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Hans Ulrich Obrist

Kirjat ja teokset yhdessä paikassa: 91 kirjaa, julkaisuja vuosilta 2006–2026, suosituimpiin kuuluu Judy Chicago: Revelations. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

Nimi esiintyy myös muodoissa: Hans-Ulrich Obrist

91 kirjaa

Kirjojen julkaisuvuodet: 2006–2026.

Annie Leibovitz

Annie Leibovitz

Graydon Carter; Hans Ulrich Obrist; Paul Roth; Steve Martin

TASCHEN GMBH
2022
sidottu
When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. “What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.” Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.
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Annie Leibovitz

Annie Leibovitz

Graydon Carter; Hans Ulrich Obrist; Paul Roth; Steve Martin

TASCHEN GMBH
2022
sidottu

Halvin toimitettuna 138,40 €

When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. “What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.” Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.
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Tete a Tete

Tete a Tete

Hans Ulrich Obrist

Heni Publishing
2022
sidottu
The first comprehensive collection of Annette Messager’s drawings, including 150 works made over the last ten years, which constitute an invaluable lexicon to the mind and work of a trailblazing iconoclast. Messager redefined the role of women making art and the very nature of sculpture – accomplishments which won her the coveted Golden Lion for best national pavilion at the 51st Venice Biennale in 2005 and the Praemium Imperiale for sculpture in 2016. Messager’s subjects range from animal to human, feminist activists to devotional figures, skeletons to ghosts. She broaches the grand themes of love, life, death and the fairy tales, mythologies, superstitions and vanities that lie beneath.
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David Hockney - Insights

David Hockney - Insights

Jan Svenungsson; Helen Little; Gabriele Jutz; Larissa Kikol; Hans Ulrich Obrist

Dr. Cantz'sche Verlagsgesellschaft mbH Co. KG
2022
sidottu
David Hockney (born 1937 in Bradford) is one of the most influential and technically versatile artists of the 20th and 21st centuries. This new publication gathers some of his most defining work from the 1950s to the present, including major works in the Tate collection. From early graphic cycles, iconic pool paintings through to his plein air landscapes, iPad drawings, and multimedia installations, the volume documents central themes and genres in Hockney's oeuvre, as well as his constant experimentation. Original essays by renowned critics and commentators illuminate the artist's search for new forms of expression, the topographical and biographical reference points of his work, the technical innovation of his painting and printmaking, as well as his approach to new media.
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John Baldessari

John Baldessari

Barbara Bloom; Russel Ferguson; Hans Ulrich Obrist; David Salle

Walther Koenig
2021
sidottu
The Space Between. When youre looking at two things, dont look at them, look between them ... The space between two things, thats very important. John BaldessariThe Space Between celebrates John Baldessaris final painting series 30 paintings on canvas that explore the gaps in meaning between word and image, foreground and background, photography and painting, presence and absence. Quintessentially Baldessarian in their witty, sometimes absurd pairings of objects and text, they feature imagery from film stills and found photographs, partially covered by gestural fields of white and black paint that direct our attention to
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Cahiers d’Art 2018

Cahiers d’Art 2018

Rémi Labrusse; Jean-Louis Cohen; Miquel Barceló; Rosa Maria Mallet; Elisa Sclaunick; Hans Ulrich Obrist; Helen Marten; Koo Jeong A; Karel Malich

Cahiers d'art
2020
nidottu
The 2018 Cahiers d'Art revue revisits Mir 's works and relationship between Mir and Cahiers d'Art through an anthology of the most beautiful texts published in the revue. It also introduces unpublished objects and pieces from the artist's collection. The stencil Mir made for the No. 1-4 of the 1936 revue is silkscreened as this revue's cover. The issue also includes an interview with Staffan Ahrenberg and Miquel Barcel , and works by Helen Marten, Koo Jong A and Karel Malich. Anchored in the beauty of the Catalan land and in the primitive power of objects, Mir 's works unfold their magical dimension alongside movements and theories. The art critic and founder of Cahiers d'Art, Christian Zervos never stopped following and defending the work of this unclassifiable artist, "the most lyrical painter of his time" and "the most important post cubist artist". Mir is indeed present in Cahiers d'Art from the first year of its existence, 1926, utill the last, 1960. He drew many covers and his famous stencil "Help Spain " (Aidez l'Espagne ) was published in the No. 4-5 of the 1937 issue of the Cahiers d'Art revue. This issue of the new revue, under the direction of R mi Labrusse, revisits the relationship between Mir and Cahiers d'Art through an anthology of the most beautiful texts published in the revue. It also provides insight into the great originality of Mir 's primitivism and a discovery of two collections of the artist: the objects that filled his studio, and the unpublished paintings that he added into certain books in his library. An essay by lisa Sclaunick is dedicated to Mir 's unpublished correspondence with writer Jacques Dupin. A text by Jean-Louis Cohen pays tribute to the architect Jos -Luis Sert who created the buildings of the Palma studio and the Barcelona Foundation, while Rosa Maria Mallet returns to the history of the Mir Foundation. Lastly, four artists complete the revue with a contemporary counterpoint: the Spanish Miquel Barcel , the English Helen Marten, the South Korean Koo Jong A and the Czech Karel Malich.
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Everything You Always Wanted to Know About Curat - But Were Afraid to Ask

Everything You Always Wanted to Know About Curat - But Were Afraid to Ask

Hans-ulrich Obrist

Sternberg Press
2020
nidottu
Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book. Spanning the beginning of his "career" as a young curator in his Zurich kitchen to his time most recently as the Co-Director of Exhibitions and Programs, and Director of International Projects at the Serpentine Gallery in London, the book is a "production of reality conversations." It undertakes the impossible: pinning down this peripatetic curator, attempting to map his psychogeography so that silences may be transcribed. In a sense, it organizes a "protest against forgetting" and affirms the sagacity of an artist who told this dontstop curator "don't go" when he "contemplated leaving the art world" for other fields--"to go beyond the fear of pooling knowledge"--in lieu of bringing other fields into the (then) hermetic art world. ContributorsJean-Max Colard, Robert Fleck, Jefferson Hack, Nav Haq, Noah Horowitz, Sophia Krzys Acord, Brendan McGetrick, Markus Miessen, Ingo Niermann, Paul O'Neill, Philippe Parreno & Alex Poots, Juri Steiner, Gavin Wade, Enrique Walker
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Hilma af Klint : att se är att inse

Hilma af Klint : att se är att inse

Hans Ulrich Obrist; Briony Fer; David Lomas; Branden W. Joseph; Daniel Birnbaum

Bokförlaget Stolpe
2020
sidottu
Volymen Att se är att inse presenterar sju serier av verk av den framstående konstnären Hilma af Klint. Dessa verk skapades under den första halvan av år 1920 och är de sista målningar af Klint gjorde innan hon övergick till akvarell och började måla i den säregna stil som lärdes ut av Rudolf Steiner och hans lärjungar. Denna antologi baseras på seminariet som hölls vid Goethe-Institut London i samband med utställningen Hilma af Klint: Painting the Unseen, som ägde rum på Serpentine Galleries under våren 2016.
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Adrián Villar Rojas

Adrián Villar Rojas

Hans Ulrich Obrist; Carolyn Christov Bakargiev; Eungie Joo

Phaidon Press Ltd
2020
nidottu
The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist Adrián Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.
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Edi Rama: Work (bilingual)

Edi Rama: Work (bilingual)

Hans Ulrich Obrist; Martin Herbert; Ornela Vorpsi

Hatje Cantz
2019
sidottu
The oeuvre of the Albanian artist and prime minister Edi Rama is inseparable from his political career. During telephone con-ferences and meetings, he does drawings and watercolors on the copies of his schedule, his work notes, on minutes, faxes, and other pieces of correspondence. The art he produces in the environs of national power forms an abstract journal, a vivid recording of political life and the everyday tensions be-tween power and art. Work is the first publication to present the drawings, ceramic sculptures, and a tapestry, which was inspired by a similar tapestry in Rama’s office in Tirana. Made up of more than seven hundred of Rama’s drawings, the tap-estry runs throughout the entire book, creating an immanent connection between his works. Besides essays on Rama’s work, the book also features a conversation with the artis
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Creative Chicago

Creative Chicago

Hans Ulrich Obrist; Alison Cuddy

Terra Foundation for the Arts,U.S.
2019
pokkari
On September 29, 2018, before a live audience at Navy Pier in Chicago, international curator Hans Ulrich Obrist conducted his first US Marathon interview session as part of Art Design Chicago, a yearlong celebration of Chicago's art and design legacy initiated by the Terra Foundation for American Art. Obrist, who has undertaken a life-long project of interviewing cultural figures, spoke with more than twenty of Chicago's most innovative and influential artists, designers, architects, writers, and other creatives. In their interviews, this diverse group of creatives provided insights into their artistic processes, influences, and ideas about and hopes for their shared city of Chicago. Among the participants were social-practice artist/developer Theaster Gates, architect Jeanne Gang, writer Eve Ewing, Hairy Who artists Art Green and Suellen Rocca, performance/installation artist Shani Crowe, and the city's cultural historian Tim Samuelson. Creative Chicago: An Interview Marathon serves as documentation for this event, including edited transcripts of the interviews, biographies of the participants, photos of the event, and images of the artists' work.
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