Oscar Wilde

This box is filled with stories about the bittersweetness of love: about all-encompassing love but also broken hearts, vanity and evil, thoughtfulness and disappointment. Four short stories written by some of our most beloved authors of all time. The box contains four pocket-sized books: Oscar Wilde - The Nightingale and the Rose & The Sphinx Without a Secret Mary Shelley - The Trial of Love Leo Tolstoy - After the Ball Virginia Woolf - The Legacy The concept of Novellix is simple; small books, big stories, all contained within beautiful, accessible packages, perfect for reading on the go.

In HIM & HER, the best-selling poet returns with a new voice, a new road, but with the same goal. "He-poetry" amid a world of "she-poems" is the focus of HIM & HER. Oscar's poems and prose pay honor to men and women, their unspoken feelings, unappreciated power, their loud quiet, and their ignored complaints, all of which he wears on his sleeve. He and she praises men and women who are good people, who have value, and who are beautiful. The traits that are typically overlooked have been brought to light. Finding A Love That Makes You Feel Forever Changed. When you find love, your life is changed forever. This is a rhyming poetry about being brought to life.

Als Mr. Hiram B. Otis, der amerikanische Gesandte, Schlo Canterville kaufte, sagte ihm ein jeder, da er sehr t richt daran t te, da dieses Schlo ohne Zweifel verw nscht sei. Sogar Lord Canterville selbst, ein Mann von peinlichster Ehrlichkeit, hatte es als seine Pflicht betrachtet, diese Tatsache Mr. Otis mitzuteilen, bevor sie den Verkauf abschlossen. Doch Mr. Otis und seine Familie glauben nicht an Geister und bieten dem Gespenst Paroli. Davon erz hlt Oscar Wilde in einer Melange aus Spukgeschichte und Gesellschaftssatire.

This book "" An Ideal Husband; A Play "" has been considered important throughout the human history. It has been out of print for decades. So that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

A Woman of No ImportanceA Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premi red on 19 April 1893 at London's Haymarket Theatre. Like Wilde's other society plays, it satirizes English upper-class society. It has been performed on stages in Europe and North America since his death in 1900. Act IThe Terrace at Hunstanton ChaseThe play opens with a party on a terrace in Lady Hunstanton's estate. The upper class guests spend the better part of Act I exchanging social gossip and small talk. Lady Caroline Pontrefact patronizes an American visitor, Hester Worsley, and proceeds to give her own opinion of everyone in the room (and her surrounding life). Lady Caroline also denounces Hester's enthusiasm for Gerald Arbuthnot until Gerald himself enters to proclaim that Lord Illingworth, a powerful, flirtatious male political figure, intends to take him under his wing as secretary. This is great news for Gerald, as being Lord Illingworth's secretary would be the young man's first step to a life of financial/political success. The guests then discuss the rumors surrounding Lord Illingworth's aim for being a foreign ambassador, while Lady Hunstanton sends a letter through her footman to Gerald's mother, inviting her to the party. Gerald offers to take Hester for a walk, leaving the remaining guests to gossip further about their social lives. Lady Hunstanton and Lady Stutfield comment on the yet unseen Lord Illingworth's amoral qualities towards women when the man himself enters the terrace. He declines their thanks for his hiring of Gerald Arbuthnot and says that he hired him out of personal interest. Lord Illingworth remains near Mrs. Allonby during the entire exchange until the two of them leave for the conservatory together, following a discussion of Hester's background and wealthy father. A footman enters with a letter from Mrs. Arbuthnot, stating that she will arrive to the party after dinner. When Illingworth and Mrs. Allonby return, the remaining guests have already moved to have tea in another room. The two characters have a witty conversation involving marriage and women and men until Gerald and Hester enter the room. They have some short small talk, and Lord Illingworth and Mrs. Allonby are again left alone. Their aim of discussion turns toward Hester when Mrs. Allonby reprehends the young American for her casual talk of being eighteen and a Puritan.

A Critic in Pall MallBy Oscar WildeAs one enters Rome from the Via Ostiensis by the Porta San Paolo, the first object that meets the eye is a marble pyramid which stands close at hand on the left. There are many Egyptian obelisks in Rome-tall, snakelike spires of red sandstone, mottled with strange writings, which remind us of the pillars of flame which led the children of Israel through the desert away from the land of the Pharaohs but more wonderful than these to look upon is this gaunt, wedge-shaped pyramid standing here in this Italian city, unshattered amid the ruins and wrecks of time, looking older than the Eternal City itself, like terrible impassiveness turned to stone. And so in the Middle Ages men supposed this to be the sepulchre of Remus, who was slain by his own brother at the founding of the city, so ancient and mysterious it appears but we have now, perhaps unfortunately, more accurate information about it, and know that it is the tomb of one Caius Cestius, a Roman gentleman of small note, who died about 30 b.c. Yet though we cannot care much for the dead man who lies in lonely state beneath it, and who is only known to the world through his sepulchre, still this pyramid will be ever dear to the eyes of all English-speaking people, because at evening its shadows fall on the tomb of one who walks with Spenser, and Shakespeare, and Byron, and Shelley, and Elizabeth Barrett Browning in the great procession of the sweet singers of England. And the name of the young English poet is John Keats. Lord Houghton calls this cemetery 'one of the most beautiful spots on which the eye and heart of man can rest, ' and Shelley speaks of it as making one 'in love with death, to think that one should be buried in so sweet a place' and indeed when I saw the violets and the daisies and the poppies that overgrow the tomb, I remembered how the dead poet had once told his friend that he thought the 'intensest pleasure he had received in life was in watching the growth of flowers, ' and how another time, after lying a while quite still, he murmured in some strange prescience of early death, 'I feel the flowers growing over me

The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Their feud came to a climax in court when Wilde sued for libel. The proceedings provided enough evidence for his arrest, trial and conviction on charges of gross indecency. Wilde's homosexuality was revealed to the Victorian public and he was sentenced to two years imprisonment with hard labour. Despite the play's early success, Wilde's notoriety caused the play to be closed after 86 performances. After his release from prison, he published the play from exile in Paris, but he wrote no more comic or dramatic works.