Luigi Pirandello

Luigi Pirandello (1867-1936) tilldelades Nobelpriset i litteratur år 1934. Han var mest känd som dramatiker, men skrev i samtliga genrer. Vibeke Emond står för den första översättningen till svenska någonsin av mästerverket En, ingen och hundratusen. Förord av Anna Smedberg Bondesson.

Six Characters in Search of an Author (1921) is a metatheatrical drama by Luigi Pirandello. Viewed as an important work of absurdist literature, the play was a critical failure when it was first staged in Rome. Revised by its author and bolstered by successful performances in New York City, Six Characters in Search of an Author has been recognized as a pioneering examination of the nature of creativity, the relationship of the director and actors to the work of art, and the psychological stress associated with staging a theatrical production. While preparing to rehearse a new play by director Luigi Pirandello, a theatre company is interrupted with the arrival of six strangers on set. After a moment of frustration and confusion, the director is told that they are six unfinished characters whose story cannot be told without his intervention. The Father, Mother, Son, Stepdaughter, Boy, and Child refuse to leave, forcing the director to convince his actors to help them fulfill their wish. As the story begins to take shape, the characters exert more and more control over the set and the participation of the other actors, soon overtaking the director entirely. Strange and compelling, Six Characters in Search of an Author is a unique play which saw resistance from critics and theatergoers for one reason only: its methods forced them to question the nature of reality itself. With a beautifully designed cover and professionally typeset manuscript, this edition of Luigi Pirandello’s Six Characters in Search of an Author is a classic work of Italian literature reimagined for modern readers.

Nobel prize-winning Luigi Pirandello's classic novel on the nature of identity brims with sly humor, compelling drama, and skillfully depicted, oddly modern characters-all capped with timeless insight into the fragile human psyche. Luigi Pirandello's extraordinary final novel begins when Vitangelo Moscarda's wife remarks that Vitangelo's nose tilts to the right. This commonplace interaction spurs the novel's unemployed, wealthy narrator to examine himself, the way he perceives others, and the ways that others perceive him. At first he only notices small differences in how he sees himself and how others do; but his self-examination quickly becomes relentless, dizzying, leading to often darkly comic results as Vitangelo decides that he must demolish that version of himself that others see.

Serafino is a typical Pirandellian anti-hero, a spectator rather than a participant in the tragi-comedy of human existence. Indeed he has the perfect job for it, that of a film cameraman. Serafino is an observer, an impersonal tool of a new industry based on make-believe. All he has to do is turn the handle of his camera and watch. He has no part in what is going on and is so removed from life that the mauling of an actor by a tiger cannot deflect him from filming the action. The Notebooks of Serafino Gubbio is set in Rome circa 1915, partly on a film set, partly in the city.

Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is an Italian three-act play written by Luigi Pirandello in 1921, considered as one of the earliest examples of absurdist theatre. It's a play within a play that deals with perceptions of reality and illusion, and plays with the ideas of identity and relative truths. The plot features an acting company who have gathered to rehearse another play by Pirandello, when they're interrupted by 6 "characters" who arrive in search of their author. They immediately clash with the manager who at first assumes they're mad. But, as the play progresses, the manager slowly shifts his reality as the characters become more real than the actors. Six Characters in Search of an Author opened in Rome at Valle di Roma and created a huge and clamorous division in the audience, forcing Pirandello to escape out the side door. But a year later it was presented in Milan to great success, before moving on to Broadway in 1922 where it ran for 136 performances.

«Eg ville vere aleine på ein heilt usedvanleg og ny måte.» «Ein, ingen og hundre tusen» (1926) er ein surrealistisk, vittig, skarp og reinskoren monologisk roman. Hovudpersonen Vitangelo Moscarda oppdagar at nasa hans er skeiv, noko som kastar han ut i ei djup identitetskrise. Romanen er sett på som det mest konsentrerte og klaraste uttrykket for Luigi Pirandellos syn på livet som eit narrespel. Nobelprisvinnaren skreiv romanen over ein periode på 19 år, åra då han produserte dei mest kjende verka sine og meisla ut sitt eksistensialistiske menneskesyn. Pirandello blir ofte samanlikna med Samuel Beckett, og verka hans er minst like grunnleggjande for 1900-talets nyskapande litteratur. Det litterære språket hans er filosofisk reflekterande, men beintfram og ber preg av at forfattaren hadde føtene godt planta i den sicilianske landsbygda. Skalds klassikarar er ein serie av vellagra, handplukka verk i ny, frisk og nynorsk språkdrakt som skal gi leseglede til folket.

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A masterful collection by a literary giant of the past century, rendered by one of our most esteemed Italian translators"A fine sampling of Pirandello’s world, convincingly translated by Jewiss, who negotiates the problems of bringing his vivid, colloquial prose and effortless storytelling into English with great skill.”—Tim Parks, New York Review of Books Regarded as one of Europe’s great modernists, Pirandello was also a master storyteller, a fine observer of the drama of daily life with a remarkable ear for dialogue and a keen sense of the crushing burdens of class, gender, and social conventions. Set in the author’s birthplace of Sicily, where the arid terrain and isolated villages map the fragile interior world of his characters, and in Rome, where modern life threatens centuries-old traditions, these original stories are sun baked with the deep lore of Italian folktales. In “The Jar,” a broken earthenware pot pits its owner, a quarrelsome landholder, against a clever inventor of a mysterious glue. “The Dearly Departed” tells the story of a young widow and her new husband on their honeymoon, haunted at every turn by the sly visage of the deceased. The scorned lover, the intransigent bureaucrat, the lonely mother, the wretched peasant—Pirandello’s characters expose the human condition in all its fatalism, injustice, and raw beauty. For lovers of Calvino and Pasolini, these picturesque stories preserve a memory of an Italy long gone, but one whose recurring concerns still speak to us today.

Luigi Pirandello 28 June 1867 - 10 December 1936) was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage". Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners for Theatre of the Absurd. (wikipedia.org)

Luigi Pirandello 28 June 1867 - 10 December 1936) was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage". Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners for Theatre of the Absurd. (wikipedia.org)

Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is an Italian three-act play written by Luigi Pirandello in 1921, considered as one of the earliest examples of absurdist theatre. It's a play within a play that deals with perceptions of reality and illusion, and plays with the ideas of identity and relative truths. The plot features an acting company who have gathered to rehearse another play by Pirandello, when they're interrupted by 6 "characters" who arrive in search of their author. They immediately clash with the manager who at first assumes they're mad. But, as the play progresses, the manager slowly shifts his reality as the characters become more real than the actors. Six Characters in Search of an Author opened in Rome at Valle di Roma and created a huge and clamorous division in the audience, forcing Pirandello to escape out the side door. But a year later it was presented in Milan to great success, before moving on to Broadway in 1922 where it ran