Langston Hughes

Storytelling is an ancient and powerful human tradition. It ties us to cultural memory and the experiences of those who came before us, linking one generation to the next. Oral tradition is of keen importance to Black heritage and is honored here in this classic work by poet and Harlem Renaissance leader Langston Hughes. Vivid illustrations by contemporary artist Gary Kelley pair with Hughes's 1926 poem in picture-book form to invite young learners to curl up and listen as Aunt Sue recounts her many shadow-crossed stories of slavery and a life hard lived.

The Mule-Bone; A comedy of Negro life in three acts, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Dieses klassische Buch wurde urspr nglich vor Jahrzehnten unter dem Titel ""The Mule-Bone A comedy of Negro life in three acts"". Es wurde jetzt von Writat f r seine franz sischsprachigen Leser in die franz sische Sprache bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit am Herzen. Wir haben dieses Buch ins Franz sische bersetzt, damit heutige und zuk nftige Generationen es lesen und bewahren k nnen.

Ce livre classique a t initialement publi il y a plusieurs d cennies sous le titre ""The Mule-Bone A comedy of Negro life in three acts"". Il a maintenant t traduit par Writat en langue fran aise pour ses lecteurs francophones. Chez Writat, nous sommes passionn s par la pr servation du patrimoine litt raire du pass . Nous avons traduit ce livre en fran ais afin que les g n rations pr sentes et futures puissent le lire et le pr server.

Etsitkö jännitystä, uusia näkökulmia tai rentouttavaa lukuelämystä? Tutustu kirjakategorioihimme ja löydä seuraava suosikkikirjasi.

Discover the power and joy of poetry in this simple, modern introduction to Langston Hughes, featuring an ode to spring and long-awaited new beginningsIn this illustrated adaptation of a beloved Langston Hughes poem, a child delights as the world around him awakens from winter and comes to life with the long-awaited arrival of spring and new beginnings of all kinds.

“Droning a drowsy syncopated tune, / Rocking back and forth to a mellow croon, / I heard a Negro play. / Down on Lenox Avenue the other night / By the pale dull pallor of an old gas light / He did a lazy sway…” with these first lines, Hughes invites the reader to an experimental playground that tells the story of a Black man’s life in America. Featuring such poems as, “Dream Variations,” “The Negro Speaks of Rivers,” and “Our Land,” he weaves in and out of verse, highlighting the lows of struggle in the face of segregation and racism but also the highs of creation from the time when, “the Negroes were in vogue.” A celebration of music from beginning to end, The Weary Blues is the debut poetry collection published by leading Harlem Renaissance poet, Langston Hughes. Now considered to be an American classic, The Weary Blues embodied the feel of the rhythm, improvisation and soul that informed Black classical music, pioneering the genre of “jazz poetry,” and leaving an irreplaceable mark in the African-American literary canon. Professionally typeset with a beautifully designed cover, this edition of The Weary Blues is a sensational reimagining of a Harlem Renaissance staple for the modern reader.

A celebration of music from beginning to end, The Weary Blues is the debut poetry collection by the foremost Harlem Renaissance poet, Langston Hughes. Droning a drowsy syncopated tune, / Rocking back and forth to a mellow croon, / I heard a Negro play. / Down on Lenox Avenue the other night / By the pale dull pallor of an old gas light / He did a lazy sway. . . With these first lines, Hughes invites the reader into an experimental playground that tells the story of a Black man's life in America. Featuring poems such as, "Dream Variations," "The Negro Speaks of Rivers," and "Our Land," Hughes weaves in and out of verse, highlighting the lows of struggle in the face of segregation and racism, but also the highs of creation from the time when, "the Negroes were in vogue." Now considered to be an American classic, The Weary Blues embodies the feel of the rhythm, improvisation, and soul of Black classical music, pioneered the genre of "jazz poetry," and left an irreplaceable mark in the African-American literary canon. Professionally typeset with a beautifully designed cover, this edition of The Weary Blues is a sensational reimagining of a Harlem Renaissance staple for the modern reader.

VINTAGE CLASSICS' HARLEM RENAISSANCE SERIESCelebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'White peoples maybe mistreats you an' hates you, but when you hates 'em back, you's de one what's hurted, 'cause hate makes yo' heart ugly - that's all it does'Sandy's in the fifth grade when he's forced to sit on the back row away from his white classmates and denied entry to a new amusement park. His grandmother, who is raising him alongside his mother and aunt, tells him that love is the only thing to make room for in his heart. But it's Sandy's discovery of literature that inspires him to continue his education and make sense of the unjust world he inhabits in the debut novel from one of the foremost pioneers of the Harlem Renaissance.'[Hughes] gives his readers... a guide for careful consideration of the lives of everyday black people. Such a guide is still useful to readers and writers today. Perhaps now more than ever' Angela Flournoy, New York Times

THE CELEBRATED SHORT STORY COLLECTION FROM THE AMERICAN POET AND WRITER OFTEN CALLED THE 'POET LAUREATE OF HARLEM'A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street. Written with sardonic wit and a keen eye for the absurdly unjust, these fourteen stories about racial tensions are as relevant today as the day they were penned, and linger in the mind long after the final page is turned.'Powerful, polemical pieces' New York Times'Some of the best stories that have appeared in this country in years' North American Review

A leading figure of the Harlem Renaissance, Langston Hughes was the first to use his poetry to reflect the real daily lives of average Black people. This collection celebrates Black pride and contains messages of hope and optimism from the 1920s. Langston Hughes is often referred to as the Poet Laureate of African-American experience. The writer featured themes of cultural heritage, racial discrimination, and optimism in his poetry. He used his work to reflect the struggles of Black people in America, but also to send messages of hope. Jazz and blues had a strong influence on his work and dreams are a recurring theme in his poetry. Not only does Hughes comment on the American dream and Black people's inability to achieve it, but he also uses dreams as a symbol of hope for equity and freedom. This collection features several sections, including: - The Weary Blues - Dream Variations - The Negro Speaks of Rivers - Black Pierrot - Water-Front Streets - Shadows in the Sun - Our Land Where the Jazz Band Plays - The Weary Blues has been proudly published by specialist poetry imprint Ragged Hand and features an introductory excerpt by Carl Van Vechten and the introductory essay A Brief History of the Harlem Renaissance. This collection is a perfect gift for fans of Hughes' poetry and those with an interest in Black history.

A collection of interviews, speeches, and essays by Langston Hughes. Let America Be America Again: Conversations with Langston Hughes is a record of a remarkable man talking. In texts ranging from early interviews in the 1920s, when he was a busboy and scribbling out poems on hotel napkins, to major speeches, such as his keynote address at the First World Festival of Negro Arts in Dakar, Senegal, in 1966, Hughes's words further amplify the international reputation he established over the course of five decades through more widely-published and well-known poems, stories, novels, and plays. In these interviews, speeches, and conversational essays, the writer referred to by admirers as the "Poet Laureate of the Negro Race" and the "Dean of Black Letters" articulated some of his most powerful critiques of fascism, economic and racial oppression, and compromised democracy. It was also through these genres that Hughes spoke of the responsibilities of the Black artist, documented the essential contributions of Black people to literature, music, and theatre, and chronicled the substantial challenges that Black artists face in gaining recognition, fair pay, and professional advancement. And it was through these pieces, too, that Hughes built on his celebrated work in other literary genres to craft an original, tragic-comic persona--a Blues poet in exile, forever yearning for and coming back to a home, a nation, that nevertheless continues to disappoint and harm him. A global traveler, Hughes's words, "Let America be America Again" were, throughout his career, always followed by a caveat: "America never was America to me."

The Weary Blues is Langston Hughes's first published collection of poems, immediately celebrated as a tour de force upon its release. Over ninety years after its publication, it remains a critically acclaimed literary work and still invokes a fresh, contemporary feeling and offers a powerful reflection of the Black experience. From the title poem "The Weary Blues," echoing the sounds of the blues, to "Dream Variation," ringing with joyfulness, to the "Epilogue" that mimics Walt Whitman in its opening line, "I, too, sing America," Hughes writes clearly and colorfully, and his words remain prophetic and relevant today.

"The Weary Blues" is the powerful and ground-breaking collection of poetry by American author Langston Hughes. An important contribution to the growing Harlem Renaissance art movement, "The Weary Blues" was Hughes' first poetry collection and was published in 1926 when the author was only 24, though some of the poems had appeared earlier in magazines. An immediate critical success, Hughes created a new form of poetry, called jazz or blues poetry, with his evocative and lyrical descriptions of the sounds and sights of a blues musician playing live. Hughes addresses the pressing social issues of racism, inequality, and political oppression while also capturing and celebrating the beauty and uniqueness of the African-American community in Harlem. In addition to the titular poem, "The Weary Blues" includes enduring classics of American poetry such as "The Negro Speaks of Rivers" and Hughes' inspiring call for equality that begins "I, too, sing America". These poems, as well as the shorter and more exuberant works, remain as relevant and powerful as when they were first written. This deeply personal, sensitive, and often melancholy collection established Hughes as one of the most important writers of the twentieth-century and continues to be celebrated and enjoyed by readers the world over. This edition is printed on premium acid-free paper.

This beloved poem by Langston Hughes, illustrated by the award-winning Sean Qualls, is an irresistible celebration of the love between mother and baby, now available in board book format. Award-winning illustrator Sean Qualls's painted and collaged artwork captures universally powerful maternal moments with tenderness. In the end, readers will find a rare photo of baby Hughes and his mother, a biographical note, further reading, and the complete lullaby. Like little love-ones, this beautiful book is a treasure." My little dark baby, / My little earth-thing, / My little love-one, / What shall I sing / For your lullaby?"

Celebrate 100 years of Langston Hughes's powerful poetry. A Coretta Scott King Honor Award recipient,Poetry forYoungPeople:Langston Hughesincludes26of the poet's most influential pieces, including: "Mother to Son"; "My People"; "Words Like Freedom"; "I, Too"; and "The Negro Speaks of Rivers"-Hughes's first published piece, which was originally released in June 1921. This collection is curated and annotated by Arnold Rampersad and David Roessel, two leading poetry experts. It also features gallery-quality art by Benny Andrews and a new foreword by Rene Watson, a Newbery Honor Award recipient and founder of the I, Too Arts Collective.

A collectible hardcover edition of our greatest African American poet's award-winning first novel about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela Flournoy A Penguin Classic When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America. Penguin Vitae--loosely translated as "Penguin of one's life"--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

With a new introduction by the multi-prizewinning young poet Kayo Chingonyi. For over forty years, until his death in 1967, Langston Hughes captured in his poetry the lives of black people in the USA. This edition is Hughes's own selection of his work, and was first published in 1959. It includes all of his best known poems including 'The Negro Speaks of Rivers', 'The Weary Blues', 'Song for Billie Holiday', 'Black Maria', 'Magnolia Flowers', 'Lunch in a Jim Crow Car' and 'Montage of a Dream Deferred'. A key figure in the Harlem Renaissance, Langston Hughes is now seen as one of the great chroniclers of black American experience - and one of the great artists of the twentieth century.