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Kirjailija

Claude McKay

Kirjat ja teokset yhdessä paikassa: 62 kirjaa, julkaisuja vuosilta 1987–2027, suosituimpiin kuuluu Graphic Classics Volume 22: African-American Classics. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

62 kirjaa

Kirjojen julkaisuvuodet: 1987–2027.

Graphic Classics Volume 22: African-American Classics

Graphic Classics Volume 22: African-American Classics

Langston Hughes; Zora Neale Hurston; W.E.B. Du Bois; Jean Toomer; Paul Laurence Dunbar; Alice Dunbar Nelson; Charles W. Chesnutt; Claude McKay; Florence Lewis Bentley; Frances E.W. Harper

Eureka Productions
2012
nidottu
African-American Classics presents great stories and poems from America"s earliest Black writers, illustrated by contemporary African-American artists. Featured are "Two Americans" by Florence Lewis Bentley, "The Goophered Grapevine" by Charles W. Chesnutt, "Becky" by Jean Toomer, two short plays by Zora Neale Hurston, and six more tales of humor and tragedy. Also featured are eleven poems, including Langston Hughes" "Danse Africaine" and "The Negro", plus Paul Laurence Dunbar"s "Sympathy" ("I know why the caged bird sings...")
Banjo

Banjo

Claude McKay

Ecco Press
2023
nidottu

Halvin toimitettuna 24,60 €

From the author of Home to Harlem, a novel about dreams, diaspora, and drifting back homeLincoln Agrippa Daily, known to his drifter cohorts on the 1920s Marseilles waterfront as "Banjo," passes his days panhandeling and dreaming of starting his own little band. At night, Banjo, Malty, Ginger, Dengel, Bugsy, Taloufa, Goosey, and even Jake of Home to Harlem prowl the rough waterfront bistros, drinking, looking for women, playing music, fighting, loving, and talking--about their homes in Sengal, the West Indies, or the American South; about Garvey's Back-to-Africa Movement; about being Black. When Ray, a writer, joins the group, it triggers his rediscovery of his African roots and his feeling that, at last, he belongs to a race, "weighted, tested, and poised in the universal scheme."
Home to Harlem

Home to Harlem

Claude McKay

Union Square Co.
2026
nidottu
From a key voice of the Harlem Renaissance, Claude McKay's classic novel about the vibrant but perilous world of Jazz Age Harlem, freshly repackaged for the Union Square & Co. Signature Editions line. Back in Harlem after fleeing the horrors of World War I, Jake has left his past behind--only to find himself drawn into the city's seductive Jazz Age underworld. He navigates the bustling nightclubs and treacherous streets, discovering a society caught between dazzling artistic expression and unrelenting struggle, all while desperately searching for the one person he hopes can truly bring him home. Originally published in 1928, Home to Harlem is a raw, fearless exploration of identity, race, and class in the midst of the bourgeoning Harlem Renaissance from a "uniquely timeless" writer (Los Angeles Review of Books).
Letters in Exile

Letters in Exile

Claude McKay

YALE UNIVERSITY PRESS
2025
sidottu
A collection of private correspondence from one of the Harlem Renaissance’s brightest and most radical voices The Jamaican-born, queer author Claude McKay (1890–1948) was a central figure of the Harlem Renaissance. His 1919 poem “If We Must Die” expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay’s never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris’s Lost Generation, immerses himself in the Marseille dockers’ noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.
Home to Harlem

Home to Harlem

Claude McKay

PENGUIN BOOKS LTD
2025
pokkari

Halvin toimitettuna 23,90 €

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI, through Jake, an African American longshoreman who deserts the U. S. army and returns to his home in Harlem, and Ray, a Haitian intellectual expatriate. With his use of dialect, McKay portrays these men and other working-class characters who try to stay afloat in a complex world of isolation, racial discrimination, and excitement drawn from Harlem’s jazz nightlife. Home to Harlem sparked controversy among Black middle-class critics, such as W. E. B. Du Bois, who considered it reductive and stereotypical, while other critics such as Langston Hughes embraced it for its frankness and for the relevance of McKay’s reflections on the Black working-class experience and the social and racial inequalities of the day. This debate within the Harlem Renaissance literary world and curiosity about Harlem from white readers drove Home to Harlem to become the first commercial bestseller by an African American novelist.