Richard Bradley

There have been many accounts of prehistoric 'art', but nearly all of them begin by assuming that the concept is a useful one. In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today. Extended case studies of two immensely popular and much-visited sites illustrate his argument: one considers the megalithic tombs of Western Europe, whilst the other investigates the decorated metalwork and rock carvings of Bronze Age Scandinavia.

An investigation into the political struggles of Harvard University as reflected by the controversial tenure of president Larry Summers cites the professional background and personality traits that caused many to believe he was a poor fit for the job, recounting the faculty disputes attributed to his decisions that resulted in a polarization on campus. By the author of American Son. Reprint. 20,000 first printing.