Stéphane Mallarmé

A translation by Robert Bononno and designer Jeff Clark of one of Stephane Mallarme's most well-known and visually complex poems into contemporary English language and design. The book is composed in an elaborate set of type and photography to both honor the original and be an object of delight. Includes the original preface by Mallarme. Bilingual edition. Stephane Mallarme (1842--98) was born in Paris and is widely regarded as one of the most important figures of nineteenth-century French poetry. Jeff Clark's book designs have been praised in the New Yorker, Better Living Through Design, Cool Hunting, Granta, and other venues. He is a graduate of the University of Iowa Writers' Workshop. Robert Bononno has received two NEA grants for translations of French authors and was a finalist for the French-American Foundation Translation Prize for his translation of Rene Crevel.

"Pages" de St phane Mallarm . St phane Mallarm , po te fran ais (1842-1898).

"Variations sur un sujet" de St phane Mallarm . St phane Mallarm , po te fran ais (1842-1898).

"Vers et Prose" de St phane Mallarm . St phane Mallarm , po te fran ais (1842-1898).

"Divagations" de St phane Mallarm . St phane Mallarm , po te fran ais (1842-1898).

"L'Etoiles de F es" de St phane Mallarm . St phane Mallarm , po te fran ais (1842-1898).

L'apres-midi d'un faune: eglogue / par Stephane Mallarme; avec frontispice, fleurons et cul-de-lampe par Edouard Manet]Date de l'edition originale: 1876Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Poetry. Translated from the French by Peter Manson. THE POEMS IN VERSE is Peter Manson's translation of The Po&#233sies of St&#233phane Mallarm&#233. Long overshadowed by Mallarm&#233's theoretical writings and by his legendary visual poem Un coup de D&#233s jamais n'abolira le Hasard, the Po&#233sies are lyrics of a uniquely prescient and generative modernity. Grounded in a scrupulous sounding of the complex ambiguities of the original poems, Manson's English translations draw on the resources of the most innovative poetries of our own time--these may be the first translations really to trust the English language to bear the full weight of Mallarm&#233an complexity. With THE POEMS IN VERSE, Mallarm&#233's voice is at last brought back, with all its incisive strangeness, into the conversation it started a hundred and fifty years ago, called contemporary poetry.

Stephane Mallarme (1842-1898) is one of the giants of nineteenth-century French poetry. Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valery, W. B. Yeats, and Jacques Derrida. From his early twenties until the time of his death, Mallarme produced poems of astonishing originality and beauty, many of which have become classics. In the "Collected Poems", Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All the poems that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarme's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals, which appear en face. Whether writing in verse or prose, or inventing an altogether new genre - as he did in the amazing 'Coup de Des' - Mallarme was a poet of both supreme artistry and great difficulty. To illuminate Mallarme's poetry for twentieth-century readers, Weinfield provides an extensive commentary that is itself an important work of criticism. He sets each poem in the context of the work as a whole and defines the poems' major symbols. Also included are an introduction and a bibliography. Publication of this collection is a major literary event in the English-speaking world: here at last is the work of a major figure, masterfully translated.

"This is a book just the way I don't like them," the father of French Symbolism, Stéphane Mallarmé, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarmé's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarmé captured the tone and very feel of fin-de-siècle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valéry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarmé arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarmé remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.

'sense too definite cancels your indistinct literature' Stéphane Mallarmé was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarmé's poetry ever published in English, and the only edition in any language that presents his Poésies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de dés... (A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.