Dante Alighieri

Rare edition with unique illustrations and elegant classic cream paper. The first part of Dante's Divine Comedy, the "Inferno" (or "Hell") begins on the night before Good Friday in the year 1300, "halfway along our life's path". Dante is thirty-five years old, half of the biblical life expectancy of 70, lost in a dark wood, assailed by beasts he cannot evade, and unable to find the straight way to salvation. Conscious that he is ruining himself and that he is falling into a deep place where the sun is silent, Dante is at last rescued by Virgil, and the two of them begin their journey to the underworld. Each sin's punishment in Inferno is a contrapasso, a symbolic instance of poetic justice Includes unique illustrations.

The Divine Comedy: The Vision of Hell, Purgatory, and Paradise: Hell, Dante Alighieri. The Divine Comedy (Italian: Divina Commedia is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT037167Translated by Charles Rogers. London: printed by J. Nichols; and sold by T. Payne and Son, J. Dodsley, B. White, J. Robson, P. Elmsly, C. Dilly, Leigh and Sotheby, P. Molini, and T. Evans, 1782. 4],135, 1]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT129305A reissue with a new titlepage, of the 1783 edition. Parallel Italian and French texts. Probably printed in Paris. With a half-title. Londres i.e. Paris]: et se trouve Paris, chez Cussac, 1788. xlvii, 1],503, 1]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT127831With a list of subscribers. A reissue of the Dublin edition of 1785, with new titlepages. London: printed by C. Dilly, 1785. 2v.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT127831With a list of subscribers. A reissue of the Dublin edition of 1785, with new titlepages. London: printed by C. Dilly, 1785. 2v.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT129282The titlepages are engraved. With two 'Lettera sopra Dante, del Sig. Dottore Vincenzio Martinelli, al Sig. Conte d'Orford'. The imprint is false; probably printed in Leghorn. Londra i.e. Leghorn?]: 1778. Si vende in Livorno presso Gio: Tom. Masi e Comp., 1778]. 2v., plates; 12

"Were Merwin not one of America's most admired poets, he would still be as famous as translators get." --Publishers Weekly (starred review)"In the foreword to his new translation of Purgatorio], Merwin . . . writes feelingly of his 30-year obsession with the poem. And indeed, the flaws as well as the virtues of his new rendering may be said to stem from a profound reverence for the original." --The New York TimesW. S. Merwin's rendition of the Purgatorio is considered a pinnacle and highlight from a prolific and celebrated career in poetry and translation. The most neglected and arguably the most rewarding book of Dante's Divine Comedy, Purgatorio finds Dante undertaking the arduous journey of scaling the terraces of Mount Purgatory. Presented in a bilingual edition with the translator's notes and commentary, Merwin's interpretation of Dante's great poem of sin, repentance, and salvation is a profoundly moving work of art and a luminous translation for our time. When asked why he translated this book, as opposed to the Inferno or Paradiso, Merwin responded, "The Purgatorio is more like life." From "Canto XXII" And I went on, lighter than I had beenat the other passageways, so that withouteffort I climbed after the swift spirits, when Virgil began, "Love that is set alightby virtue always sets alight anotherif only its flame can be seen shining outW. S. Merwin is one of America's greatest poets and translators. He won the Pulitzer Prize twice, most recently for The Shadow of Sirius. He lives in Hawaii, where the Governor declared Merwin's birthday--September 30--"W. S. Merwin Day."

In the third and final part of The Divine Comedy, Dante recounts his journey through heaven, after the travails and torments of Hell and the arduous ascent of Mount Purgatory, creating a cosmology of the highest realm of creation which is astonishing in its complexity. In Dante's imagining, Paradise is formed out of concentric spheres surrounding the Earth, beginning with the Moon and ending with the Empyrean. Dante must traverse these ethereal regions guided by his beloved Beatrice, as a means of attaining wisdom, revelation and beatitude. Containing some of Dante's finest poetry, Dante's Paradise is an enduring vision of grace and a powerful allegory for the struggle for redemption. This dual-text edition completes J. G. Nichols's masterful verse translation of The Divine Comedy.

Il Convivio (1304-1307), dal latino convivium, ovvero "banchetto" (di sapienza), la prima delle opere di Dante scritta subito dopo il forzato allontanamento di Firenze. un prosimetro che si presenta come un'enciclopedia dei saperi pi importanti per coloro che vogliano dedicarsi all'attivit pubblica e civile senza aver compiuto gli studi superiori.