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Wilkie Collins
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Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled workings of the mind becomes linked to an investigation into the masquerades of femininity. Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady is a fascinating example of Collins's later fiction. First published in 1875, it employs many of the techniques used in The Moonstone, developing them in bizarre and unexpected ways, and in its Gothic and fantastic elements The Law and the Lady adds a significant dimension to the history of detective fiction.
The Black Robe is an 1881 epistolary novel by famed English writer, Wilkie Collins. The book relates the misadventures of Lewis Romayne, and is also noted for a perceived anti-Catholic bias. As the story begins, Romayne and his friend, Major Hynd, are in Boulogne to visit Romayne's aunt, who is dying. While there, Romayne attends a card game, where he has an argument with a corrupt card sharp, the General, who challenges him to a duel. However, the general doesn't turn up himself but nominates his son, an accurate shot, who should win the duel. Romayne absolutely does not want to fight but is goaded into doing so. Against the odds, he accidentally kills his opponent, and the screams of the man's brother after the death come to haunt Romayne for the rest of his life.
Wilkie Collins's intriguing story about a blind girl, Lucilla Finch, and the identical twins who both fall in love with her, has the exciting complications of his better-known novels but it also overturns conventional expectations. Using a background of myth and fairy-tale to expand the boundaries of nineteenth-century realist fiction, Collins gives one of the best accounts in fiction of blindness and its implications.
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Collins's introduction reveals he wrote the story to show 'the influence of a heavy responsibility on a naturally timid woman, whose mind was neither strong enough to bear it, nor bold enough to drop it altogether.' The Secret of the title is the parentage of the heroine, Rosamond Treverton, who has been passed off as the daughter of the wealthy former actress Mrs Treverton of Porthgenna Tower, but is in fact the illegitimate child of her servant Sarah Leeson by a local miner (Mrs Treverton's motive was to provide her husband with a child, being apparently unable to bear children herself). Sarah writes down the details of the Secret from the words of the dying Mrs Treverton, and hides the paper bearing the message in an unused room at Porthgenna. The novel then jumps forward some twenty years. Rosamond has married the blind Leonard Frankland, who now owns Porthgenna Tower. Sarah, now living under her married name, acts as a nurse after Rosamond-s childbirth, and gives Rosamund a cryptic warning to avoid the room in which the Secret is hidden. On a visit to Porthgenna, Rosamond finds the paper detailing the Secret and reveals it to Leonard. Leonard, who originally believed that Rosamond was a wealthy heiress, accepts that his wife is illegitimate, but refuses to accept her inheritance as the presumed daughter of the Trevertons. In the course of things, this would now pass to Mrs Treverton's miserly brother-in-law Andrew (whose introduction, together with his villainous servant, provides some comic relief in the novel). But Andrew Treverton, somewhat out of character, refuses to accept the windfall and Rosamond remains the heiress of the Trevertons in the expected happy ending.
When a condemned woman asks the local Minister to take her daughter home, the childless man is touched and finds himself unable to refuse. Yet the prisoner is unrepentant of the murder of her husband. Will her vices be passed on to this seemingly sweet child?
This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.
Heart and Science is one of Wilkie Collins' didactic novels. It is the story of young doctor Ovid Vere, who fights for his love against all resistance of his family and their immediate circle of acquaintances. The novel features a large inheritance, a secret engagement, and an evil stepmother, but what makes the novel truly remarkable is that Wilkie Collins, who was always very fond of animals, speaks out in this volume against animal cruelty in the sciences.
Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled...
At the centre of Hide and Seek (1854) a secret waits to be revealed. Why should the apparently respectable painter Valentine Blyth refuse to account for the presence in his household of the beautiful girl known as Madonna? It is not until his young friend Zack Thorpe, who is in rebellion against his repressive father, gets into bad company and meets a mysterious stranger that the secret of Madonna can be unravelled. Wilkie Collins's third novel, dedicated to his life-long friend Dickens, is a story in which excitement is combined with charm and humour. In its mixture of the everyday and the extraordinary, Hide and Seek forms a bridge between the domestic novel and the sensational fiction for which Collins later became famous.
Sans nom. Partie 2 / par W. Wilkie Collins, ...; traduction E.-D. ForguesDate de l'edition originale: 1863Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.frhttp: //gallica.bnf.fr/ark: /12148/bpt6k5467987t
A breathtaking classic of psychological suspense by the inventor of the detective novel, Wilkie Collins, with an afterword by writer, editor and playwright David Stuart Davies. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. On a moonlit London night, art teacher Walter Hartwright meets a young woman – beautiful, terrified and dressed entirely white – alone on the street. Compelled to help this piteous creature, he finds himself caught up in a world of secrets, murder and madness, with an impossible mystery to solve. The odds seem stacked against him, but a sleuthing partnership with the brilliantly clever Marian Halcombe may be just enough to outwit their formidable nemesis – the menacing Count Fosco.
Wilkie Collins's ghost story was set in 1860 and published in book form with 'My Lady's Money'. It was dedicated to his friends Mr and Mrs Sebastian Schlesinger. Apart from supernatural elements, the story contains detective procedures and an insurance fraud relying on substituted identity that anticipates the later Blind Love (1890). The story is unusually horrific for Collins. Lady Lydiard has an uncomfortable bit of business to settle, and intends to do so with a five hundred pound note. But just as she is about to complete the letter with which she is to send the note off, an emergency occurs in the house, and for a little while everyone is preoccupied - be it with the sick dog Tommie, the management of the house, or a kindling love. But when everything settles down again, the note is missing. Who took it?