W. E. B. Du Bois

W. E. B. Du Bois's The Souls of Black Folk is a collection of essays that elucidate the indignities Black Americans experienced from the time of slavery through the Jim Crow era.

Initially published in 1920, Darkwater: Voices from Within the Veil is a combination of essays that tackle the power dynamics of gender, race and religion. It’s a searing portrait of America influenced by Du Bois’ own personal experiences. Du Bois delivers a contemporary examination of African American life during the first half of the twentieth century. He addresses issues of segregation, employment disparity and misogyny, specifically toward Black women. Darkwater: Voices from within the Veil is one of his prominent autobiographies, detailing internal and external conflicts and their effect on the whole. He presents an overall indictment of systemic racism, oppression and exploitation of any kind. W. E. B. Du Bois was a celebrated figure who dedicated his life to uplifting and educating the African American community. Darkwater: Voices from within the Veil is a critical part of his enduring legacy. It broaches tough topics and presents a valid critique of American culture. With an eye-catching new cover, and professionally typeset manuscript, this edition of Darkwater: Voices from within the Veil is both modern and readable.

The Gift of Black Folk (1924) is a book of essays by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging Black artists of the Harlem Renaissance, The Gift of Black Folk is a purposeful work of history which revises the narrative of European and British influence and emphasizes the outsized role of African Americans in building the nation and establishing its definitive culture. “[Despite] slavery, war and caste, and despite our present Negro problem, the American Negro is and has been a distinct asset to this country and has brought a contribution without which America could not have been.” This thesis could not be stated clearly enough. Recognizing, in the words of Dr. King, “that the keystone in the arch of oppression was the myth of inferiority,” Du Bois set out to revise American history to properly tell the story of his people. As he does in his magnum opus Black Reconstruction in America (1935), Du Bois recognizes that the failures of the Reconstruction era were due in large part to an unwillingness to accept Black people, enslaved or free, as human. In these essays, he emphasizes the role of African Americans as workers, soldiers, and explorers, situates them in the movement for women’s rights, and celebrates their contribution to the arts and culture of the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Gift of Black Folk is a classic of African American literature reimagined for modern readers.

The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. “How silent the street was! Not a soul was stirring, and yet it was high-noon—Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs.” Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers.

Initially published in 1920, Darkwater: Voices from Within the Veil is a combination of essays that tackle the power dynamics of gender, race and religion. It’s a searing portrait of America influenced by Du Bois’ own personal experiences. Du Bois delivers a contemporary examination of African American life during the first half of the twentieth century. He addresses issues of segregation, employment disparity and misogyny, specifically toward Black women. Darkwater: Voices from within the Veil is one of his prominent autobiographies, detailing internal and external conflicts and their effect on the whole. He presents an overall indictment of systemic racism, oppression and exploitation of any kind. W. E. B. Du Bois was a celebrated figure who dedicated his life to uplifting and educating the African American community. Darkwater: Voices from within the Veil is a critical part of his enduring legacy. It broaches tough topics and presents a valid critique of American culture. With an eye-catching new cover, and professionally typeset manuscript, this edition of Darkwater: Voices from within the Veil is both modern and readable.

Darkwater Voices From Within The Veil, has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

One of the preeminent Black scholars of his era traces the life and bold aspirations of a man who devoted his life to opposing slavery at any cost. W. E. B. Du Bois examines John Brown as a man as well as a motive force behind the abolitionist sympathies that helped lead to the Civil War. He traces Brown’s sympathy for slaves to an incident in his youth when he was warmly received by a family that treated their slave with casual brutality. At the time it was written, John Brown was widely considered a fanatic at best, a lunatic at worst, but here he is seen clearly as a man driven by his Christianity and his personal morals to oppose what he clearly perceived as a tremendous wrong in society, and to do so regardless of whatever toll it might take upon him. The author examines Brown’s impact on the minds of those who understood that the abolitionist cause was supported primarily by Blacks, on the lives of Blacks who discovered a white man willing to fight and die for their freedom, and by the masses who found that slavery was not only an actionable moral issue, but one of deadly urgency. Originally published in 1909, on the 50th anniversary of Brown’s execution, this is W. E. B. Du Bois’s only work of biography. Although less known than the author’s The Souls of Black Folk or Black Reconstruction in America, John Brown remains a classic distinguished by its author’s deep understanding and eloquence. With an eye-catching new cover, and professionally typeset manuscript, this edition of John Brown is both modern and readable.

When two young people are given a life-changing opportunity they encounter moral and systemic challenges that are directly tied to their racial and economic backgrounds. In The Quest of the Silver Fleece, W. E. B. Du Bois confronts covert discrimination in contemporary America. Cotton, also known as “silver fleece,” is still a prized possession in the early-twentieth century. It continues to generate massive profits that are barely distributed amongst its predominantly Black workforce. Zora is a child of the South, and Bles, is a man with Northern sensibilities—yet, they both feel the weight of oppression. Set in Alabama and Washington D. C., The Quest of the Silver Fleece examines the struggle for upward mobility and the compromises to sustain it. As a sociologist, Du Bois explores the ongoing effects of racial inequality in both the North and South. With The Quest of the Silver Fleece, he highlights the glaring disparity between the white establishment and African American labor. It’s an explicit indictment of continued oppression in a post-slavery society. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Quest of the Silver Fleece is both modern and readable.

A thorough account of Africa’s history and its lasting influence on Western culture told from the perspective of the disparate descendants who inherited its legacy. W. E. B. Du Bois highlights the hidden stories that connect these varied communities. Originally published in 1915, The Negro presents an expansive analysis of the African diaspora over the course of history. W. E. B. Du Bois uses a critical eye to survey the early depictions of the continent, debunking stereotypical myths about its social structure. He addresses the generational impact of slavery as well as the capitalistic system that made it possible. It’s an honest look at the effects of white supremacy, classism and its place in modern society. From Ethiopia and Egypt to the West Indies and Latin America, Africa’s influence is undeniable. The Negro sheds light on the ignored history of the continent and its many descendants. It’s a vital piece of literature that acknowledges and celebrates its cultural power. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Negro is both modern and readable.

When two young people are given a life-changing opportunity they encounter moral and systemic challenges that are directly tied to their racial and economic backgrounds. In The Quest of the Silver Fleece, W. E. B. Du Bois confronts covert discrimination in contemporary America. Cotton, also known as “silver fleece,” is still a prized possession in the early-twentieth century. It continues to generate massive profits that are barely distributed amongst its predominantly Black workforce. Zora is a child of the South, and Bles, is a man with Northern sensibilities—yet, they both feel the weight of oppression. Set in Alabama and Washington D. C., The Quest of the Silver Fleece examines the struggle for upward mobility and the compromises to sustain it. As a sociologist, Du Bois explores the ongoing effects of racial inequality in both the North and South. With The Quest of the Silver Fleece, he highlights the glaring disparity between the white establishment and African American labor. It’s an explicit indictment of continued oppression in a post-slavery society. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Quest of the Silver Fleece is both modern and readable.

A thorough account of Africa’s history and its lasting influence on Western culture told from the perspective of the disparate descendants who inherited its legacy. W. E. B. Du Bois highlights the hidden stories that connect these varied communities. Originally published in 1915, The Negro presents an expansive analysis of the African diaspora over the course of history. W. E. B. Du Bois uses a critical eye to survey the early depictions of the continent, debunking stereotypical myths about its social structure. He addresses the generational impact of slavery as well as the capitalistic system that made it possible. It’s an honest look at the effects of white supremacy, classism and its place in modern society. From Ethiopia and Egypt to the West Indies and Latin America, Africa’s influence is undeniable. The Negro sheds light on the ignored history of the continent and its many descendants. It’s a vital piece of literature that acknowledges and celebrates its cultural power. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Negro is both modern and readable.

These are the things of which men think, who live: of their own selves and the dwelling place of their fathers; of their neighbors; of work and service; of rule and reason and women and children; of Beauty and Death and War. To this thinking I have only to add a point of view: I have been in the world, but not of it. I have seen the human drama from a veiled corner, where all the outer tragedy and comedy have reproduced themselves in microcosm within. From this inner torment of souls the human scene without has interpreted itself to me in unusual and even illuminating ways. For this reason, and this alone, I venture to write again on themes on which great souls have already said greater words, in the hope that I may strike here and there a half-tone, newer even if slighter, up from the heart of my problem and the problems of my people. Between the sterner flights of logic, I have sought to set some little alightings of what may be poetry. They are tributes to Beauty, unworthy to stand alone; yet perversely, in my mind, now at the end, I know not whether I mean the Thought for the Fancy-or the Fancy for the Thought, or why the book trails off to playing, rather than standing strong on unanswering fact. But this is alway-is it not?-the Riddle of Life.

This original collection gathers a remarkably diverse body of literature about John Brown, the strident anti-slavery leader. Besides a selection of letters by the abolitionist himself, the book includes a significant excerpt from W. E. B. Du Bois's biography, John Brown, addresses by Frederick Douglass, Ralph Waldo Emerson, and Henry David Thoreau, poetry by Louisa May Alcott and Herman Melville, and much more.

The Souls of Black Folk is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature. The book contains several essays on race. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology. In The Souls of Black Folk, Du Bois used the term "double consciousness," perhaps taken from Ralph Waldo Emerson ("The Transcendentalist" and "Fate"), applying it to the idea that black people must have two fields of vision at all times. They must be conscious of how they view themselves, as well as being conscious of how the world views them. Du Bois had transdisciplinary training and he provided a historical context for black religion and culture. His concept of "double-consciousness" and other concepts from Souls have been highly influential on other scholars in their interpretations of black culture and religion. This case laminate collector's edition includes a Victorian inspired dust-jacket.

Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication. This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as “the problem of the color line" --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Souls of Black Folk is both modern and readable.

Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication. This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as “the problem of the color line" --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Souls of Black Folk is both modern and readable.