Guillaume Apollinaire

Le recueil Alcools, paru au Mercure de France en 1913, manifeste un esprit nouveau. Apollinaire mit quinze ans le pr parer. ... Alcools est une oeuvre r volutionnaire qui est aussi associ e au surr alisme en litt rature.

Les Exploits d'un jeune Don Juan, roman incontournable de Guillaume Apollinaire, a t publi pour la premi re fois en France en 1911. Vous souhaitez lire autrement et profiter d'une exp rience de lecture originale ? Gr ce notre charte ditoriale, nous vous offrons l'opportunit de d couvrir ce roman dans une dition a r e et dans un grand format, facilitant ainsi votre lecture pour vous permettre de profiter d'une exp rience de lecture unique.

Ce recueil rassemble des po mes crits de 1898 1913. Beaucoup (mais pas tous) sont inspir s par l'amour malheureux d'Apollinaire pour deux femmes, successivement: Annie, puis Marie Laurencin. Ces po mes l giaques ont souvent des th mes romantiques (l'automne, la fuite du temps), mais qui sont trait s d'une mani re tr s moderne: les images originales et fortes annoncent le surr alisme, l'absence totale de ponctuation, qui met en avant le rythme du vers et cr e parfois une ambig it po tique, est r volutionnaire. Apollinaire proclame d'ailleurs d'embl e et explicitement son d sir de modernit , dans le po me qui ouvre le recueil et qui ne respecte aucune des r gles classiques de la versification: Zone. (cf. ci-dessous les premiers mots )

La Femme assise, roman incontournable de Guillaume Apollinaire, a t publi pour la premi re fois en France en 1920. Vous souhaitez lire autrement et profiter d'une exp rience de lecture originale ? Gr ce notre charte ditoriale, nous vous offrons l'opportunit de d couvrir ce roman dans une dition a r e et dans un grand format, facilitant ainsi votre lecture pour vous permettre de profiter d'une exp rience de lecture unique.

The publication of Alcools marked a turning point in modern poetry with Guillaume Apollinaire's vivid and inventive voice. The opening lines of "La Chanson du Mal-Aim " reflect a scene that captivated readers upon its discovery, portraying a blend of melancholy and bold, bohemian spirit that challenges traditional poetic structures. Apollinaire's work resonated with readers for its raw evocativeness, free of ornate rhyme schemes, instead exploring an expressive musicality and deeper, sometimes dreamlike themes. By 1909, Apollinaire, born Wilhelm-Apollinaris de Kostrowitzky, was gaining recognition within avant-garde circles, admired for his connections with artists and for his literary innovations. His personal history, shaped by an unconventional upbringing, transient romances, and an immersion in various cultural influences, fueled his poetry's dynamic style. "La Chanson du Mal-Aim ," initially published in a truncated form, captures the intensity and complexity of his experiences and relationships, culminating in his first major collection, Alcools, in 1913. This work was significant not only for Apollinaire's bold content but also for his choice to omit punctuation, a deliberate stylistic choice that invites fluid interpretation and emphasizes the poem's rhythmic cadence and emotional tone. Throughout Alcools, Apollinaire's poetry merges tradition and innovation, resonating with the mystical allure of folk song, romantic imagery, and urban melancholy. The poems evoke a timeless search for identity, meaning, and connection in an increasingly fragmented world, blending the old with the radically new. The mix of myth, contemporary references, and introspective depth in Alcools encapsulates Apollinaire's contributions to modernist poetry, establishing him as a transformative figure in early 20th-century literature. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

The publication of Alcools marked a turning point in modern poetry with Guillaume Apollinaire's vivid and inventive voice. The opening lines of "La Chanson du Mal-Aim " reflect a scene that captivated readers upon its discovery, portraying a blend of melancholy and bold, bohemian spirit that challenges traditional poetic structures. Apollinaire's work resonated with readers for its raw evocativeness, free of ornate rhyme schemes, instead exploring an expressive musicality and deeper, sometimes dreamlike themes. By 1909, Apollinaire, born Wilhelm-Apollinaris de Kostrowitzky, was gaining recognition within avant-garde circles, admired for his connections with artists and for his literary innovations. His personal history, shaped by an unconventional upbringing, transient romances, and an immersion in various cultural influences, fueled his poetry's dynamic style. "La Chanson du Mal-Aim ," initially published in a truncated form, captures the intensity and complexity of his experiences and relationships, culminating in his first major collection, Alcools, in 1913. This work was significant not only for Apollinaire's bold content but also for his choice to omit punctuation, a deliberate stylistic choice that invites fluid interpretation and emphasizes the poem's rhythmic cadence and emotional tone. Throughout Alcools, Apollinaire's poetry merges tradition and innovation, resonating with the mystical allure of folk song, romantic imagery, and urban melancholy. The poems evoke a timeless search for identity, meaning, and connection in an increasingly fragmented world, blending the old with the radically new. The mix of myth, contemporary references, and introspective depth in Alcools encapsulates Apollinaire's contributions to modernist poetry, establishing him as a transformative figure in early 20th-century literature. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

The Bestiary, 30 short poems celebrating mammals, birds, fish, insects and the mythical poet Orpheus appeared in 1911 and was Apollinaire's first published work. Although they appear slight, the poems inspired the artist Raoul Dufy to illustrate each of them with a woodcut (5 of the 30 woodcuts are reproduced in the chapbook) and the composer Francis Poulenc to set six of them to music. The poems - witty, ironical and full of surprising images - show Apollinaire's mastery of short form poetry, and Martin Sorrell's superb rhyming translation perfectly preserves the spirit of the original. Although many individual poems from The Bestiary have been published in translation, this chapbook is one of the very few complete editions to appear, and with an introduction and explanatory notes by the translator, it is a perfect introduction to Apollinaire's poetry.