Him' by George Bernard Shaw, it includes May's substantial assessment of her father's socialism, along with many previously unpublished examples of his output of lectures, articles and letters on the subject. Also included is the index to the entire collected works.

After poleaxing his mathematics master with a perfect right, Cashel Byron, the unloved son of a successful actress, runs away to Australia. He returns to England and becomes the most famous prizefighter of his age, only to be floored himself by the lovely and impossible Lydia Carew. Can Lydia, with her reputation for vast learning and exquisite culture, be wooed by the ruffian Cashel? Can Cashel successfully hide his illegal professional? And so follows, with Shaw's inimitable wit and sparkle, a tale of miscommunication, drawing-room comedy and love.

With his inimitable wit and sparkle, George Bernard Shaw brings us the character of Owen Jack, a salty non-conformist composer said to have been suggested by Beethoven. The relations between Jack and the other wayward bohemians of the story with the more conventional socialites around them offers shrewd insight into the nature of the artistic temperament, with its need for a kind of commitment that overrides the everyday claims of the heart. A novel which anticipated Shaw's first plays by more than ten years, LOVE AMONG THE ARTISTS shows him already mocking the respectable morality of the Victorian society around him.

Sidney Trefusis is a proselytizing socialist. Armed with irony and paradox, he is determined to overthrow a society riddled with class and sexual exploitation. Henrietta, his adoring wife, 'loves' him: he must abandon her. Son of a millionaire, he gives up everything to pose as an 'umble peasant'. But when this unsocial socialist goes to work as a gardener in the vicinity of a girls' school he meets his match - for Agatha Wylie is a new kind of woman, perfectly armed: and she doesn't love him. With the character of his clown-prophet Trefusis, George Bernard Shaw presented for the first time his view of what the relationship between the sexes should be. Galloping, exuberant, and irresistibly entertaining, AN UNSOCIAL SOCIALIST is a brilliant satire on social prejudice from a great author of the past.

Foreword by Christopher Moore. Wonderful collection of the greatest and most popular plays of one of our finest playwrights. Includes Mrs. Warren's Profession, Arms and the Man, Caesar and Cleopatra, Man and Superman, Major Barbara, Androcles and the Lion, Heartbreak House, and the play on which the popular My Fair Lady was based -- Pygmalion.

Edited by Elizabeth T. Forter, this edition of Major Barbara for performance and study includes Shaw's complete "Preface." The text follows Shaw's spelling and punctuation. It also includes a highly regarded twenty-four page introduction, a list of the principal dates in the life of Bernard Shaw, and a selected bibliography.