Horace

The Odes of Horace are a treasure of Western civilization, and this new English translation is a lively rendition by one of the prominent poet-translators of our own time, David R. Slavitt. Horace was one of the great poets of Rome’s Augustan age, benefiting (as did fellow poet Vergil) from the friendship of the powerful statesman and cultural patron Maecenas. These Odes, which take as their formal models Greek poems of the seventh century BCE—especially the work of Sappho and Alcaeus—are the observations of a wry, subtle mind on events and occasions of everyday life. At first reading, they are modest works but build toward a comprehensive attitude that might fairly be called a philosophy. Charming, shrewd, and intimate, the voice of the Odes is that of a sociable wise man talking amusingly but candidly to admiring friends. This edition is also notable for Slavitt’s extensive notes and commentary about the art of translation. He presents the problems he encountered in making the translation, discussing possible solutions and the choices he made among them. The effect of the notes is to bring the reader even closer to the original Latin and to understand better how to gauge the distance between the two languages.

Originally published in 1896, this book contains the Latin text of the fourth and last book of Horace's famous Odes, as well as the famous Carmen Saeculare, written for the Secular Games in 17 BC and commissioned by the emperor Augustus. Gow includes a biography of the poet and commentaries on each of the 16 poems in the book, including a brief synopsis of each, as well as a guide to common metrical patterns used by Horace and other ancient poets. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.

Originally published in 1888, this book contains the Latin text of the first book of Horace's Epistulae. Distinguished classicist Shuckburgh includes a biography of the poet and commentaries on each of the 20 poems in the book, as well as a brief synopsis of each letter. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.

Originally published in 1895, this book contains the Latin text of the first book of Horace's famous Odes. Gow includes a biography of the poet and commentaries on each of the 38 poems in the book, including a brief synopsis of each ode, as well as a guide to common metrical patterns used by Horace and other ancient poets. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.

Satires et Epitres, traduites en vers francais, avec le texte latin, par le docteur Adrien ReyDate de l'edition originale: 1868Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

The Satires of Horace offer a hodgepodge of genres and styles: philosophy and bawdry; fantastic tales and novelistic vignettes; portraits of the poet, his contemporaries, and his predecessors; jibes, dialogue, travelogue, rants, and recipes; and poetic effects in a variety of modes. For all their apparent lightheartedness, however, the poems both illuminate and bear the marks of a momentous event in world history, one in which Horace himself played an active role--the death of the Roman Republic and the birth of the Principate. John Svarlien's lively blank-verse translation reflects the wide range of styles and tones deployed throughout Horace's eighteen sermons or conversations, deftly reproducing their distinctive humor while tracking the poet's changing mannerisms and moods. David Mankin's Introduction offers a brief account of the political upheavals in which Horace participated as well as the social setting in which his Satires were produced, and points up hallmarks of the poet's distinctive brand of satire. His detailed commentary offers a behind-the-scenes look at Roman society and an often between-the-lines examination of a key work of one of Rome's sharpest observers.

The Satires of Horace offer a hodgepodge of genres and styles: philosophy and bawdry; fantastic tales and novelistic vignettes; portraits of the poet, his contemporaries, and his predecessors; jibes, dialogue, travelogue, rants, and recipes; and poetic effects in a variety of modes. For all their apparent lightheartedness, however, the poems both illuminate and bear the marks of a momentous event in world history, one in which Horace himself played an active role--the death of the Roman Republic and the birth of the Principate. John Svarlien's lively blank-verse translation reflects the wide range of styles and tones deployed throughout Horace's eighteen sermons or conversations, deftly reproducing their distinctive humor while tracking the poet's changing mannerisms and moods. David Mankin's Introduction offers a brief account of the political upheavals in which Horace participated as well as the social setting in which his Satires were produced, and points up hallmarks of the poet's distinctive brand of satire. His detailed commentary offers a behind-the-scenes look at Roman society and an often between-the-lines examination of a key work of one of Rome's sharpest observers.

In the first book of odes, Horace presents himself to his Roman readers in a novel guise, as the appropriator of the Greek lyric tradition. He aspired to add a new province to the empire of the national literature. The first book is designed both to establish Horace's engagement with his Greek predecessors and to create a role for lyric poetry in contemporary Rome. The collection of thirty-eight poems is therefore a dazzling feat of poetic appropriation and innovation, a blend of the public and the private voice of the poet. Classic Greek songs are evoked so as to provide a springboard for reflections on moral and political issues, for the praises of gods and men, friends and public figures, for celebration of love and drinking. This edition will enable students and their instructors to enter and enjoy Horace's lyric world.

In the first book of odes, Horace presents himself to his Roman readers in a novel guise, as the appropriator of the Greek lyric tradition. He aspired to add a new province to the empire of the national literature. The first book is designed both to establish Horace's engagement with his Greek predecessors and to create a role for lyric poetry in contemporary Rome. The collection of thirty-eight poems is therefore a dazzling feat of poetic appropriation and innovation, a blend of the public and the private voice of the poet. Classic Greek songs are evoked so as to provide a springboard for reflections on moral and political issues, for the praises of gods and men, friends and public figures, for celebration of love and drinking. This edition will enable students and their instructors to enter and enjoy Horace's lyric world.

The Roman philosopher and dramatic critic Quintus Horatius Flaccus (65-3 B. C.), known in English as Horace, was also the most famous lyric poet of his age. Written in the troubled decade ending with the establishment of Augustus's regime, his Satires provide trenchant social commentary on men's perennial enslavement to money, power, fame, and sex. Not as frequently translated as his Odes, in recent decades the Satires have been rendered into prose or bland verse. Horace continues to influence modern lyric poetry, and our greatest poets continue to translate and marvel at his command of formal style, his economy of expression, his variety, and his mature humanism. Horace's comic genius has also had a profound influence on the Western literary tradition through such authors as Swift, Pope, and Boileau, but interest in the Satires has dwindled due to the difficulty of capturing Horace's wit and formality with the techniques of contemporary free verse. A. M. Juster's striking new translation relies on the tools and spirit of the English light verse tradition while taking care to render the original text as accurately as possible.