Joseph Conrad

The Secret Sharer, is probably the most popular - and most critically acclaimed - of Conrad's bona fide short stories (if we count Heart of Darkness as a short novel rather than a short story), and much of Conrad's fiction blurs the boundaries between short stories, novellas, and novels, so we feel it earns its place in this list of the best Joseph Conrad novels despite its (literal) shortcomings. It is in the great tradition of tales about the double, which also includes such stories as Edgar Allan Poe's 'William Wilson' and Robert Louis Stevenson's Dr Jekyll and Mr Hyde. The tale is narrated by the captain of a ship which is boarded one night by the first mate of another ship; our narrator soon finds out that this stranger, named Leggatt, is on the run from justice, having killed a crewmate on the other ship. Our unnamed narrator recognises something of himself in this stranger, or 'secret sharer', and is faced with a dilemma: should he turn over the man to the authorities, or help him escape to a life of exile? This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilised people and those described as savages; Heart of Darkness raises questions about imperialism and racism. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century. Orson Welles adapted and starred in Heart of Darkness in a CBS Radio broadcast on 6 November 1938 as part of his series, The Mercury Theatre on the Air. In 1939 Welles adapted the story for his rst lm for RKO Pictures, writing a screenplay with John Houseman. The CBS television anthology Playhouse 90 aired a 90-minute loose adaptation in 1958. The most famous adaptation is Francis Ford Coppola's 1979 motion picture Apocalypse Now based on the screenplay by John Milius, which moves the story from the Congo to Vietnam and Cambodia during the Vietnam War. This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

"Kaspar Makan " The well-known shrill voice startled Almayer from his dream of splendid future into the unpleasant realities of the present hour. An unpleasant voice too. He had heard it for many years, and with every year he liked it less. No matter; there would be an end to all this soon. He shuffled uneasily, but took no further notice of the call. Leaning with both his elbows on the balustrade of the verandah, he went on looking fixedly at the great river that flowed-indifferent and hurried-before his eyes.

"An Outcast of the Islands" is my second novel in the absolute sense of the word; second in conception, second in execution, second as it were in its essence. There was no hesitation, half-formed plan, vague idea, or the vaguest reverie of anything else between it and "Almayer's Folly." The only doubt I suffered from, after the publication of "Almayer's Folly," was whether I should write another line for print. Those days, now grown so dim, had their poignant moments. Neither in my mind nor in my heart had I then given up the sea. In truth I was clinging to it desperately, all the more desperately because, against my will, I could not help feeling that there was something changed in my relation to it.

One day-and that day was many years ago now-I received a long, chatty letter from one of my old chums and fellow-wanderers in Eastern waters. He was still out there, but settled down, and middle-aged; I imagined him-grown portly in figure and domestic in his habits; in short, overtaken by the fate common to all except to those who, being specially beloved by the gods, get knocked on the head early. The letter was of the reminiscent "do you remember" kind-a wistful letter of backward glances. And, amongst other things, "surely you remember old Nelson," he wrote. Remember old Nelson Certainly. And to begin with, his name was not Nelson. The Englishmen in the Archipelago called him Nelson because it was more convenient, I suppose, and he never protested. It would have been mere pedantry. The true form of his name was Nielsen. He had come out East long before the advent of telegraph cables, had served English firms, had married an English girl, had been one of us for years, trading and sailing in all directions through the Eastern Archipelago, across and around, transversely, diagonally, perpendicularly, in semi-circles, and zigzags, and figures of eights, for years and years.

Under Western Eyes (1911) is a novel by Joseph Conrad. The novel takes place in St. Petersburg, Russia, and Geneva, Switzerland, and is viewed as Conrad's response to the themes explored in Crime and Punishment. It is also, some say, Conrad's response to his own early life; his father was a famous revolutionary imprisoned by the Russians, but, instead of following in his father's footsteps, at the age of sixteen Conrad left his native land forever. This novel is considered to be one of Conrad's major works and is close in subject matter to The Secret Agent. It is full of cynicism and conflict about the historical failures of revolutionary movements and ideals. Conrad remarks in this book, as well as others, on the irrationality of life, the opacity of character, the unfairness with which suffering is inflicted upon the innocent and poor, and the careless disregard for the lives of those with whom we share existence. This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

The last word of this novel was written on 29 May 1914. And that last word was the single word of the title. Those were the times of peace. Now that the moment of publication approaches I have been considering the discretion of altering the title-page. The word "Victory" the shining and tragic goal of noble effort, appeared too great, too august, to stand at the head of a mere novel. There was also the possibility of falling under the suspicion of commercial astuteness deceiving the public into the belief that the book had something to do with war. Of that, however, I was not afraid very much. What influenced my decision most were the obscure promptings of that pagan residuum of awe and wonder which lurks still at the bottom of our old humanity. "Victory" was the last word I had written in peace-time. It was the last literary thought which had occurred to me before the doors of the Temple of Janus flying open with a crash shook the minds, the hearts, the consciences of men all over the world. Such coincidence could not be treated lightly. And I made up my mind to let the word stand, in the same hopeful spirit in which some simple citizen of Old Rome would have "accepted the Omen." The second point on which I wish to offer a remark is the existence (in the novel) of a person named Schomberg. That I believe him to be true goes without saying. I am not likely to offer pinchbeck wares to my public consciously. Schomberg is an old member of my company. A very subordinate personage in Lord Jim as far back as the year 1899, he became notably active in a certain short story of mine published in 1902. Here he appears in a still larger part, true to life (I hope), but also true to himself. Only, in this instance, his deeper passions come into play, and thus his grotesque psychology is completed at last. I don't pretend to say that this is the entire Teutonic psychology; but it is indubitably the psychology of a Teuton. My object in mentioning him here is to bring out the fact that, far from being the incarnation of recent animosities, he is the creature of my old deep-seated, and, as it were, impartial conviction. J. C.

The Nigger of the 'Narcissus': A Tale of the Sea (1897) is a novella by Joseph Conrad. The title character, James Wait, is a dying West Indian black sailor on board the merchant ship Narcissus sailing from Bombay to London. Wait, suffering from tuberculosis, becomes seriously ill during the voyage, and his plight arouses the humanitarian sympathies of many of the crew. However, the ship's master Captain Alistoun and an old sailor named Singleton remain concerned primarily with their duties and appear indifferent to Wait's condition. Off the Cape of Good Hope the ship capsizes onto her beam-ends with half her hull submerged, and the crew clings onto the deck for an entire night and day, waiting in silence for the ship to turn over the rest of the way and sink. Alistoun refuses to allow the masts to be severed, which might allow the hull to right itself. Five of the men, realizing that Wait is unaccounted for, climb down to his cabin and rescue him at their own peril. When the storm passes and a wind returns, Alistoun directs the weary men to catch the wind, which succeeds in righting the ship. Later in the voyage Alistoun prevents a near-mutiny led by a slippery Cockney named Donkin. Wait eventually succumbs and dies within sight of land, as Singleton had predicted he would. The novel can be seen as an allegory about isolation and solidarity, the ship's company serving as a microcosm of a social group. Conrad appears to suggest that humanitarian sympathies are, at their core, feelings of self-interest and that a heightened sensitivity to suffering can be detrimental to the management of a human society. This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

Nostromo (full title Nostromo: A Tale of the Seaboard) is a 1904 novel by Joseph Conrad, set in the fictitious South American republic of "Costaguana". In 1998, the Modern Library ranked Nostromo 47th on its list of the 100 best English- language novels of the 20th century. F. Scott Fitzgerald said, "I'd rather have written Nostromo than any other novel." Nostromo is often regarded as Conrad's best novel. Focusing on the lives of a community based around a silver mine in the fictional South American country of Costaguana, Nostromo has a complex narrative structure with an unconventional chronology and (as usual with Conrad) an intricate syntactical style. But it's worth immersing yourself in, not least for the subtly drawn characters such as the cynical journalist Martin Decoud and Charles Gould, the inheritor of the mine. In 1996, a television adaptation Nostromo was produced. It was adapted by John Hale and directed by Alastair Reid for the BBC, Radiotelevisione Italiana, Televisi n Espa ola, and WGBH Boston. It starred Claudio Amendola as Nostromo, and Colin Firth as Se or Gould. This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

An Outcast of the Islands is the second novel by Joseph Conrad, published in 1896, inspired by Conrad's experience as mate of a steamer, the Vidar. The novel details the undoing of Peter Willems, a disreputable, immoral man who, on the run from a scandal in Makassar, finds refuge in a hidden native village, only to betray his benefactors over lust for the tribal chief's daughter. The story features Conrad's recurring character Tom Lingard, who also appears in Almayer's Folly (1895) and The Rescue (1920), in addition to sharing other characters with those novels. It is considered to be underrated as a work of literature for many. Conrad romanticizes the jungle environment and its inhabitants in a similar style to his "Heart of Darkness". This novel was adapted into the film Outcast of the Islands in 1951 by director Carol Reed, featuring Trevor Howard as Willems, Ralph Richardson as Lingard, Robert Morley, and Wendy Hiller. The work was quoted in T. S. Eliot's The Hollow Men ('Life is very long.'). This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

Although Polish by birth, Joseph Conrad (1857-1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." - Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair that Conrad saw at the heart of human existence. In its combination of narrative and symbolic power, masterly character study and acute psychological penetration, Heart of Darkness ranks as a landmark of modern fiction. It is a book no serious student of literature can afford to miss.