Hannah McGregor

The growth of scholarly podcasting engenders radical possibilities for how we conceive of knowledge creation and peer review. By investigating the historical development of the norms of scholarly communication, the unique affordances of sound-based scholarship and the transformative potential of new modes of creating and reviewing expert knowledge, Podcast or Perish is the call to action academia needs, by asking how podcasting might change the very ways we think about scholarly work.

The growth of scholarly podcasting engenders radical possibilities for how we conceive of knowledge creation and peer review. By investigating the historical development of the norms of scholarly communication, the unique affordances of sound-based scholarship and the transformative potential of new modes of creating and reviewing expert knowledge, Podcast or Perish is the call to action academia needs, by asking how podcasting might change the very ways we think about scholarly work.

Moving, political and unafraid, Queer Plays Volume One brings together eight vital works by Scottish playwrights whose voices have helped shape—and challenge—contemporary theatre. Spanning 50 years of queer Scottish theatre, styles and theatrical forms, these plays explore identity, desire, family, faith, friendship, politics, memory and belonging with wit, urgency and heart. From intimate acts of self-revelation to sharp comedy, mythic reinvention and queer resistance, this anthology captures the richness and range of LGBTQ+ Scottish drama. Published with the support of the Scottish Society of Playwrights, this landmark collection is a celebration of queer lives on stage. Foreword by Alan Cumming. Curated by JD Stewart Contents: Sex, Chips and Holy Ghost by Jo Clifford Medea on the Mic by Nazli Tabatabai-Khatambakhsh Ness by Hannah McGregor Someone Good (or, The Gay Extremist) by Kathy McKean Mum, Dad, There’s Something I Got To Tell You by John Binnie The Fork by Ian Brown Flick and Pie Go Fishing by Laila Noble Molly’s Collar & Tie by Christopher Deans

A smart and incisive exploration of everyone's favorite dinosaur movie and the female dinosaurs who embody what it means to be angry, monstrous, and free The Jurassic Park series is one of the most famous and profitable movie franchises of all time -- an entire generation of people has never known life without these CGI dinosaurs. The movie spectacle broke film and merchandising records, pioneered special effects, and made Jeff Goldblum into an unlikely sex symbol, and now it has also been re-envisioned as a classic of queer feminist storytelling. In Clever Girl, Hannah McGregor argues that the female-only dinosaurs of Jurassic Park are stand-ins for monstrous women, engineered by men to be intelligent, violent, and adaptive, and whose chaos resists the systems designed to control them. As they run wild through their prison, a profit-driven theme park, they destroy the men and structures who mistakenly believed in their own colonialist and capitalist power, showing the audience what it means to be angry, monstrous, and free. The velociraptors were not just jump scares for children but also revelatory and predatory symbols of feminist rage. Clever girls, indeed. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.

How do you tell the story of a feminist education, when the work of feminism can never be perfected or completed? In A Sentimental Education, Hannah McGregor, the podcaster behind Witch, Please and Secret Feminist Agenda, explores what podcasting has taught her about doing feminist scholarship not as a methodology but as a way of life. Moving between memoir and theory, these essays consider the collective practices of feminist meaning-making in activities as varied as reading, critique, podcasting, and even mourning. In part this book is a memoir of one person’s education as a reader and a thinker, and in part it is an analysis of some of the genres and aesthetic modes that have been sites of feminist meaning-making: the sentimental, the personal, the banal, and the relatable. Above all, it is a meditation on what it means to care deeply and to know that caring is both necessary and utterly insufficient. In the tradition of feminist autotheory, this collection works outward from the specificity of McGregor’s embodied experience – as a white settler, a fat femme, and a motherless daughter. In so doing, it invites readers to reconsider the culture, media, political structures, and lived experiences that inform how we move through the world separately and together.