William Shakespeare

As You Like It is a pastoral comedy by William Shakespeare based on the novel Rosalynde by Thomas Lodge, believed to have been written in 1599 or early 1600. It features one of Shakespeare's most famous and oft-quoted lines, "All the world's a stage", and has been adapted for radio, film, and musical theatre.

A Midsummer Night's Dream (Large Print) "Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind." William Shakespeare A Midsummer Night's Dream is a comedy of the events surrounding the marriage of the Duke of Athens to the former queen of the Amazons. This play is one of Shakespeare's most popular works for the stage and is widely performed all over the world.

Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. Originally published in the First Folio of 1623, where it was listed as a comedy, the play's first recorded performance occurred in 1604. The play's main themes include justice, "mortality and mercy in Vienna," and the dichotomy between corruption and purity: "some rise by sin, and some by virtue fall." Mercy and virtue prevail, as the play does not end tragically, with virtues such as compassion and forgiveness being exercised at the end of the production. While the play focuses on justice overall, the final scene illustrates that Shakespeare intended for moral justice to temper strict civil justice: a number of the characters receive understanding and leniency, instead of the harsh punishment to which they, according to the law, could have been sentenced. Measure for Measure is often called one of Shakespeare's problem plays. It continues to be classified as a comedy, albeit a dark one, though its tone may defy those expectations.

Title page of the first quarto (1598) Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. It follows the King of Navarre and his three companions as they attempt to swear off the company of women for three years of study and fasting. Their subsequent infatuation with the Princess of France and her ladies makes them forsworn. In an untraditional ending for a comedy, the play closes with the death of the Princess's father, and all weddings are delayed for a year. The play draws on themes of masculine love and desire, reckoning and rationalization, and reality versus fantasy. Though first published in quarto in 1598, the play's title page suggests a revision of an earlier version of the play. While there are no obvious sources for the play's plot, the four main characters are loosely based on historical figures. The use of apostrophes in the play's title varies in early editions, though it is most commonly given as Love's Labour's Lost. The historical personages portrayed and the political situation in Europe relating to the setting and action of the play were familiar to Shakespeare's audiences. Scholars suggest that the play lost popularity as these historical and political portrayals of Navarre's court became dated and less accessible to theatergoers of later generations. The play's sophisticated wordplay, pedantic humour and dated literary allusions may also be reasons for its relative obscurity, as compared with Shakespeare's more popular works. Love's Labour's Lost was staged rarely in the 19th century, but it has been seen more often in the 20th and 21st centuries, with productions by both the Royal Shakespeare Company and the National Theatre, among others. It has also been adapted as a musical, an opera, for radio and television and as a musical film.

also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britainand based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othelloand The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.

Widely accepted as Shakespeare's earliest tragedy, "Titus Andronicus" is the bloody story of a Roman general engaged in terrible revenge with the Queen of the Goths, Tamora. The play begins with Titus returning to Rome after ten years of fighting. He brings with him the defeated Tamora, Queen of the Goths, and her sons. Titus sacrifices one of Tamora's sons to avenge the sons he lost in the war, which begins a cycle of revenge in which Tamora and her lover, Aaron the Moor, plot and scheme against the remaining children of Titus. This entails especially horrific results for his daughter Lavinia, whose fate is thought to be based on the mythological story of Procne and Philomela from Ovid's "Metamorphoses." The conclusion is full of further violence and death, with few characters remaining to tell the tragic story of Titus and his children. This edition is printed on premium acid-free paper, includes a preface and annotations by Henry N. Hudson, and an introduction by Charles Harold Herford.

Originally published in the First Folio of 1623, "Measure for Measure" is William Shakespeare's play which was likely written sometime in 1603 or 1604. The play begins with Vincentio, the Duke of Vienna, who leaves the government in charge of the authoritarian justice, Angelo, when he departs the city on a diplomatic mission. Lord Angelo believes that there is too much debauchery in the city and seeks to more strictly enforce laws against certain sexual activities. The story centers on Claudio who has impregnated his fianc e, Juliet, outside the bonds of marriage. Despite their plans to marry, Lord Angelo wishes to make an example of Claudio by sentencing him to death. Based upon two 16th century works, Italian novelist and poet Cinthio's "The Story of Epitia," and English dramatist George Whetstone's "Promos and Cassandra," "Measure for Measure," which is classified by most scholars as a comedy, is notable for being one of the bard's "problem plays," given its intermittent shifts in tone between darkly dramatic and comedic elements. This edition is printed on premium acid-free paper, includes a preface and annotations by Henry N. Hudson, and an introduction by Charles Harold Herford.

V knigu voshli proizvedenija U. Shekspira, kotorye izuchajutsja v shkole. "Romeo i Dzhuletta" - tragedija, rasskazyvajuschaja o ljubvi junoshi i devushki iz dvukh vrazhdujuschikh starinnykh rodov – Montekki i Kapuletti, i odna iz samykh znamenitykh pes v mirovoj literature "Gamlet".

To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them? --Hamlet by William Shakespeare

The Tragedy of Romeo and Juliet by William Shakespeare. Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of poor quality, however, and later editions corrected the text to conform more closely with Shakespeare's original.

Hamlet, Prince of Denmark (The New Cambridge Shakespeare) Updated Edition by William Shakespeare Philip Edwards deals succinctly with the exhaustive commentary and controversy which Hamlet has provoked in the manifestation of its tragic energy. Robert Hapgood has contributed a new section on prevailing critical and performance approaches to the play in this updated edition. He discusses recent film and stage performances and actors of the Hamlet role as well as directors of the play. His account of new scholarship stresses the role of memory in the play and the impact of feminist and performance studies upon it. First Edition Hb (1985): 0-521-22151-X First Edition Pb (1985): 0-521-29366-9 We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Othello: The Moore of Venice by William Shakespeare. Othello, The Moor of Venice, is a tragedy by William Shakespeare, believed to have been written in 1603. It is based on the story Un Capitano Moro by Cinthio, a disciple of Boccaccio, first published in 1565. The story revolves around its two central characters: Othello, a Moorish general in the Venetian army and his unfaithful ensign, Iago. Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike, and has been the source for numerous operatic, film, and literary adaptations. Roderigo, a wealthy and dissolute gentleman, complains to his friend Iago, an ensign, that Iago has not told him about the secret marriage between Desdemona, the daughter of a senator named Brabantio, and Othello, a Moorish general in the Venetian army. Roderigo is upset because he loves Desdemona and had asked her father for her hand in marriage.

Henry IV, Part 2 is a history play by William Shakespeare believed to have been written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play is often seen as an extension of aspects of Henry IV, Part 1, rather than a straightforward continuation of the historical narrative, placing more emphasis on the highly popular character of Falstaff and introducing other comic figures as part of his entourage, including Ancient Pistol, Doll Tearsheet, and Justice Robert Shallow. Several scenes specifically parallel episodes in Part 1.

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet is a tragedy written by William Shakespeare at an uncertain date between 1599 and 1602. Set in Denmark, the play dramatises the revenge Prince Hamlet is called to wreak upon his uncle, Claudius, by the ghost of Hamlet's father, King Hamlet. Claudius had murdered his own brother and seized the throne, also marrying his deceased brother's widow. Hamlet is Shakespeare's longest play, and is considered among the most powerful and influential works of world literature, with a story capable of "seemingly endless retelling and adaptation by others." Hamlet's Arabic language translation was done by Khalil Mutran.

This book is an important and complete collection of the Sonnets of William Shakespeare. Most readers are aware of the great plays and manuscripts written for the stage, but are unaware of the magnificent Sonnets which were written around the same period. This is an excellent, complete collection of the Sonnets and poetry of William Shakespeare and should not be missed by those interested in the completion of a collection of his writings and those interested in early poetic works.