T. S. Eliot

The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot's poems establishes a new text of the Collected Poems 1909-1962, rectifying accidental omissions and errors that have crept in during the century since Eliot's astonishing debut, "The Love Song of J. Alfred Prufrock." In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot's youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot's critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum's Book of Practical Cats and Anabasis, his translation of St.-John Perse's Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

The second volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot's poems establishes a new text of the Collected Poems 1909-1962, rectifying accidental omissions and errors that have crept in during the century since Eliot's astonishing debut, "The Love Song of J. Alfred Prufrock." In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot's youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot's critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Following the collected and uncollected poems of the first volume, this second volume opens with the two books of verse of other kinds that Eliot issued: the children's verse of Old Possum's Book of Practical Cats, and Anabasis, his translation of St.-John Perse's Anabase. This volume then gathers the verses that Eliot contributed to the learnedly lighthearted exchanges of Noctes Binanian , and others that he wrote off-the-cuff or for intimate friends. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

Times Literary Supplement Book of the YearPegasus Award for Poetry Criticism, Poetry Foundation, ChicagoRichard J. Finneran Award, Society for Textual ScholarshipBest Scholarly Edition Award, Modernist Studies AssociationThe Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliot's poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poet's working processes, his reading, his influences and his revisions. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possum's Book of Practical Catsand his translation of Perse's Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets

Times Literary Supplement Book of the YearPegasus Award for Poetry Criticism, Poetry Foundation, ChicagoRichard J. Finneran Award, Society for Textual ScholarshipBest Scholarly Edition Award, Modernist Studies AssociationThe Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliot's poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poet's working processes, his reading, his influences and his revisions. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possum's Book of Practical Catsand his translation of Perse's Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets.

The Waste Land is a classic poem by T. S. Eliot, considered a landmark text of the Modernist movement. Famous for juxtaposing Eastern cultures with Western literary references, The Waste Land has been celebrated for its eloquence, depth of meaning and numerous subtleties. Rich with allusions to religious texts of Hinduism and Buddhism, ancient literature, and Eliot's own life, the poem is admired to this day and is a common text in school and university English literature courses. Painstakingly composed, the original drafts of The Waste Land were far longer than the final edition which is composed of five distinct parts. Truncation occurred on the advice of Eliot's contemporary and friend Ezra Pound. A famous line - ""And we shall play a game of chess/The ivory men make company between us / Pressing lidless eyes and waiting for a knock upon the door"" - was removed at the request of Eliot's wife Vivienne, it is thought for being too revealing about their married life.

The Waste Land is a classic poem by T. S. Eliot, considered a landmark text of the Modernist movement. Famous for juxtaposing Eastern cultures with Western literary references, The Waste Land has been celebrated for its eloquence, depth of meaning and numerous subtleties. Rich with allusions to religious texts of Hinduism and Buddhism, ancient literature, and Eliot's own life, the poem is admired to this day and is a common text in school and university English literature courses. Painstakingly composed, the original drafts of The Waste Land were far longer than the final edition which is composed of five distinct parts. Truncation occurred on the advice of Eliot's contemporary and friend Ezra Pound. A famous line - ""And we shall play a game of chess/The ivory men make company between us / Pressing lidless eyes and waiting for a knock upon the door"" - was removed at the request of Eliot's wife Vivienne, it is thought for being too revealing about their married life.

The Waste Land by T. S. Eliot. The Waste Land is a long poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruellest month", "I will show you fear in a handful of dust", and the mantra in the Sanskrit language "Shantih shantih shantih".

This superb anthology by T. S. Eliot features The Love Song of J. Alfred Prufrock, as well as a selection of other works from the poet's early career. The titular poem is steeped heavily in the Renaissance era literature with which T. S. Eliot was highly appreciative. The monologue is strongly inspired by readings of Dante Alighieri and William Shakespeare, poets whom deeply impacted Eliot during his youth and which he read meticulously. A work whose emotions include longing and regret, we hear Prufrock lament the missed opportunities and morose reflections of mortality which occupy his melancholic mind. For its eclectic embrace of past works in a monologue bursting with emotive depth, Prufrock was lauded as a triumphant work of the Modernist era. T. S. Eliot gained ample fame as a young literary, and would go on to author several other landmark poems throughout his life.

This superb anthology by T. S. Eliot features The Love Song of J. Alfred Prufrock, as well as a selection of other works from the poet's early career. The titular poem is steeped heavily in the Renaissance era literature with which T. S. Eliot was highly appreciative. The monologue is strongly inspired by readings of Dante Alighieri and William Shakespeare, poets whom deeply impacted Eliot during his youth and which he read meticulously. A work whose emotions include longing and regret, we hear Prufrock lament the missed opportunities and morose reflections of mortality which occupy his melancholic mind. For its eclectic embrace of past works in a monologue bursting with emotive depth, Prufrock was lauded as a triumphant work of the Modernist era. T. S. Eliot gained ample fame as a young literary, and would go on to author several other landmark poems throughout his life.

Thomas Stearns Eliot, OM was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets".

Modernity has not managed to erase the restlessness that seems to be intrinsic to what it means to be human. T. S. Eliot's disillusionment with modern civilization is timelessly encapsulated in his famous 1922 poem, "The Waste Land." The book is laced with allusions, like, for example, some that reference the Grail legend and others informed by Fraser's "Golden Bough." Eliot would dedicate the piece to Ezra Pound. This is the original 1922 version of the book, as published by "Boni and Liveright." It includes the notes that Eliot himself compiled. This version is a facsimile which has been carefully reproduced for generations of reading pleasure.

Mungojerrie and Rumpelteazer were a very notorious couple of cats. As knockabout clowns, quick-change comedians, tight-rope walkers and acrobats. And when you heard a dining-room smashThen the family would say: 'It's that horrible cat! It was Mungojerrie! and Rumpelteazer!' - And there's nothing at all to be done about that! Join the cat-burglars Mungojerrie and Rumpleteazer in the fifth picture-book pairing from Arthur Robins and T. S. Eliot's Old Possum's cats, as they steal meat from the oven and pearls from the drawers.

T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years. Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.

Beautifully illustrated by Arthur Robins and with an appeal extending beyond Eliot fans, Macavity's Not There! will sit alongside classic lift-the-flap books such as Where's Spot? and Dear Zoo.

Jellicle Cats come one and all. Jellicles come to the Jellicle Ball. Join the Jellicle Cats under the Jellicle Moon in the forth picture-book pairing from Arthur Robins and T. S. Eliot's Old Possum's cats, as they dance the night away. To sit alongside other classics such as The Gruffalo, The Tiger Who Came to Tea, and Spot.

Loosely based on the Arthurian legend of the Holy Grail and the Fisher King, "The Waste Land", which first appeared in 1922, is a landmark work of Modernist poetry. Containing hundreds of allusions and quotations from other works, "The Waste Land" is marked by a disjointed structure which moves between voices and imagery without a clear delineation for the reader, a hallmark of Modernist literature. Arguably Eliot's most famous work, the theme of the poem, as the title would suggest, is ultimately a dire one, of disillusionment, despair, and death. Also included in this collection is "The Love Song of J. Alfred Prufrock" a work which preceded "The Waste Land" having been first published in 1910. Regarded as the beginning of Eliot's influential period, "Prufrock" was considered idiosyncratic at first but with time has been recognized as an important shift in poetry from the Romantic era to the Modernist one. "The Wasteland and Other Poems", which includes an additional twenty-three poems, collects some of the most pivotal works of the Modernist literary movement, which would establish Eliot as one of the most important poets of the 20th century. This edition is printed on premium acid-free paper.

The sixth volume of the correspondences of literary giant T. S. Eliot The letters of T. S. Eliot collected in this sixth volume were written during the years the Nobel Prize-winning poet, playwright, critic, and essayist called, "the happiest I can ever remember in my life." Penned in large part during his tour of Depression era America, these letters reflect Eliot's resolve to end his torturous eighteen-year marriage to his wife, Vivienne, and offer fascinating descriptions of the author's encounters with F. Scott Fitzgerald, Edmund Wilson, Marianne Moore, and other notable figures.

Young readers will love searching for Macavity, the Mystery Cat in this fun and witty lift-the-flap book, based on one of the most famous of all T. S. Eliot's cats. Beautifully illustrated by Arthur Robins and with an appeal extending beyond Eliot fans, Macavity's Not There! will sit alongside classic lift-the-flap books such as Where's Spot? and Dear Zoo.