Jane Austen

Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father's death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen's novels] is beyond praise.... Her mastery of the art she chose, or that chose her, is complete." This Modern Library Paperback Classics edition contains a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes. "As nearly flawless as any fiction could be."—Eudora Welty

Jane Austen collected her childhood writings into three manuscript notebooks, both as a record of her earliest work and for the convenience of reading aloud to her family and friends. Volume the First (as she entitled it) contains fourteen pieces - literary skits and family jokes - dating from about 1787, when she was eleven, to 1793. Amusing in themselves, they give us a direct picture of the lively literary and family milieu in which the novelist's juvenilia was formed. This new edtion carries a Foreword by Lord David Cecil, a former president of the Jane Austen Society and Professor of English Literature at the University of Oxford. There is also a Publisher's Preface by Brian Southam, author of Jane Austen's Literary Manuscripts and other works on Jane Austen.

"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife." So begins Pride and Prejudice, Jane Austen's witty comedy of manners--one of the most popular novels of all time--that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. Renowned literary critic and historian George Saintsbury in 1894 declared it the "most perfect, the most characteristic, the most eminently quintessential of its author's works," and Eudora Welty in the twentieth century described it as "irresistible and as nearly flawless as any fiction could be." "The wit of Jane Austen has for partner the perfection of her taste."--Virginia Woolf

Austen's comedy of manners--one of the most popular novels of all time--features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of 18-century drawing-room intrigues. Reissue.

In her final novel, Jane Austen creates a delightful social satire of England's landed gentry and a moving tale of lovers separated by class distinction. Here Austen achieves her most mature observations, especially of the silent torment of an unloved woman. A Cover to Cover Unabridged Classic.

Emma, when first published in 1816, was written when Jane Austen was at the height of her powers. In it, we have her two greatest comic creations -- the eccentric Mr. Woodhouse and that quintissential bore, Miss Bates. In it, too, we have her most profound characterization: the witty, imaginative, self-deluded Emma, a heroine the author declared "no one but myself will much like," but who has been much loved by generations of readers.

'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

Charlotte the Heywood, captivating heroine of Sanditon, is smart, beautiful, and in search of a husband. As in all of Austen's novels, however, the road to matrimony is littered with obstacles: Charlotte must escape the clutches of an insufferable suitor, deal with the fortune-hunting schemes of the reigning local dowager, and outsmart a bevy of ambitious beauties who have set their sights on the charming Sidney Parker -- and convince the fickle young man that he really loves her.

The private and social worlds of three families are revealed through the experiences of the heroine Fanny Price in this nineteenth-century novel accompanied by related writings, annotations, and criticism

Engelsk herregårdsroman fra begyndelsen af 1800-tallet. Hovedpersonen i Mansfield park er den lille, sky, askepotlignenede Fanny Price. I en alder af 10 år bliver hun optaget i familien hos sin moster og onkel - lady Bertram og Sir Thomas på godset Mansfield Park.

Catherine Morland lives for much of her time in a fantasy world of romance and mystery based on the Gothic novels of her time, the early 1800s. But a stay in Northanger Abbey leads her into a series of misjugdements and a farewell to her Gothic world, only to be dealt a cruel blow in the real one.

Mansfield Park is the third published novel by Jane Austen, first published in 1814. Taken from the poverty of her parent's home, Fanny Price is brought up with her rich cousins at Mansfield Park, acutely aware of her humble rank and with only her cousin Edmund as an ally. When Fanny's uncle is absent in Antigua, Mary Crawford and her brother Henry arrive in the neighbourhood, bringing with them London glamour and a reckless taste for flirtation. As her female cousins vie for Henry's attention, and even Edmund falls for Mary's dazzling charms, only Fanny remains doubtful about the Crawford's influence and finds herself more isolated than ever.

This novel is essentially a story of how Emma matures from a clever young woman to a more modest and considerate woman, who finally adorns the idea of love after ignoring it for the longest time. Emma being the privileged daughter of a wealthy gentleman was accustomed to "having her own way" and cursed with a "disposition to think a little too well of herself". Jane Austen's remarkable writing style and development of character builds the suspense throughout the novel as she describes the intricate details about the English society back then. In this book she lays extreme emphasis on the materialistic gains, inheritance and social class. Emma's efficacious journey makes it the most unprecedented romance novel of all time. Jane Austen one of the most renowned English author, completed just six novels during her time and yet manages to command a legion of fans around the world. Her timeless stories have been turned into movies, television shows, and modern adaptations in addition to being translated into multiple languages to cross cultural boundaries. She is still regarded as one the biggest literary figures of all times who is universally acknowledged for her most enduring romance novels.

This volume of verse by Jane Austen and her family contains all the known poems by Jane herself and a selection of work by her sister Cassandra, four of her brothers, her uncle James, her nieces Anna and Fanny and her nephew James Edward. It is clear that her mother influenced her verse writing: Mrs Austen was a skilful, witty practitioner, and all her extant poems are included. Three generations' work can be found within the covers of this volume. Verse-making was a social activity, a game of greeting, or charades, or bouts-rimes. Generally the poems in this volume are arranged by author, but David Selwyn has included three sets of verse arranged in their playful sequence. He provides an introduction and full explanetory notes and takes texts from autograph manuscripts or from the earliest copy. His transcriptions are precise in terms of spelling, punctuation and layout. Textual notes draw attention to significant variants.

Winner of the 1996 BAFTA for Best Single Drama Jane Austen's classic novel is the story of Anne Elliot. Engaged eight years previously to a young navel officer, Frederick Wentworth, she allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, and that she had better prospects. The scene opens some seven years after Anne has refused the love of her life when Frederick Wentworth returns from the sea, in search of a wife. Nick Dear's critically acclaimed screen play was first screened on BBC2 in April 1995 and was subsequently released worldwide as a feature film.

Elinor and Marianne Dashwood are two strikingly different sisters. On their father's death, the Estate goes to their brother John who, encouraged his his wife, goes against his father's wishes of looking after his sisters and step-mother. They retire to a cottage in Devonshire, but not before Elinor and Edward Ferras become mutually attracted. In Devonshire Marianne falls desperately in love with John Willoughby, an attractive but unprincipled man. Each sister discovers that their suitors have become engaged to other women and the story centres on the different way they cope with this distress. All ends well, however, when Edward is released from his engagement and can marry Elinor, and Marianne is won over by an old admirer. Abridged for Puffin Classics. Also abridged: Pride and Prejudice

Readers of Jane Austen's six great novels are left hungering for more, and more there is: the marvelous unpublished manuscripts she left behind, collected here. Sanditon might have been Austen's greatest novel had she lived to finish it. Its subject matter astonishes: here is Austen observing the birth pangs of the culture of commerce, as her country-bred heroine, a foolish baronet, a family of hypochondriacs, and a mysterious West Indian heiress collide against the background hum of real-estate development at a seaside resort. The Watsons, begun in 1804 but never completed, tells the story of a young woman who was raised by a rich aunt and who finds herself shipped back to the comparative poverty and social clumsiness of her own family. The novella Lady Susan is a miniature masterpiece, featuring Austen's only villainous protagonist. Lady Susan's subtle, single-minded, and ruthless pursuit of power makes the reader regret that Austen never again wrote a novel with a scheming widow for its heroine. The special joy of this collection lies in Austen's juvenilia-tiny novels, the enchantingly funny Love and Freindship, comic fragments, and a (very) partial history of England-romping miniatures that she wrote in her teens. Their high spirits, hilarity, and control offer delicious proof that Austen was an artist "born, not made."