Leo Tolstoy

Leo Tolstoy (September 9, 1828 - November 20, 1910) was a Russian writer who earned fame and global renown for his novels War and Peace and Anna Karenina. Writing during the late 19th century, Tolstoy lived during a literary period in which Realism flourished, and today his two novels are considered the apex of realist fiction. Dostoevsky himself declared Anna Karenina "flawless as a work of art," and it is invariably included among discussions of the greatest novels ever.

Tolstoy wrote some incredible novels, but these little fables are quick to read and simply told. The most memorable one describes the fate of a man who lets his greed get the best of him. These four short stories, (What Men Live By, Three Questions, The Coffee-House of Surat, and How Much Land Does a Man Need?) are well worth reading, re-reading, and mulling over.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Light Shines in Darkness -- the last of Tolstoy's plays, was left unfinished. In Russia it is prohibited on account of its allusions to the refusal of military service. Yet it is in some ways the most interesting of Tolstoy's posthumous works. It is obviously not strictly autobiographical, for Tolstoy was not assassinated as the hero of the piece is, nor was his daughter engaged to be married to a young prince who refused military service.

V 1851-53 Tolstoj na Kavkaze uchastvuet v voennyh dejstvijah (snachala v kachestve volontjora, zatem - artileristskogo oficera), a v 1854 otpravljaetsja v Dunajskuju armiju. Vskore posle nachala Krymskoj vojny ego po lichnoj pros'be perevodjat v Sevastopol' (v osazhdennom gorode on srazhaetsja na znamenitom 4-m bastione). Armejskij byt i jepizody vojny dali Tolstomu material dlja rasskazov Nabeg (1853), Rubka lesa (1853-55), a takzhe dlja hudozhestvennyh ocherkov Sevastopol' v dekabre mesjace, Sevastopol' v mae, Sevastopol' v avguste 1855 goda (vse opublikovano v Sovremennike v 1855-56). Jeti ocherki, poluchivshie po tradicii nazvanie Sevastopol'skie rasskazy, smelo ob#edinili dokument, reportazh i sjuzhetnoe povestvovanie; oni proizveli ogromnoe vpechatlenie na russkoe obshhestvo. Vojna predstala v nih bezobraznoj krovavoj bojnej, protivnoj chelovecheskoj prirode. Zakljuchitel'nye slova odnogo iz ocherkov, chto edinstvennym ego geroem javljaetsja pravda, stali devizom vsej dal'nejshej literaturnoj dejatel'nosti pisatelja. Pytajas' opredelit' svoeobrazie jetoj pravdy, N. G. Chernyshevskij pronicatel'no ukazal na dve harakternye cherty talanta Tolstogo - dialektiku dushi kak osobuju formu psihologicheskogo analiza i neposredstvennuju chistotu nravstvennogo chuvstva

Leo Tolstoy, was a Russian writer who is generally regarded as one of the greatest authors of all time. The stories in this book have been adapted for children making them the perfect introduction to Tolstoy for young readers.

In the Sevastopol Sketches, Leo Tolstoy evocatively recollects his experiences at the Siege of Sevastopol in 1854-1855, over the course of three short stories. Although the trio of tales which comprise the Sevastopol Sketches are ostensibly fictional and written in the second person, they accurately recall Tolstoy's experiences as a young man witnessing the Crimean War. All three possess philosophical overtones, with the overarching theme being a vilification of war as a wasteful, senseless and foolish expenditure of human life. The stories are as follows: The first opens in December 1854. Tolstoy arrives at the city of Sevastopol, which by that time had already hosted much conflict. The results of the fighting are portrayed in Tolstoy's vivid descriptions of the makeshift field hospital. Horrendous wounds, amputations and misery pervade the air, as many of the soldiers must make do without beds to rest upon. In the second story, set in May 1855, further damage and horror has been inflicted upon Sevastopol. Alluding to the continuing destruction, Tolstoy discusses the psychological aspects of war, and the spirit which drives acts of heroism. He criticizes truces as a false show of humanity; for conflicts inevitably arise anew between the parties. The final story takes us to August 1855. Here Tolstoy discusses the conclusion of the siege, wherein Russia's defeated and exhausted forces undertake a tactical retreat from the city grounds. The characters of Mikael and Vladamir Kozeltsov are explored; the pair are brothers who fight (and ultimately perish) for the Russian cause. The Sevastopol Sketches establish Tolstoy as a pacifist who considered war to be one of the most depraved and lamentable events characterizing mankind. Years after publishing these sketches, Tolstoy would draw upon the Siege of Sevastopol as a critical supplement to the narrative of his epic novel - War and Peace.

Leo Tolstoy (September 9, 1828 - November 20, 1910) was a Russian writer who earned fame and global renown for his novels War and Peace and Anna Karenina. Writing during the late 19th century, Tolstoy lived during a literary period in which Realism flourished, and today his two novels are considered the apex of realist fiction. Dostoevsky himself declared Anna Karenina "flawless as a work of art," and it is invariably included among discussions of the greatest novels ever.

In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honour, a favourite of the Empress's, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise.

Childhood' is the first published work by Leo Tolstoy, released under the initials L. N. in the November 1852 issue of the popular Russian literary journal 'The Contemporary'. It is the first in a trilogy of novellass and is followed by 'Boyhood' and 'Youth'. Published when Tolstoy was just twenty-three years old, the book was an immediate success, earning praise from other Russian novelists including Ivan Turgenev, who heralded the young Tolstoy as a major up-and-coming figure in Russian literature. 'Childhood' is an exploration of the inner life of a young boy, Ni-kolenka, and one of the books in Russian writing to explore an expressionistic style, mixing fact, fiction and emotions to present the moods and reactions of the narrator.

The ten stories collected in this volume demonstrate Tolstoy's artistic prowess displayed over five decades - experimenting with prose styles and drawing on his own experiences with humour, realism and compassion. Inspired by his experiences in the army, 'The Two Hussars' contrasts a dashing father and his mean-spirited son. Illustrating Tolstoy's belief that art must serve a moral purpose, 'What Men Live By' portrays an angel sent to earth to learn three existential rules of life, and 'Two Old Men' shows a peasant abandoning his pilgrimage to the Holy Land in order to help his neighbours. And in the highly moving 'Master and Man', Tolstoy depicts a mercenary merchant travelling with his unprotesting servant through a blizzard to close a business deal - little realizing he may soon have to settle accounts with his maker. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Katia is the 1859 novel by Leo Tolstoy. The story is about young wife and her much older husband that come to realize they want different things out of life. There are ideals of happiness are not the same. The tone of the book is set but the opening line. "We were in mourning for our mother, who had died the preceding autumn, and we had spent all the winter alone in the country--Macha, Sonia and I." Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

Leo Tolstoy began his trilogy, Childhood; Boyhood; Youth, in his early twenties. Although he would in his old age famously dismiss it as an 'awkward mixture of fact and fiction', generations of readers have not agreed, finding the novel to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and color. Evident too in its brilliant account of a young person's emerging awareness of the world and of his place within it are many of the stances, techniques and themes that would come to full flower in the immortal War and Peace and Anna Karenina, and in the other great works of Tolstoy's maturity. Prizewinning translator Judson Rosengrant has stunningly realized Tolstoy's voice in English prose to make this new Penguin Classics edition of Childhood; Boyhood; Youth the "definitive translation. . . in this generation" (Janet Fitch). For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In order to repay a small debt, the young student Mitya is persuaded by a friend to falsify a bank bond and cash it in. Little does he suspect that this small misdemeanour will have a profound impact on the lives of many other people around him – indirectly even leading to the gravest of crimes. This in turn sets off a long journey towards redemption and rehabilitation. Published only in 1911, after Tolstoy’s death, The Forged Coupon examines the deep, unpredictable consequences of every human act, revealing the Russian master’s moral preoccupations in the last years of his life, as well as his rejection of Christianity’s simplistic division between good and evil.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.