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Nikolai Gogol

Kirjat ja teokset yhdessä paikassa: 300 kirjaa, julkaisuja vuosilta 1835–2026, suosituimpiin kuuluu Dead Souls (Translated by C. J. Hogarth with an Introduction by John Cournos). Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

Nimi esiintyy myös muodoissa: Nikolaï Gogol, Nikolai Gógol, Nikolái Gógol

300 kirjaa

Kirjojen julkaisuvuodet: 1835–2026.

Dead Souls (Translated by C. J. Hogarth with an Introduction by John Cournos)
First published in 1842, "Dead Souls" is the story of Chichikov, a young middle-class gentleman who comes to a small town in Russia with a dubious plan to improve his wealth and position in life. He begins by spending beyond his means on the premise that he can impress the local officials and gain standing and connections in the community. At the heart of his plan is the idea of acquiring "dead souls" or more explicitly serfs of landowners who have died since the last census. Since the taxes of landowners are based upon the number of serfs that they employ, Chichikov believes that the landowners will be all too happy to part with these "dead souls". Legend has it that Gogol supposedly produced a third part to the novel which he destroyed shortly before his death. Despite ending in mid-sentence and with portions from the second part which seem to be missing it is generally accepted that the novel is extant. A satirical gem, Gogol's "Dead Souls" exemplifies his particular gift of exhibiting the true failings of humanity in all their absurdity. This edition is printed on premium acid-free paper, is translated by C. J. Hogarth, and includes an introduction by John Cournos.
Dead Souls

Dead Souls

Cox Alex; Gianni Garko; Nikolai Gogol

Oldcastle Books
2026
Pokkari
An Ace Double paperback featuring the screenplay to Alex Cox's 'last' film - Dead Souls - plus the original Nikolai Gogol text. Dead Souls, directed by and starring Alex Cox, is a surreal, lean, meditative, low-budget Spaghetti Western adaptation of Nikolai Gogol's classic novel, transposed to the 19th-century American West, that feels both literary and rebellious. The film follows Strindler (Alex Cox), a conniving preacher buying up names of deceased Mexicans, blending political satire on greed and corruption with meta-humor, stop-motion, and musical numbers. The story mirrors Gogol's original novel, set in a dusty, morally bankrupt frontier town where Strindler travels, collecting the names of 'dead souls' to gain power and money.